Digital Poetics: The Making of E-Poetries
by Loss Pequeño Glazier
Appendix II.
Mouseover Source Code
<HTML>
<HEAD>
<TITLE> Mouseover Essay in JavaScript </TITLE>
</HEAD>
<!-- WRITING is a non-breaking space. -->
<!-- If you saw this actual file the idea of a non- -->
<!-- breaking space would be even more interesting. -->
<!-- Status: S X 0 X -->
<!-- Status: 0 O X 0 -->
<!-- Status: S O 0 X -->
<!-- Perhaps the first thorough I-would-never-mis-lead- -->
<!-- you or other misstatement of a poetics of static shock -->
<!-- ing online space. Is the present hypertext trickster -->
<!-- up for grabs? These include online hypertext itself a -->
<!-- argument through its own hypertextuality - its jumps, -->
<!-- sidebars kicks gifs coughs subcutaneous sound jumpy -->
<!-- divas & other features. This essay explores electronic -->
<!-- Now as to the text as body, it's non-breaking space of nodes, -->
<BODY bgcolor="#FFFFFF" text="#000060" LINK="#000060" VLINK="#000060">
<!-- its dialects, ideolects, amp private propriety. Following as -->
<!-- an arcane mortified series of self-important 0s & Xs. Heh? -->
<!-- (More of this further on.) Charlamos: we chat, fiddle hello -->
<!-- how are you is: "Quen intica?" (Como estas) so sue me -->
<!-- or you may say "Tlen Tiahiahua" (Que haces, que pasa?) -->
<!-- more after we set up some coding burn Buffalo roams ecco qui. -->
<SCRIPT LANGUAGE = "JavaScript">
/* This code is Copyright (c) 1996 Nick Heinle and Athenia Associates,
* all rights reserved. In order to receive the right to license this
* code for use on your site the original code must be copied from the
* Web site webreference.com/javascript/. License is granted to user to
* reuse this code on their own Web site if and only if this entire copyright
* notice is included. Code written by Nick Heinle of webreference.com.
*/
browserName = navigator.appName;
browserVer = parseInt(navigator.appVersion);
if (browserName == "Netscape" && browserVer >= 3)
version = "n3";
else version = "n2";
if (version == "n3") {
toction = new Image (42, 197);
toction.src = "./images/toction.gif";
toc1on = new Image(42, 197);
toc1on.src = "./images/toc1on.gif";
toc2on = new Image(42, 197);
toc2on.src = "./images/toc2on.gif";
toc3on = new Image(42, 197);
toc3on.src = "./images/toc3on.gif";
toc4on = new Image(42, 197);
toc4on.src = "./images/toc4on.gif";
toctioff = new Image(42, 197);
toctioff.src = "./images/toctioff.gif";
toc1off = new Image(42, 197);
toc1off.src = "./images/toc1off.gif";
toc2off = new Image(42, 197);
toc2off.src = "./images/toc2off.gif";
toc3off = new Image(42, 197);
toc3off.src = "./images/toc3off.gif";
toc4off = new Image(42, 197);
toc4off.src = "./images/toc4off.gif";
}
function img_act(imgName) {
if (version == "n3") {
imgOn = eval(imgName + "on.src");
document [imgName].src = imgOn;
}
}
function img_inact(imgName) {
if (version == "n3") {
imgOff = eval(imgName + "off.src");
document [imgName].src = imgOff;
}
}
</SCRIPT>
<!-- Title ------------------------------------------------------------ -->
<!-- technology's opportunities for the production, rubber -->
<!-- texts but most importantly, argues that electronic -->
<!-- mass of fits and starts. Links are at the center of a -->
<!-- space is a space of writing. For previous excursions -->
<!-- into this a written terrain of links and jumps one -->
<!-- need only look to the language experiments of "If I'm -->
<!-- the captain who's Tenille?" ury. Such poets include -->
<!-- Gertrude Stein, Charles Olson, Robert Creeley, and -->
<table><tr>
<td><A HREF = "./ti.html"
onMouseover = "img_act('tocti')"
onMouseout = "img_inact('tocti')">
<IMG BORDER = 0 NAME = "tocti"
SRC = "./images/toctistart.gif" width=576 height=108
ALT = "Mouseover Essay in JavaScript"></A>
<A HREF="http://ublib.buffalo.edu/libraries/sound/ra/epc/glazier/i-wonder.ram"><img src="./sound.gif" border=0></A>
</td></tr>
<tr><td><p align=right>(<font size=5>by Dr. Loss Pequeño Glazier,
Mv. IT</font>)
</tr></td></table>
<hr>
<table>
<!-- 1 ------------------------------------------------------------ -->
<!-- Language-related experimentalists such as Charles -->
<!-- which it is transmitted. If relevant previous poetic -->
<!-- Bernstein, Ron Silliman, and Susan Howe. Electronic -->
<!-- edition, a lively investigative language of the link -->
<!-- this experimental poetry: to varying degrees, writing -->
<!-- is about a subject, but also about the medium through -->
<!-- experiments involved the exploration of language as -->
<tr>
<td><A HREF = "./1.html"
onMouseover = "img_act('toc1')"
onMouseout = "img_inact('toc1')">
<IMG BORDER = 0 NAME = "toc1"
SRC = "./images/toc1start.gif" width=504 height=216
ALT = "Take a Java Break while you wait"
></A>
(reminiscencia de un idioma)
<A HREF="http://ublib.buffalo.edu/libraries/sound/ra/epc/glazier/
neither.ram"><img src="./sound.gif" border=0></A>
</td>
<!-- 2 --------------------------------------------------------------- -->
<!-- physical, what are the physical parameters of webbed -->
<!-- only the incessantly reconstituted links dissolve each -->
<!-- online space? Texts move not only within themselves -->
<!-- ference of junk mail, frets of information, systemic -->
<!-- failures, ephemera, disunion There is no resting place -->
<!-- time the reading is entered The physical features most -->
<!-- archiving, distribution, and promotion of poetic -->
</tr><tr>
<td><A HREF = "./2.html"
onMouseover = "img_act('toc2')"
onMouseout = "img_inact('toc2')">
<IMG BORDER = 0 NAME = "toc2"
SRC = "./images/toc2start.gif" width=504 height=216
ALT = "Take a Java Break while you wait"
></A>
(off = black and white)
<A HREF="http://ublib.buffalo.edu/libraries/sound/ra/epc/glazier/
a-clock.ram"><img src="./sound.gif" border=0></A>
</td></tr>
<!-- 3 --------------------------------------------------------------- -->
<!-- writing, like previous instances of writing, engages -->
<!-- is employed helping to develop the essay's alexical -->
<!-- the double "mission" of writing evident in some of -->
<!-- but to socially-charged externalities, a webbed inter- -->
<!-- electronic hypertextual writing & links introduce dis- -->
<!-- is made toward the building of an electronic poetics -->
<!-- can be the source viewed, a field prepared, furrowed, -->
</tr><tr>
<td><A HREF = "./3.html"
onMouseover = "img_act('toc3')"
onMouseout = "img_inact('toc3')">
<IMG BORDER = 0 NAME = "toc3"
SRC = "./images/toc3start.gif" width=504 height=216
ALT = "Take a Java Break while you wait"
></A>
(los Españoles, y de Indios, de su jurisdicción)
<A HREF="http://ublib.buffalo.edu/libraries/sound/ra/epc/glazier/
a-forest.ram"><img src="./sound.gif" border=0></A>
</td><br>
<!-- 4 --------------------------------------------------------------- -->
<!-- Is no news to poetics. It is through a poetic of peri- -->
<!-- mental poetries that a framework is sketchd & progress -->
<!-- where experiments that change pork language may inform -->
<!-- junction. This post-typographic & non-linear disunion -->
<!-- electronic air we breathe. Thus writings physical ter- -->
<!-- rain, opened & explored by such the pioneers of poetry -->
<!-- fretted, and unfettered for electronic exploration. -->
</tr><tr>
<td><A HREF = "./4.html"
onMouseover = "img_act('toc4')"
onMouseout = "img_inact('toc4')">
<IMG BORDER = 0 NAME = "toc4"
SRC = "./images/toc4start.gif" width=504 height=216
ALT = "Take a Java Break while you wait"
></A>
( A <blink>Docu-<br>
ment Source</blink> is writing too.)
<A HREF="http://ublib.buffalo.edu/libraries/sound/ra/epc/glazier/
the-prob.ram"><img src="./sound.gif" border=0></A>
</td>
<!-- End ------------------------------------------------------------- -->
</tr>
</table>
<hr>
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