ENGLISH 261/DMS 222 (Fall, 2000) TR 11-12:20, Rev. 11-9-00
Dr. Glazier (glazier@acsu.buffalo.edu) 645-6000 x1490
Office 245 CFA, Office hours: TR 12:30-1:30 pm or by arrangement
Class website: http://writing.upenn.edu/epc/fall2000
READING & WRITING DIGITAL LITERATURE
READING & WRITING DIGITAL LITERATURE provides an opportunity to
explore the expressive potential of language as a creative material,
with a focus on its semantic, alphabetic, visual, and aural
levels. Non-semantic forms of expression will be studied as keys to
unlocking this potential. The immense value of 20th century
experimental literature to your own efforts to design or interpret
digital writing is a major concern of this course. We will be thinking
about the multiple possibilities of language, as a conjunction of
possibilities, textures, tones, meanings, and media. We will look at
digital literature as a merging of form, image, language, and sound,
and we will explore works that somehow union do this to extraordinary
effect.
TEXTS
There is one text to purchase, Rothenberg & Joris, eds., Poems for the
Millennium, vol. 1 (available at Talking Leaves Books, 3158 Main,
Buffalo). Your online resource will be the Electronic Poetry Center
(http://writing.upenn.edu/epc). There are also two books on reserve in UGL
(Messerli, ed., Language Poetries: An Anthology and Silliman, ed. In
the American Tree) which you can check out for two hours at a
time. You may also wish to consult Ubu Web (http://www.ubu.com).
COURSE REQUIREMENTS
GROUP PRESENTATION (15) [Group discussion in class]
In a group of three, prepare an introduction to one of the course
topics. You may divide work any way you wish but the three areas of
preparation are (1) research the subject, (2) prepare a brief oral
presentation (15 minutes), (3) prepare a brief list of discussion
questions with enough photocopies for the class. The group must also
hand in a brief group presentation report. This will contain the names
of the members of the group and one or two sentences about how you
divided up the work. It will also include a bibliography listing full
citations in correct format for sources (2 print and 2 Web
sources).
INDIVIDUAL PRESENTATION (5) [On your midterm project]
You will give a brief (5-10 minute) oral presentation on a digital
poem from the EPC E-Poetry library.
POETRY READING REPORT (5) [Extra credit only]
Attend one poetry event and hand in a one-paragraph report. Consult
the Wednesdays at 4 Plus calendar at the EPC for details. Choose from
Berssenbrugge, Piombino, Brossard, Rich, Federman, Bergvall, Fourcade,
or Notley.
MIDTERM PROJECT (20) Due 11/2 [25 points]
Pick a poem from the select
list and prepare it in HTML. Subtlety of expression is a plus. You
may be asked to revise it if necessary. (Extra credit option (25) will
be given to those who reserve a poem early or choose a poem that
requires typing.) You must verify in advance with me which poem you
will do. These and other poems are available but you must confirm your
choice with me in person. (Poems are in word processing file
format. You must download a poem and then use your word procesor to
view it. (One poem is in Excel format and four are in Quark. Please
take these if you have access to such software!) This is best done on
campus where connections are generally faster.) Some poems that
require typing are available from me directly.
Midterm Requirements. Hand in a print-out of your midterm. The print-out should show the URL for the project. (Note: I know that it will not print-out correctly. I will look at the online version to see what it should really look like.) Attach a title page to the print-out with your name, the date, course number, and URL for your project. Follow this with a page that contains a one-paragraph explanation about the relationship of your mark-up to the poem/piece of work you prepared. The order of these materials is: title page, explanation, print-out. Staple these pages together. You should credit yourself on your project Web page with a line similar to the following (substitute your name for "Your Name"):
<hr><p><font size=2>HTML Mark-up by Your Name</font></p>
Note for independent projects: My first preference
is for you to do an e-author projects, as above because they are
really much less labor intensive. Also, since the structure has been
pre-determined, you can simply focus on "reading" a digital
poet/poem. However, if you choose to do an independent project, please
be sure to DOCUMENT your project. Think of the structure, the
rationale, and express this in a three-paragraph explanation, as
indicated in the link above. Be sure to explain the concept behind
your project, its rationale, why it is designed the way it is, what
you hoped to communicate, and what you learned by trying to do it.
Here is a more detailed format for the
final. This also includes a list of topic assignments.
FINAL PROJECT (40) [Research project on a digital poet from
the EPC E-Poetry library or other topic, by arrangement.] Due 12/5.
Choose a poet from the EPC's E-Poetry Library. Study
the poet's work and prepare a web page and a 5-10 minute oral
presentation on the poet. The Web page should be about one page in
length and should begin with the name of the E-Poetry List poet and
link to the poet's work. It should then present the following
information: (1) Short paragraph giving biographical information (if
available) and listing publications by the poet. (2) One paragraph
describing the type of work the poet does, the content of the poet's
website, a general sketch of the poet's work as you see it at the
website. (3) One to two paragraph interpretation/analysis of one work
by the poet, including a link to the poem you are discussing. In your
analysis, you must also refer, through comparison or contrast, to one
or more works of the poetry we have studied in class. FINAL PROJECTS
MUST BE COMPLETED BY 12/5. LATE PROJECTS WILL NOT BE
ACCEPTED.
Hand in a print out of your project with a cover page indicating the
poet you are presenting, your name, the date, and the URL of your
project.
Independent project topics are possible by arrangement with
me. EACH STUDENT MUST TURN IN A ONE-PARAGRAPH PROPOSAL, INDICATING THE
E-POETRY LIST POET THEY WILL PRESENT (due 11/14). If you do not turn
in your proposal by 11/21, one letter grade will be deducted from your
final project grade.
Participation in class activities and completion of written exercises
are vital parts of this course. Points will be deducted for
non-participation or after 3 unexcused absences.
EXTRA CREDIT
Extra credit is available for additional poetry reading reports and
for volunteers for class webmaster duties. See me for details.
OFFICE HOURS
Office hours are TR 12:30-1:30 pm or by arrangement. Please let me
know after class if you intend to come to my office on any given
day.
UPDATES TO THIS DOCUMENT
If there are any changes to this document I will announce them in
class but please note that the most recent version of it will always
be available on the course website. Please check the website
regularly. A revision date appears on right end of the first line of
this file.
POSSIBLE/PROBABLE COURSE TOPICS
A list of topics is available.