The New comes forward in its edges in order to be itself;
its volume by necessity becomes violent and three-dimensional
and ordinary, all similar models shaken off and smudged
as if memory were an expensive thick creamy paper and every
corner turned now in partial erasure,
even bits of pearly rubber, matchstick and lucent plastic
leaving traces of decision and little tasks performed
as if each dream or occasion of pain had tried to lift itself
entirely away, contributing to other corners, planes and
accumulated depth
*
the wing is not static but frayed, layered, fettered, furling and stony
its feathers cut as if from tissue or stiffened cheesecloth
condensed in preparation for years of stagework
attached to its historic tendons; more elaborate
the expansive ribcage, grieving, stressed, yet
marked midway along the breastbone with grains of light
*
there are two men, they are tall men, and they are talking softly
among the disintegrating cubes
III. WING: VIA VANVITELLI
It can happen that the intoxicating wing will draw the mind as a
bow The cubic route of wing falls backwards with light
leaking through at the edge The cube is formally particular
and a part of speech and lost it looks for like kind,
regardless of function, and attempts to replace itself The
square root of anything captures and holds, seeming to be final,
and we are grateful We see the delicate marks along the
feather and we follow, now to define or depict the outskirts of
meaning A plume of smoke or any of the growths which cover
the bodies of birds To form a model of the wing's surface,
the cube arrives on a day called "the darkest day" Its
likeness consists of strength, atonality, pigment, emptiness and
shafts partly hollow I put my mouth just at the opening where
a steel edge gives way to an angle from which light emerges
along its soft narrow barbs If the wing had a voice it would
open through a shaft I am not of that feather
V. COLOR: VIA DELLA PENITENZA
Even the New is attached or marked by attachment
the shimmer of wing, which claim may tell us everything
in a white blink
just as in troubled moments it disappears
[A young girl in Arkansas, the quill of an angel in
warm light, from orange and yellow regions, falls]
Waking touched
[an angel stands in technicolor as cosmonauts look out
on Jet-liner wingspan attaching itself collectively]
these retinal bodies larger, remarkable for their iridescence
note: "WING" was suggested by Mel Bochner's Drawings (David Nolan Gallery, NYC, 1988) and by Bochner's 1993 installation Via Tasso at the Museo Storico della Liberazione di Roma; Jess's "paste-up" (cover of Norma Cole's Mars) delivered my point of focus for entering and retrieving certain materials of the poem. "WING" was dedicated to the memory of Joe Brainard, who died of AIDS during its writing, and to his companion, the poet and librettist Kenward Elmslie, who has kept the spirit of reinvented language alive.