The Experioddicist #5

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WELCOME TO THE EXPERIODDICIST #5. Please address all correspondance and
submissions to this e-mail address or 
9th St. Laboratories
P.O.Box 3112
Florence, AL 35630
A print version of the Experioddicist is available for $1 at the above
address. It is different from the electronic version. For the next 12 issues
focusing on single contributor issues including Joe Speer, Dan Raphael,
Gregory Vincent St. Thomasino, Susan Nash Smith, Al Ackerman and others.
Apologies this issue to Robert Sward for not being able to publish more of
his poetry. This is all that made it through the wires.

The Valla Problemata (FCLC Mix) - Gregory Vincent Saint Thomasino

Show me 
the geometer's points,
lines
& surfaces!
(nowhere to be found....)

Happy & beautiful & without thought of
daily-
affair....
(sometimes too palette pink & blue?)

The distance of lines & angles...
the shame & anger in the looks of
a man....

& How my blushing gladness
brrrrrrrrings....

V. practiced ventriloquism
by talking with figs in his mouth.
His wealthy father said, "That is impolite."
He thought to spit them out,
but thinking twice, he swallowed hard....

V. is doing Mahler,
V. is doing Liszt,
V. has little Timmy on his hip.
Timmy says all men are Finnegans,
and whiskey is the water o' life.
Timmy says the Irish have the gift of song.
(Why then are there no Irish composers?)

V. Knows the power of recaptured memory
V. Knows the satisfaction of the instinct
V. knows eternity, androgeny & the senses of Orlando
V. knows the science of the impossible
V. knows Charlotte Rampling & Dominique Sanda
V. knows Liliana Cavani & Oriana Fallaci
& all V.'s man's men are Hemingway

************************************************************

from DAYS - HANK LAZER

18

hello technicians
of approved emotions
a run of one-eyed
dog paws back door
who will do your
fitting bob tell our
contestants in light of
new hubble data re
figure the big bang
what they've one

19

from inside the work
how hip it is
don't matter diddly shit
pulse passes fair
full fathom five
her brown eyes stare
advocates of a written
medium convene speak
adverbially
among each other

20

felt there
curved earth
cable to con
struct fair medium
meat hook hands
stares down rapt
well vision addresses
the ball starts back
eyes ever more intense
father son wholly goes 


37

existence in the
abstract makes some
sense but not
when set among
actual events greed
deliberately misleading rhetoric
murder and broadcast
fascination detailing the
failures of the
already falling fallen

38

it is as the
year turns time once
again for the anonymous
dead to vie with
the spectacularly so the
historically so and the
quiet or noisy suicides
to make their case
so attune us to
what's already in store

39

with each definition of
ouch this is the burden
of thought to feel but
not to go anywhere to make
a temple in the ear
here amidst the infinitely nuanced
beings and there where monk
makes (and lets be silent)
exact & infintely variable particulars
of human specific rhythmic insistence
************************************************************
Relenting - John M. Bennett

RELENTING

Distill, nation, taster loops o peering buckets
damp lint ticking hole your fingers scrabble
nuggets glisten undernail the index rises,
your ticsy pall whole spinner squabble fills,
aching, festered shoes or steering "luckless"
flat limp licks tubs (risen thunder) pails,
excised, all that wading's
                                                                   
                                                                   PROOF


EXCISIONS - JOHN M. BENNETT

Does the comittee was its heads in a bloody sink?
Does the desk think of sand while it's burning?
Does the bathrobe sever its wrists in the freezer?
Does the basement sample its radon with an open
mouth?  Does the banker fester when its bratwurst
sweats?  In a sock?  Where the pages useless in
brine?  Does the chairman master her pens when the
windows sleep on the floor?  Does the shorn?  Does
the lip?  Does the arm with its curls of glass?


LOW THUNDER - JOHN M. BENNETT

Was I drinking the shoals poor I was I
holding the list was I head inverted in your
pool's thought was I tooling conversion of
bread was I staining the phone in my armpit's
stream was I barfing the boney chain was I
peeling the sky from my face on my back where ther
gate of my eye was reeling was I moored in the
closet's steam, sacks of cream deposits, the
blinking floor my
                                                                 
                                                                 UNDERTOW
************************************************************
She Has a Good Head on Her Shoulders -  
Carolyn Steinhoff Smith


A bottle of vodka looms over you Seems
that nothing can beat it
A mind can't be tuned like a string
It isn't that your arm isn't alabaster
It's that this is the best life to rip open the bud and see how the petals
are folded into their brief case, what color they are
If they have beaks or tentacles
if they can assuage a stone without weight light as a spring
Day
Rope tying you to the dock of no imagination Your robe is the rope tying
you to the back of rolls for dinner Socks, breakfast flocks, born baby
unthinking, light as a weathervane
the ex poster boy of the not sewed up
free strapping is easy to say
but hard to do
"the arms" is hard to make out
But just stop at the sign
Stock still as the whistle of a train
kept in the dark by the congress
Until spring
When everything but your chair
Slides away
You are not loosed from the earth but still You are tied to a package
Her pipes have a mystical aura in candlelight, Brought about chiefly by a
letter
Requesting a donation to the so inclined foundation 
of Brighton County
by midight or we'll be swept away
on a tide of bees
Sent by God.
Who has ever heard of such things?
Out comes the admission
price of a ticket
Like the sun from behind a cloud tapestry: 
Yes, I whitewashed the clothesline
And the drier."
Some things cannot be bought.
Taking it into something holy
Flagrant violations of all pigs that talks over the back fence Root about
with dirt-caked snouts
Counting syllables like mushrooms,
Blackening her upper lip.
************************************************************
LULLABY - Robert Sward

Rockabye dust
in the mourning cradle,
rockabye soul
in the lowered box,
rockabye stone
on them all, and flowers, 
rockabye, rockabye, rock!
************************************************************

from STANZAS FROM DJERASSI - Jack Foley

what reason do we have
to move
from one word to another?
(that is the point of "inspiration"--
the mind so agitates it doesn't question it just)
what does it mean to be
in a "radical openess"
in a state in which "I"
is nothing more than the "site"
in which these--
what, here, is "liberty"?--
However, it was not only among the mass of Athenian citizens that freedom
consciousness developed.  Slavery had rendered the independence of the mass
of
native Greeks possible, not only by making them a leisure or idle class, as
was once
naively thought, but by making their independence tolerable to their former
masters by providing them with an alternative, more flexible labor force.
Cleisthenes, who had been on the loosing side in an intra-elite squabble,
"took
the people into his party," people whom he had "previously held in contempt."
This is where the situation stood at the turn of the fifth century B.C.   It
was
a tense moment in the history of freedom, in consciouness of it, and in the
very
language used to convey it.  But it was a tension pregnant with enormous
possibilities. Bringing the whole thing to fulfilment, the very birth pangs
of
freedon, so to speak, were the Persian Wars.
Dream-
time, she said,
and climbed into bed.
Lady of pain, lady beloved of Swinburne,
writing verses on his way to be floged,
are you here
do you conduct
us to the "underworld"?
is it your dream that admonishes?
is it you we admire in this
                living landscape?
is it you who open your legs to the "thrust" of freedom?

 [(editors note: the excerpt below follows several pages after the above
excerpt)]

These 
are the flowers
that grow here
"This is a good place to work because one is away from various distractions
 (including,
certainly, The Telephone) but one feels also a certain sense of
exile
from one's life.   I like  my life."

These
are the elegiac possibilities
that define this place
"my daughter's lovely     face
bloated
in death"
some deep failure
at the edge
of energy

energy is eternal delight
in Lou Harrison's music
light
turns into
sound
as she described the
landscape
I could sense
her
music
a continual
transformation
of visual
experience
into auditory
experience
a continual
transfiguration
************************************************************

SYNAPSE FONT: qua spleen - A.diMichele

I.
couch ("couch") sutra?
(SUTTASHANK:  shinto stench)

turbone  pas: comme qua (AS ASP)

dosconch: slunt paedia

fuck: kadamon-krsna

kalibop: mary venison

spaLogo: seedless fractal

lobot: legba ennead

arc tech tepid aero
gram  -minster hydra
spac  ae

UberTri tych       laced
phlegmatics:  memeisis

broken config fallen
prismatic angle whip
sp  un

ob  er

ro  to

re  do

nE:xt       mem  bran
                rot    tote
+
     x          rel AE:f

                                                         bloc
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************************************************************

from Mrs. God Is Not Dead! - Ficus strangulensis

MRS. God is NOT dead!


Ahhhh, Godamighty I remember the old same place. Regnad Kcin stopping on
Roccoco's pocket and groat cakes in 30-wt. stemming in the florary and
mama, mamma's bridge club mating in the incontrovertable Quaker Oat silage
hotel in Akron.  Accounts of coyDog heaven scraped into mEyes yOurs all
Gad's Chilleen.  Sanitary pedestals pederastrian crossings are not a
crossing made against grainy 400 ASA allgo pretty faster massa maloupe?
Can tuna for anachrostic bred styx. Gaelic tripartite aeluminary frabjous
Joyce cahuna mondo dAdA franklinstein knob-kneed crotches split tureens of
soup-turtles, plinthward locked, goeth a loan.

sometimes order crystallizes from a future seed.

As it was sew beatitudinously stitches offspringing banded loom semenary
sighted HAD a star broad... candied Aztecs in spic as tomaturretted
bookkeepery of buggars alight cresting UnDundrone dunes, progluttony
pragmaxis nannarie blooms, unfolds athwart the roger-jolie typo matik
freeboard bilgeMlaster formed bileduct tape the same place from toadie's
chapel perilous to murraine a duplex as mikey's mighty maypo could only
live it or live in it.  Can we get onward as a functioning bagatelle or
must he take-back per diem?  BuberThou goest X M'Aas passed catheter
cathetim cathecthem; amo amas amant; masking duct strapping; starboard port
storm.  Liszt sucks.

Canned spraypainting young ass for passtime while the whirled churn
a grandmer monopole liza sodden heap O'Riches SHOUTed the wordy ass
chairwarden highpocket laced BOOTS staunch No licker, Wodka supping
past master frightwigged tailhooker boatlaunch greyfaced bootlicker
as mustered so out a console aglow, orange in smoke of lip lispings
limp mutter carny stuve musth mastery Magic timewastrel wigged asps
harlottery or lost wax of beelzebub's champagne float, the toiletry
sails, sails musty from misuse, rode hard and put up wet. AFFRONTRY

Can be era oral histrionize slidey sleepered simpering saltatiously
lubricious Lovecraft babe O'llogoire whose very roe we aren't fit 2
where three gather peanuts mightier than the word a sturgeon slumpd
making doe wider as arches as minted shoulders, perfumed breasts of
eyed madchen madly lustig seroLogic psychoLogic from trout flavored
haunches, gypsy tittering muttering murthering triune paradise noic
sic crab sis axis.  connote dentition grinny bubbles slinger notion
of long range order dropped in flavor blanded to part only to paste
************************************************************
Paisley Wrecking Ball - Tracy Thomas

     Screebeedeemoos crustulam phalangeemoos in the mulberry
patch with five toothless pitbulls and their sluttish tricycle god,
oontoor lay fwah crawh. And the slabs of Styrofoam corned beef
tumble from the taxi with a shoe box full of barrettes, papilloma
trinkets and uvlar watch bands. The quagnoot tu-tu and those little
Cypriot birds of prey which perch on the singing Etruscan propeller
blades transform harian ferretto flaguar, so mangy scarlet penguins
peck the eyes of the cupie dolls of doom. Goryahmoos ratulos avec
thebes are bartenders with blue bow ties, holy socks, buttonless
tuxedoes, and a couple of pairs of dirty cowbells. And it was by the
toowittowee beepeedee, noovootooyou, that clame bracking gree
traim fuint lam, quate chorging thussle ro. Freskellaymahnt lam
gwoor battalaymahnt tray twor sescilleemahnt. Glabe gallipoli and
reg centurion planting sage in hell's terrarium. Big greasy things are
bleating in the kitchen and green clown's heads inside these walls.
************************************************************
                           INJECTION-MOLD:  SERIAL
             FLESH PEDALS ASS OVER SPEECH-SYNTHESIS  - John Noto

Steam-heat cored from the urge transceiver
becomes the awning of your depest vision,
is lipped and gorged at the abs, and fleshed
vents exhale microdots; slouch your jeans down cool-
you're dancing the deton-atrix;

Now, the silicone crypt drag-coefficient swings,
inches, pours tongue-relief figures
on the small of your back, a drop in bounce light
puddles caption, cues my scan language rolling the credits
and a web-snake fades in the dub;
                    hit me on the numbers;

Coloring the scorchways along your ribs'
lace apron, I record a spindle-grip opening,
panels in the Earth's cowl; stones, debris, sweat beads
fall through the Y, a film duct in the heat of prey,
stalk, shape-changer on heels,
                  the boogie-matic;

Weathering, I phone up the read-only
banked facial-belief agancy, eviscerate and re-stoke
your life-line, long, wide-open palms on the sharp
edge of a steak map we switched furtively.
for brushed steel organs,
                                           the grey corpse moon
slurred on a musular wrecking crane;

A swathe of embedded-glass initials, slashed
on the arms of the scaffold, lag-time children
call in and out on the hollow form you wove
to heal flayed human hair,

And when transclavicle Ergs and snapdragons
vie for the scruffs of our necks, we will throw
into a season of abused privileges, smart-grab
the lurching master-tape well ahead of clock time,
                                                                    juice,
crash, do the tighten up.
************************************************************
JAN. 10, 1995 - MALOK

A DRIZZLE OF ACID(ENTROPY BLISS-OUTINGS)ALL OVER THE BEEF-HAPPY EARTH
BIRLES 'O HORVTAUS!   BOOPLAT INTROSPECTION IN FOOTLOCK!  NUMBER THE SWANS!
BURLY THE VATICAN.  FISH ASPECTS AND MCDONALD'S GOD!  OMEGA ANXIOUS FIRST AND
15!
I glanced towards the shafts of his eye-beams. Zeus. The light was wet.
A WOODPECKER PRAYS IN THE MIDDLE OF A TEST DEATH? WINE AND RICE ON HER TAIL.
Bloody loons, the ALIENS GIBBER!
THEY KNOW THE MIND IS AN ASPECT OF GOD. AND THEY ARE ASSHOLES, TOO!
I FREEZE MY TITS!  SHIT SMELLS!  MY CAT WEARS A BRA!  RAMINNOTESOUNAUKA!
************************************************************
from EMPTY FULL OF KNOWN - JIM LEFTWICH

window waits in thinking on a lapse. will of a thought to fold. were of the
then in wind when bend. I nothing the horn it says, snake into the
repetition. mention walk all caught and weight, a filled stripe jars the
gaunt.  seem to reed the scent bell, thinning that I collapse, a temporal
tell.  green window snake waits in went, thinking clothes on a lapse chop.
will never a caught thought to fold the platform. I sense nothing the blue
horn nerve it says would take, snake shirt into the repetition, fly mention
trees, walk burning all where caught and counting weight, a bland ring wheat
the knees. were of the diamonds then in wind. when bend, their blues. see to
read the scrabble wrath. I thinning to tell the collapse temporal.
************************************************************
(AUTO) BIOGRAPHY - ALISON STATEMAN

INSTRUCTIONS: Please find and institute the ciorrect order for
the following chain of events. Alloted time : 1 hour.


When I was older, I bite my mother's hand. I bite her. Hard.
She creied and cried and cried. I Guilt. I Guilt. I Guilt.

The first thing he said to me was: "Your hair don't smell like
coconuts no more." To which I replied: "I'm older, the coconuts
are gone."

She was pretty enough in the beginning, just like my mother
in 1957.

But I have a mortgage! (Stop) Have a family! (Stop) After all
these years! (Stop) Played on the softball team! (Stop) Bought
the company T-shirt! (Stop) Every year! (Stop) Even gave blood!
(Stop)

I died just last week.

It bled until my mother spanked me.

There are no fathers in this story.

.....tlair fo edarb murscb.......... (Note: Please descepher
first before attempting tomove.)

het arewns iels reeh (Note: Op cit.)

"He did it 'cause he likes you."

When I was born. I was very cute. I don't remember. But people
tell me so.

Last night I had a dream I was having a dream.....I've never
been so frightened.

(Decoder pens supplied upon request.)

In School I was a very good student. I got all A's.
Teachers wrote me love notes. I miss School.

"Take off your shorts."
************************************************************
this - JONATHAN ASHWORTH

calcosi led the goat to the bed  its bed  three dead flies  white sheets
 straw underneath  bed goat sniffed  lay  side  did not wake   under the red
framed window  the medium short heaired girl in a colorless dress cried
 unusual for her  five grass blades pricked her left stocking  i am the day
said a birch willow  sap leaking dripping from branches  whips  the birch
willow fell to the pond in orange which all the pond turned  the window
connected outside to the house  wood  the medium short haired girl in a
colorless dress  palto  answering her friend the person calcosi realized wood
in the house fireplace fence shed carriage sleigh weathervane forest boats
   she stopped   remembered intuitively she had swallowed as anachronism that
morning  but could not specifically place it      well you re not a heroine
 calcosi said     nineteen hours after a bell rand drawn by a fire engine
painted green  it drove through town then out did not return  the bell kept
ringing  no one talked about it   six men on a hill cut off their moustaches
 one glued his to a postcard returning to spain  the others let theirs drop
 the possibility  said the grackle to himself is a bird could plan a garden
 yes with help  the goat had said  no  said the grackle  seventy two years
before siamese parrot twins had grown an orchard of raspberry sunflowers also
two shining pear trees  they died  orchard grew feral  it is ten feet away
from a runway  has not been found   stangaanif made hay soup for ducks
 though at night stangaanif made duck soup for sad girls i do not understand
said palto  why the letters take so long  the grasshoppers did not reply on
windowsill  the ducks are orange said stangaanif  orange  must be the fish
 but they had migrated  flown away every season until none returned the
steeple was increased postage reduced  a town picnic held every thursday
twilight  now some children drew all day in school  more pencils bought  fish
only on christmas   calcosi slept  the photographer felt disappointed  teacup
did not look right  can t remember  palto said  mint leaves on pillow  red
framed window open on the hill  someone embraced someone else
************************************************************
this ends THE EXPERIODDICIST # 5