Chapter 9 - You Can't Say It That Way Anymore
Tuesday, November 19 - Introduction to Language Poetry
- Jerome McGann, "Contemporary Poetry, Alternate
Routes" (W)
- George Hartley, "Textual Politics & the Language
Poets" (W)
- Charles Bernstein, passage from "Dysraphism" (B & W)
- Charles Bernstein, "Whose Language" (P570)
- Susan Howe, bio (P346-47)
- Susan Howe,
two passages from My Emily Dickinson (W)
- Kathleen Fraser, "re:searches (fragments, after Anakreon, for
Emily Dickinson" (P356)
- Language poetry summaries ("This
Language We Come Up Against")
- Ron Silliman, bio (P489-90)
- Ron Silliman, "Albany" (B)
- Shawn Walker, "Emory Jason
Watkins" (W)
- Shawn Walker, "When
You Read the Love Poem That She Wrote You Last Tuesday" (W)
- Shawn Walker, "64 cent
sonnet" (W)
- Rae Armantrout, "Language of Love," "Attention" (P514-17)
- Ron Padgett, "Nothing in That Drawer" (P401)
- Carla Harryman, "Realism" (P580)
- Tom Mandel, "Realism" (P418-19)
Thursday, November 21 - Procedurality and the Politics of Poetic Form
- Marjorie Perloff, two readings from her book Radical Artifice:
Writing Poetry in the Age of Media:
Chapter 5,
"The Return of the (Numerical) Repressed" (H)
Chapter 7, "cage:
chance: change" (W)
[under construction]
- John Cage, "Empty Words" (August 8, 1974)
Audio .au format | Length:
45 sec. || Size: 500K || Hear
It
- "A Man Inspired by Chance", a New
York Times Book Review review of John Cage's
I - VI: Method Structure Intention Discipline Notation Indeterminacy
Interpenetration Imitation Devotion Circumstances Variable Structure
Nonunderstanding Contingency Inconsistency Performance (1990) (W)
- Brief informal description of the
1995 Cage "exhibit" (W)
- John Cage quotations (W)
- John Cage, passage from "Writing through
Howl" (B & W)
- Mike Magee's
"Pledge" from Morning Constitutional (1999) [Note: click on
"Handwritten Press," then choose "primary texts" at far right, then choose
"Morning Constitutional" in Adobe Acrobat format.]
- Leo
Marks - World War II spy code-maker (using poetry as source-text)
- John Cage, epigrams from "Themes & Variations" (P621-26)
- Bernadette Mayer, "Sonnet (Beauty of songs)" (P468)
- UbuWeb Visual & Concrete Poetry
arranged by Kenny Goldsmith and others
- Jack Spicer, "Thing Language"
- Chomskybot -
a randomly selected arrangement of a paragraph of words by linguist Noam
Chomsky (W)
- Political Babble
Generator - randomized political speeches
- Laurie Anderson's
"Here" - 'a song [says Anderson] using only the one hundred most used
words in English. I wanted to get away from the words I almost
automatically use as a writer and see if I could say something with very
simple materials. The list I was working with was generated from written
English as it is used, for example, in national news magazines. This
original list, however, had very few nouns. It was mostly glue and
pointers indicating position in time and space--to, from, between, over,
after--and therefore pretty hard to write with. It also included "men" but
not "women," "no" but not "yes" and other peculiarities.'
- Naming norms in Norway (Associated Press
article printed in the Philadelphia Inquirer)
- Lee Ann Brown's "Multiplicity Sisters"
exercise
- David Trinidad, "Movin' with Nancy," "Double Trouble" (both in
P596-98) (W)
- Shawn Walker, "Sestina" (W)
- Paul Violi, "Index," "Rifacimento" (both in P436-37)
- Jackson MacLow, bio, "Trope Market," "Antic Quatrains" (both in
P68-74)
- Jackson MacLow, poem-performance of 960 words (and
letters) derived from the name of a deceased friend (August 11, 1975)
Audio .au format | Beginning piece --
Length: 45
sec. || Size: 750K || Hear It
Audio .au format | Another Clip --
Length: 68
sec. || Size: 1,000K || Hear It
Optional readings:
- "I Am
a Senior" by Alex Edelman (a career-information computer poem)
- Jackson MacLow, "Nine Light Poems" (W)
- Dennis Saleh, "Why I Do Not
Write"
- Exquisite Corpse web site
- William B.
Hunt's hundred-word prose poems, "The Presentations" (W)
- Sun & Moon Press catalogue and
excerpts from their publications (W)
- Al Filreis informally on "below the
word"
- Computer-generated
writing (W)
- Albert Gelpi's critique of postmodern poetry (W)
Tuesday, November 26
Tuesday, December 3 - How Radical Is Radical Artifice?
- Ron Silliman on
political poets (W)
- Bob Perelman, "Poetry and Normative
Language" (B)
- Bob Perelman, passage from Captive Audience (B)
- Barrett Watten, "Introduction to the Letter T" (B)
- Ron Silliman, "The Political Economy of Poetry" (B)
- Brian Kim Stefans responds
to an attack on language poetry as institutionalized (1999)
- Bruce Andrews, "Poetry as Explanation, Poetry as Practice" (P)
- Bruce Andrews--from an interview
- Louis Cabri describes the
Bruce Andrews/Rod Smith PhillyTalks exchange
- Bob Perelman, "Chronic Meanings" (in Virtual
Reality)
- Interview with Bob Perelman
- Bob Perelman's "Must Works of Art Reflect
Only Marketplace Values?" (W)
- Jennifer Moxley, "Invective Verse"
- Shawn Walker, "America as
a Postmodern Poem" (W)
- Newspaper story on politicians and
poets (July 1996) (W)
- Jed Rasula, excerpt from an essay entitled "The
Empire's New Clothes: Anthology American Poetry in the 1990s" (W)
- (Optional:) George Landow's course on cybertheory at
Brown (W)
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