WRITINGS BY THE AUTHOR:

POETRY

• Braille, Ithaca House Press (Ithaca, NY), 1975.

• Seven Works, Figures (Berkeley, CA), 1978.

• a.k.a, Tuumba Press (Berkeley, CA), 1979.

• Primer, This Press (San Francisco), 1981.

• To the Reader, Tuumba Press, 1984.

• The First World, Figures (Great Barrington, MA), 1986.

• Face Value, Roof Press (New York), 1988.

• Captive Audience, Figures, 1988.

• Virtual Reality, Roof Press, 1993.

• The Marginalization of Poetry: Language Writings and Literary History, Princeton University Press (Princeton, NJ), 1996.

• The Future of Memory, Segue Foundation, 1998.
  
  
• Ten to One: Selected Poems, Wesleyan University Press (Middletown, CT), 1999.
  
  

• Playing Bodies, in collaboration with Francie Shaw, Granary Books (New York), 2003..
  
  
• IFLIFE, Roof Books (New York), 2006

PLAYS

• The Alps (produced in San Francisco, 1980), published in Hills (Berkeley, CA), 1980.

NONFICTION

• (Editor) Writing/Talks, Southern Illinois University Press (Carbondale), 1985.

• The Trouble with Genius: Reading Pound, Joyce, Stein, and Zukovsky, University of California Press (Berkeley), 1994.

INTERVIEWS

• With Nagy Rashwan and Nicholas Zurbrugg, The Electronic Poetry Review
  (#4, October, 2002, http://www.poetry.org)
• With Peter Nicholls, Textual Practice, Sussex, UK (Vol. 12, N0. 3,
  Winter 1998).
• With Toh Hsien-Min, The Reader, Oxford (1988); Jacket (Vol. 16, March
  2002, http://jacketmagazine.com/16/perelman-toh.html).
• With Deanna Ferguson, Boo, Vancouver (No. 6, 1996).

REVIEWS

• Front Row Politics, review of Reproductions of Banality, Kaplan, Minnesota UP, in Socialist Review, (Apr June 1988, Vol. 18, No. 2).
• Three Case Histories, review of The Failure of Modernism, Ross, Columbia UP, in Poetics Journal 7, 1987.
• Exchangeable Frames, review of The Poetics of Indeterminacy, Perloff, Northwestern UP, and The Political Unconscious, Jameson, Cornell UP, in Poetics Journal 5, 1985.
• 1-10, review of 1-10, Watten, This Press, in L=A=N=G=U=A=G=E, Volume Four (Open Letter, Fifth series, No.1), Ed. Andrews and Bernstein, 1982.
• Plotless Prose, contemporary non narrative prose compared to Stendhal's travel writing, in Poetics Journal 1, 1982.

ARTICLES

• Pound's Legibility Today: Pedagogy and/or Initiation, in Ezra Pound and Referentiality, ed. Hélène Aji. ( Presses universitaires de Paris Sorbonne, 2003.)
• Polemical Greeting to the Inhabitants of Utopia, in Assembling Alternatives, ed. Romana Huk (Wesleyan University Press, 2003).
• Public Conversation with Marjorie Welish, Marjorie Welish from A-Z: Selected Essays, ed. Aaron Levy. (Slought Books, 2003).
• Self-Portrait with Language Writing, Iowa Review (Vol. 32, No. 1, Spring, 2002).
• Introduction to Bottom: On Shakespeare, Louis Zukofsky (Wesleyan UP, 2002).
• "Simplicity and Its Vicissitudes: The Poetry of Charles Reznikoff Today," in "The Idea" and the "Thing" in Modernist American Poetry, ed. Cristina Giorcelli (Ila Palma, Palermo, 2001).
• "Taste Test" [discussion of "complexity" in contemporary poetry], Journal of the Poetry Society of America, (April, 2000).
• "Exactly: The Poetry of Rae Armantrout," in "A Wild Salience": The Writing of Rae Armantrout, ed. Tom Beckett and Bobbie West (Lakewood, OH: Burning Press, 2000).
• Just Like Me: Pound, Cage and pedagogy, EastVillage.com, (Vol. 8, 1999; [http://www.fauxpress.com/v8.htm]); Poetry & Pedagogy: the Challenge of the Contemporary, ed. Joan Retallack (St. Martins, forthcoming).
• "The Talk as a Genre," in Close Listening: Poetry and the Performed Word, ed. Charles Bernstein (Oxford: Oxford UP, 1998); excerpted in Discourse (Vol. 20. No. 1 & 2, Winter and Spring, 1998).
• "A False Account of Talking with Frank O'Hara and Roland Barthes in Philadelphia," in Writing the Image, ed. Jean-Michel Rabaté (Philadelphia: Pennsylvania UP, 1997).
• "Poetry in Theory," in Diacritics (Vol. 26, No. 4, Fall-Winter, 1996).
• "An Introduction to Language Writing," in Revue Francaise d'Etudes Americaines (Paris: February 1996); excerpted in Spanish translation (trans., M. C. Exposito) in Nerter (Canary Islands, 1999).
• "Building a More Powerful Vocabulary: Bruce Andrews and the World Trade Center," in The Arizona Quarterly, (Vol. 50, No. 4, Winter 1994).
• "Parataxis and Narrative: The New Sentence in Theory and Practice," in American Literature, (Vol. 65, No. 2, June, 1993); excerpted in The Ends of Theory, (Wayne State UP, 1996); reprinted complete in Artifice and Indeterminacy: An Anthology of New Poetics, ed. Christopher Beach (Alabama UP, 1998).
• "Writers' Roundtable Discussion," in Céline, USA: South Atlantic Quarterly, (Spring, 1994).
• "Write the Power," in American Literary History, (Vol. 6, No. 2, Summer, 1994).
• "The Marginalization of Poetry," in Essays in Postmodern Culture, (Oxford UP, 1993) and in Postmodern Culture, (Spring, 1991).
• "The First Person" (excerpt), in William Stafford: The Worth of Local Things, ed. Tom Andrews (Michigan UP, 1993) .
• "Facing the Surface: Representations of Representation," in North Dakota Quarterly, (Fall 1987, Vol. 55, No. 4).
• "Good and Bad / Good and Evil: Pound, Céline, and Fascism," in Poetics Journal 6, 1986.
• Untitled articles on Stein and Zukofsky in The L=A=N=G=U=G=E Book, Ed. Andrews and Bernstein (Southern Illinois UP, 1984).
• "Words Detached from the Old Song and Dance," in Code of Signals , Ed. Palmer, (North Atlantic Books, 1983).

TRANSLATIONS

• in The Selected Poems of Tomaz Salamun (Ecco Press, 1988).
• and Russian Poetry: The Modern Period (Iowa University Press, 1978).

TALKS

• Associated Writing Programs Conference, Chicago, March, 2004.
• Keynote: Australian Associated Writing Programs, Sydney, November, 2003.
• Poetry and Global Positing Systems, Maria Glynn-Daniels Lecture, University of Canberra, November, 2003.
• University of Melbourne, Melbourne, Novermber, 2003.
• There's Something New about The News from Poems, What's New in American Poetry (the 27th Burdick-Vary Symposium), University of Wisconsin, April, 2003.
• Panel discussion: Not to Be Poetical Parody, Mock Ups, & Outright Lies, Rosenbach Museum, Philadelphia, November, 2002.
• Keynote: Poetry and Philadelphia, at the Philadelphia Poetry Festival, Philadelphia Free Library,
  September, 2002.
• Plenary: Pound's Legibility Today: Pedagogy and/or Initiation, at the 3rd International Ezra Pound Conference, Sorbonne, Paris, June, 2001; Poets House (NYC), December, 2001.
• Plenary: Dusk of Dawn Revisited: Melvin Tolson and Modernism in the 60s, at The Opening of the Field: North American Poetry in the 1960s, University of Maine, June, 2000.
• A Poem as Real as a Lemon: Things in Recent American Poetry, at Transgressing Boundaries and Strategies of Renewal in American Poetry, Conference at University of Salamanca, Spain, May, 2000.
• Poetry and Theory, at Poetry as Theory/Theory as Poetry, Conference at University of Minnesota, April, 2000.
• Plenary Respondent, at The New Modernism, Modernist Studies Conference, Penn State University, October, 1999.
• The Academy of the Future: Contemporary Poetry and Modernism, at The New Modernisms, Modernist Studies Conference, Penn State University, October, 1999.
• Rae Armantrout and the Objectivists, at The Lyric Tradition Meets Language Writing [Conference on Contemporary Women's Poetry], Barnard College, April, 1999; at the Twentieth-Century Literature Conference, University of Louisville, February, 1999.
• Simplicity and Its Vicissitudes: The Poetry of Charles Reznikoff Today, at Between Idea and Thing [Conference on the Objectivists], Università degli Studi Roma Tre, July, 1998; at Postmodern Poetry: An International Conference, University of Plymouth (UK), March, 1998.
• Lectures on my poetry, at University of Southampton (UK), April, 1998; at Contemporary American and English Poetics Conference, Kings College, London, February, 1998.
• Language Writing and Literary History, at St. John's College, Oxford, February, 1998.
• The Avant-Garde and the Public Sphere, at JFK Institute, Berlin, January, 1998.
• The Avant-Garde Subject, at Conference on Poetics of Avant-Garde Poetries, University of Tel Aviv, 1997.
• Feminism and Poetry, at Poetry and the Public Sphere Conference, Rutgers University, 1997; at Ecole Normal Superieure, Fontenay, Paris, 1997.
• The Poetry of Charles Olson and Adrienne Rich, at Modern Language Association, 1996; at University of Maine, 1996; University of Sussex, 1997.
• The African Diaspora and the Poetry of Harryette Mullen, at Modern Language Association, 1996.
• Familiar Openings: Avant-Garde Poetics and Progressive Politics, at Assembling Alternatives Conference, University of New Hampshire, 1996.
• The Talk as a Genre, at University of California at San Diego, 1996.
• This Page is My Page, This Page is Your Page: Gender and Mapping in Contemporary American Poetry, at Simon Frazer University, Vancouver, 1995.
• Here and Now on Paper: The Avant-garde Particulars of Robert Grenier, at University of British Columbia, 1995.
• The Contemporary Literary Field, 2-lecture residency at the Kootenay School of Writing, Vancouver, 1995.
• Language Writing and Literary History, at University of Delaware, 1995.
• Lecture on American poetry, at University of Lisbon, Portugal, 1995.
• Writing and Hypertext, at International Association of Philosophy and Literature, Philadelphia, 1995.
• The I in William Carlos Williams: Text and Behavior, at American Literature Association, Baltimore, 1995.
• Theory and Contemporary Poetry, at Associated Writing Programs, Pittsburgh, 1995.
• A False Vision of Talking to Frank O'Hara and Roland Barthes in Philadelphia, at University of Louisville, 1995; University of Southampton, 1994; Cornell University, 1994.
• Building a More Powerful Vocabulary: Poetic Terrorism and Poetic Community, at Stanford University, 1994.
• Write the Power: Orthography and Politics in Bernstein and Brathwaite, at State University of New York at Buffalo, 1993; Modern Language Association, 1992.
• Parataxis and Narrative: The New Sentence in Theory and Practice, at Cornell University, 1993; Unit for Criticism, University of Illinois, 1993; Critical Theory Forum, University of Louisville, 1992.
• A Text Is Being Beaten at the conference, Céline: An American Presence, Duke University, 1992.
• The Marginalization of Poetry, at the American Comparative Literature Conference, 1991.
• Schools of Selves and Other: Language Writers as a Group, at Modern Language Association, 1989.
• Parataxis, Schizophrenia, and The New Sentence, at Modern Language Association, 1989.
• Language Writing and Audience, Modern Language Association, 1988.
• As Good as the Movies: Sex and History in the Poetry of Ashbery and Ginsberg, Modern Language Association, 1988.
• Words Detached from the Old Song and Dance [lectures on poetics], 4-night residency at New Langton Arts, San Francisco, 1977.

POEMS ANTHOLOGIZED IN:

• The Best American Poetry, ed. Lyn Hejinian. (NYC: Scribners, 2004).
• Novi Pesnicki Poredak, eds. Dubravka Duric and Vladimir Kopicl (Belgrade: Oktoihi, 2001).
• Krydsord, ed. Per Aage Brandt and Niels Frank (Copenhagen: Forfatterskolen, 2001).
• À Royaumont: traduction collective 1983-2000, ed. Françoise Jolimet (Éditions Créaphis [France], 2000).
• Jewish American Poetry, ed, Jonathan N. Barron and Eric Murphy Selinger (Brandeis University Press, 2000).
• Poesia do Mundo/2, ed. Maria Irene Ramalho de Sousa Santos (Edicões Afrontamento [Portugal], 1998).
• The Best of the Best American Poetry, ed. Harold Bloom (Scribners, 1998).
• Onward: Contemporary Poetry and Poetics, ed. Peter Baker (Peter Lang, 1996).
• American Poets Say Goodbye to the 20th Century, ed. Andrei Codrescu and Laura Rosenthal (Four Walls Eight Windows, 1996).
• Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, ed. Pierre Joris and Jerome Rothenberg (Berkeley: University of California Press, 1995).
• Anthology of Postmodern Poetry: A Norton Anthology, ed. Paul Hoover (Norton, 1994).
• From the Other Side of the Century: A New American Poetry 1960-90, ed. Douglas Messerli (Sun and Moon Press, 1994).
• La Lengua Radical: Antologia de la poesia norteamericana contemporanea, ed. Esteban Pujals Gesali (Gramma Poesia, Madrid, 1992).
• The Best American Poetry, 1991, ed. Mark Strand (Scribners).
• The Best American Poetry, 1989, ed. Donald Hall (Scribners).
• The Best American Poetry, 1988, ed. John Ashbery (Scribners).
• "Language" Poetries, ed. Douglas Messerli (New Directions, 1987).
• Annual Survey of American Poetry: 1986 (Poetry Anthology Press).
• In the American Tree, ed. Ron Silliman (National Poetry Foundation, 1986).
• 21 + 1" Poetes américains d'aujourd'hui, ed. Emmanuel Hocquard and Claude Royet Journoud (Delta, 1986).