reading schedule
supplemental material:
supplemental material:
films
the staff
exam
There will be a comprehensive final examination, given during the regularly scheduled time assigned to this course by the university registrar. (The date and time will be announced during the term.)
papers
Students will be required to write six short papers (2 pages, double-spaced, approximately 500 words). Three of the papers will be Type A writing assignments, and three will be Type B.
Type A papers: During the weeks when we will be viewing films, a series of topics will be handed out immediately before Monday afternoon screening. Students will be assigned topics on the basis of which they will lead informal discussions during the Tuesday and Thursday class periods. On Thursday of that week,* a two-page paper (double spaced,
Primo Levi in later years |
Type B papers: During most of the weeks when we will be
discussing a text, students have the option of writing and handing in a
Type B paper. Every student must write three such papers--in other words,
choosing three of the five occasions when such papers are due. But note
that the Periodic Table assignment is required of all students,
so in effect you must also write 2 of the other 4 options. The topics
for Type B papers are given below. Type B papers must be handed in at
the beginning of class on the first day of discussion of the relevant text
(mostly Tuesdays). Papers handed in after class or on Thursday of that week
will not be accepted. The point of this paper is for students to write
about
a work before we discuss it in class. In addition to the special
Type B paper required of all students (due 10/29), Type B papers can be
handed in at the beginning of class on
9/17, 10/15, 11/14, and 12/3.
Paper topics for Type B are as follows:
paper due at the beginning of class on 10/15: In your view,
does Langer believe that there is therapeutic value in survivor testimony?
(Be sure to find out for yourself what "therapeutic" connotes in this
context. You might well ask: Therapeutic for whom?--and be sure you
think about the various possibilities.) Take about half the space in your
paper describing what you take to be Langer's position on this matter. Then
in the second half say what you think of Langer's position - and explain
your view with specific reference to Langer's book. When we ask you to
describe what you think, we are not asking for general impressions or
sentiments; we are asking for an interpretive position supported by an
analytical point of view.
paper due at the beginning of class on 10/29:
Each student will be assigned an element. Analyze the way in which the
element functions as symbol or metaphor within that particular episode of
Levi's life story. Keep in mind that each element is used as a distinct kind
of structural device in Levi's writing. Your element will be used as a
literary device uniquely (different from the way other elements are used in
other chapters).
paper due at the beginning of class on 11/14:
What
does Des Pres mean when he writes that "all things human take time" (p.
89)? What does he mean by it specifically--in the context of the
chapter in
which that statement occurs? (In other words, How does that idea help him
make the argument of that chapter?) Also, what does he mean by it
generally? And
how does this point help Des Pres make his case against the interpretation
(by, for
instance, psychoanalytic critics) that those in the camps, including
survivors, were dehumanized?
paper due at the beginning of class on 12/3:
Spiegelman's two-volume Maus is obviously about what happened in the
Holocaust. It is also obviously an allegory of prejudicial human behavior.
But it is also "about" the narrative problem of how to tell a
survivor's story. In a way, you could say that one of its themes is
the form of narration. To put it another way: Maus is about
itself (about its own narrative construction). In your paper take up about
half the space to describe Spiegelman's ideas about the narrative problem.
Use about half the space then to evaluate this approach specifically (with
regard to Maus itself and generally, comparing it to any other one
text or film in the course so far). Does Maus fare relatively well in
solving or at least addressing the narrative problem?
additional film showings
PVN Movie Channel 11 will show these films at the listed times. Note that
Channel 22 repeats each showing a few hours later. In addition, teach film
is in the regular movie rotation of 15 or so films per week, so there will
be supplementary showings also not listed. Consult the PVN schedule for
more information:
paper due at the beginning of class on 9/17: Does Levi in
Survival in Auschwitz have a theory about survival (about who
survives and who doesn't)? To the extent that he does have such a
theory, what is it? What role, if any, does "culture" play in survival?
Summarize Levi's view generally but also be sure to offer a sampling of
details from the text to support your summary. Be sure to integrate into
your paper a clear sense of what you think of what you take to be
Levi's theory of survival? Do the details of Levi's own experience support
his theory? What is your reaction to surviving Auschwitz as depicted in
Survival in Auschwitz?
Schindler's List - Wed 10/16/02 - 6 PM
Schindler's List - Tue 10/29/02 - 6 PM
Life is Beautiful - Mon 10/7/02 - 6 PM
Life is Beautiful - Thu 10/24/02 - 6 PM
The Truce - Wed 11/6/02 - 6 PM
The Truce - Wed 11/20/02 - 6 PM
Periodic Table papers assignments:
A-C Argon
D-E Zinc
F-H Iron
I-K Potassium
L-M Phosphorus
N-O Gold
P-Q Cerium
R-T Chromium
U-Z Carbon