sobriety test The art of !hyperpataphysics or a random 'pataphysical chorus?
2 hypercard stacks & "QUANTUM 'PATAXERGENY 1988-1938" the first
hypertext of the Invisible Satrap of Corpuscular Abundance.
Codex "...die zweite ein gef�lschter Maya-Codex als vorgeblich �ltestes
Manifest k�nstlerischen Plagiatorentums..."
emmett A typofantastic epic voyage mapped onto 3 x 3 grid of letters.
language of plant-breath, as flash, as font, as jpegs. A tributary for Armand
botanical intersign memory of Philadelpho Menezes.
MINISTRY OF MISINFORMATION You have been invited to interact with the BABYLON
MINISTRY OF MISINFORMATION "impersonate peaceful truths, reconsider violent
Glitch Millenium Sometimes
it just plain OK if the alignment of the ascender is an unpredicted variation
of the x-height. Are some glyphs laughing at the propriety of all characters
being the same precise weight?� Intended as a display face for agit
prop design, it can also be coaxed into a text face down to 12 pt.�
Optimized for the display of inelegant coding.
plays three-dimensional tricks wih small bits of syllabix, making them resonate
with each other across depth and width, a verbal advent heralding the arrival
of new word possibilities.
is a self-eroding, unstable cenotaph as love disappears by naural pocesses
of decay, erosion and circumstance, as well as by unnatural processes of
missive Erosive Media/Rose E-missive comments on the process of textual
Eros/ion, both thematic and methodological.
by elizabeth james & mIEKAL aND:
dialogues amidst e & cybele, MOO idiolections, late night London to evening
Wisconson, over & out. Frame/puzzles by elizabeth james.
by Sheila Murphy & mIEKAL aND:
too brief shimmy-shimmy email collaboration. The mouth you make flute by
makes writing music. I don't want this to end.