LEICA Others about the embarking have reasons. I holding shreds carpenter leavings. Motions in the wind, wave rolling disturb sad plots, disturbing sad plots. Desolate places on the grass where birds are a light, Gather in midsummer, wood shingles, visionary house. Taking glances from tree to eave, bicyclist, car, dark green spots for the movement of window. Mowing bitter edges, too. It passes, whatever it is. Sums. Day divided by night. Corn ears. Whichever decides. Constructed of film splices. Day or night. -- Barbara Guest