ALAN GOLDING
PERSONAL:
Dept. of English
1504 Sylvan Wynde
Univ. of Louisville
Louisville, KY 40205
Louisville, KY 40292
502-852-6801
502-458-0963
E-mail: acgold01@gwise.louisville.edu
EDUCATION: 1975-80: Ph. D. (Honors), University of Chicago;
1974-75: M. A. (Honors), University of
Chicago; 1971-74: B. A., University of
Exeter, Devon, England
TEACHING: Aug. 1987- : University of Louisville (full professor
and Director of Undergraduate Studies in English since 1996); Aug. 1984-May
1987: Asst. prof. of English, University of Mississippi; July 1980-June 1984:
Visiting lecturer, UCLA.
PUBLICATIONS
(since 1995 only):
(1)
Books:
From Outlaw to Classic:
Canons in American Poetry (University of Wisconsin Press, 1995). Selected as a CHOICE magazine
Outstanding Academic Book for 1996. Reprinted 1998.
(2)
Articles/book chapters:
“‘Isn’t the avant-garde
always pedagogical’: Experimental Poetics and/as Pedagogy,” The Iowa Review
(forthcoming, 2001).
“Place, Space, and Syntax in
George Oppen’s Seascape: Needle’s Eye. Sagetrieb (forthcoming).
“Authority, Marginality,
England and Ireland in the Work of Susan Howe.” Something They Have That We Don’t’: Anglo-American
Poetic Relations Since WWII, ed. Steve Clark and Mark Ford (Cambridge
University Press, under consideration).
"Recent American Poetry
Anthologies and the Idea of the 'Mainstream.'" Poetry and Contemporary
Culture: The Question of Value, ed. Andrew Michael Roberts and Jonathan
Allison (Edinburgh University Press, forthcoming 2001).
"'Drawings with words':
Susan Howe's Visual Poetics." "We Who 'Love to Be Astonished'": Experimental Feminist
Poetics and Performance Art, ed. Laura Hinton and Cynthia Hogue (University
of Alabama Press, forthcoming 2001).
"George Oppen's Serial
Poems." The Objectivist Nexus: Essays in Cultural Poetics, ed.
Peter Quartermain and Rachel Blau DuPlessis (University of Alabama Press,
1999), 84-103. (Revision of previously published essay.)
"New, Newer, and Newest
American Poetries." The Recovery of the Public World: Essays in Honour
of Robin Blaser, His Poetry and Poetics, ed. Ted Byrne and Charles Watts
(Talonbooks, 1999): 339-50. (Reprint of previously published essay.)
"Bruce Andrews' Poetics
and the Limits of Genre," Aerial 9 (1999): 196-207.
"The New American
Poetry, Revisited Again," Contemporary Literature 39 (1998):
180-211.
"New, Newer, and Newest
American Poetries." Chicago Review 43.4 (1997): 7- 21.
(3)
Work in Progress:
Avant-Gardes and
Institutions: Essays on the New American Poetics and After. A gathering of published
and unpublished work from recent years, with an emphasis on poetry anthologies
and on the work of individual Language writers.
“Isn’t the avant-garde
always pedagogical”: Experimental Poetics and/as Pedagogy. A study of the relations
between experimental American poetics and notions of the didactic or the
pedagogical in the twentieth century.
"Language Writing,
Theory, and the Institutions of Poetry: The Example of Bob Perelman.” For West
Coast Line “Poet’s Prose” issue.
"The Dial, The
Little Review, and Modernist Canonicity." For essay collection on
modernist little magazines, ed. Suzanne Churchill and Adam McKible.
“‘What about all this
writing?’: Williams, Language Poetry, and Beyond.” For Marjorie Perloff
festschrift issue of Sagetrieb.
Essays
have also appeared in Sagetrieb, The Cafe Review, Melville
Society Extracts, Arizona Quarterly, American Literary History,
Modern Philology, Mid-American Review, Publications of the
Mississippi Philological Association, Journal of Advanced Composition,
Ironwood, Language and Style, and Poe Studies, and in
collections from Gale Research, Greenwood, and the University Presses of
Chicago, California, Kent State, Cambridge, North Carolina, and Wisconsin.
Professional
service includes acting as general co-editor of the University of Wisconsin Press
Series on Contemporary North American Poetry.