You may find this interesting
The man of the future has no feelings
This is no loss
He functions, universal contact. Like light
He is rapid, he is dry, like kindling ready to be set on fire
On the outskirst of Paris, Capital of the 19th century—but now
In another city—
A gas station in the suburbs of Paris.
Automibles and automobile fumes,
Or the huge gas storage tanks, and wire fences.
Oh my God—this grey sky—
Still
Over the occult city of Paris.
Still hovering like a city without a name,
And the bright grey shining city under the grey sky—
This occult city of Paris, sending forth fumes
From automobiles leaving and entering that city.
Oh my God
Mental routes traced like fine wires through
The web of imagines boulevards—
I list, I think, to one side,
Heavy with dream filling the left side of my brain
City
City
City
You lure me, though I am lasked to the mast of my so-called real world—
And the ambulance in the distance
Haunts me with ideas
Unable to move
Those ideas
Wounded
From blows delivered by the heart
Which beats only here, in local territory.
-1)
You may indeed find this interesting.
There is a rumor, that in ancient china, there existed a
a medecine, named o-x, which, if taken every day for a year, produced the following remarkable results.
Just once each day, in the twenty-four hour period of its effectiveness, this medecine linked the perceived data of an ordinary, yet specific moment, with universal truth.
In other words, whoever ingested this medecine, lived their life as usual, except-- that for a brief moment each day, something happened in perception that in no way seems unusual or out of the ordinary, but that same , ordinary thing, was in fact a window onto eternal truth, which the one experiencing it, sometimes did and sometimes did not, recognize.
As you can imagine, those who underwent this regime in ancient China, taking this medecine once a day for the course of a year, developed a different relationship to their own lived reality, since they were effectively persuaded that this ancient medecine did produce each day the announced effect, and they found themselves, as might be expected
in a constant state of watchful tension, hopeful of being able to recognize that otherwise unexceptional moment that would be, in fact,
exceptional, in it's sudden and brief connection to eterenal reality.
Here is a man before us now, imagining himself on some level, in far-away china-- known to his few friends, by the name-- Roly Poly-- though not a particularly rotund human being--but here in a particular kind of China, imagining, the having taken of such a miraculous kind of medecine.
1)
Yes. This is Roly Poly
and he is in china
it does not look like china
but Roly poly is in china
Roly Poly in china
1B)
Roly Poly
and Roly Poly thinks-- now that I’m in China, I’d better learn how to use chopsticks
but these are too big for my fingers--
but after a while, as time passes
as you become comfortable with these chopsticks
they will seem to shrink in size, Roly Poly
Trust time, which will do its work on things
trust time, above all
2)
Roly Poly is in china
This means,
somebody definately got off the bus at the wrong moment.
It was passing through a bad neighborhood
but when the door opens
and the sunshine is like a smile-- oh well
do we still trust smiles?
Because once upon a time
smiles could kill
if the face behind the smile as smiling also
because the power of such smiles makes the delerious face disconnect
asnd when such faces disconnect
and the world drowns in such a smile
the world drowns in such delerious smiles
the world drowns, certaiunly, in such delerious smiles
3)
Roly Poly is in China
His agenda is peverse. What is interesting about his agenda
is the peversity of his agenda.
And then you ask-- in what way is his agenda peverse
And the answer is not forthcoming
and then you ask-- why is it true that such peversity is
in and of itself, of such interest
and you are told that to answer this question
is to reveal terrible secrets
that must never be revealed--
though there are some
to whom such sercets may be safely revealed,
but one can never know
in a particular circumstance
if one is surrounded by people
to whom one may reveal such secrets
and this is what Roly Poly does not know
because he is in china
he maintains that he is in china
he is in china
4)
Roly Poly does now truly understand
that he will not be able to save himself
from certain magic words.
Such words occur infrequently
but they have begun happening
such magic words have begun happening
they are never pronounced
but they have begun happening
5)
Roly Poly has come to understand
that inside the mind, there is a second mind
This jeweled container, is the second mind
or a representative
of the second mind
or a substitute
which is demonstrated
by the way it trembles from the silence of invisible thunder.
This container never opens
this container never opens
But here is a second container
bare of decoration
rude, plain
this second container is a representaion
of the original jeweled container.
But this second container
does open
if one is persistent
and clever
and meticulous
and peverse
sufficently peverse
sufficiently peverse
6)
Roly Poly has come to understand
that no one can do without the worship of their own, well--
shall we say-- the secret part of their own mind?
He locates his own mind, and he decides to use it, but most of all--
he decides to use its most secret compartments,
though, because they are secret,
the manner in which he is able to axcess them
is also secret
--but some of the ways to try
do seem to make use of the human body
in place of the human mind--
but rest assured, even so
it is the secret mind at work-- the secret mind.
7)
Experts are certainly confused by Roly-Poly.
Roly Poly is glad to have his mind analysed
because this enables him to have wonderful conversations.
As soon as he says something--
experts look to the side of the room
and see an amazing light against which they must hide their eyes.
But Roly-Poly looks directly into that light,
and as a result
experts are confused
experts are certainly confused
8)
Experts are certainly confused.
They ride mental elevators and discover themselves
moving sideways rather than appropriately up and down.
Are they in china?
Are they in search of greater intensity?
Of course they are.
They turn to strong drinks-- but wait a minute.
What happens then to the loss of life, the threat to equlibrium?
If it could happen in a mental elevator--
it could happen here also,
lifting a glass of strong alcohol to dry lips--
this could explode into something wonderful at any moment --
because-- this is no trick.
Experts are confused, because the peversity of their position is now self evident.
Self evident
To the entire world, this is now self evident
9)
If I went crazy, says Roly Poly
then my problems could be solved
because --take care!
my best ideas are those
that turn against themselves
when clarified.
I trade--
happiness for energy,
entering by the same door
I have walked past several times
without having the courage to enter
but now,
equal to the thing itself
equal to rain that grows dlowers
equal to the postman
messanger without a message
equal to radio waves
invivible in china
equal to smiles, launching a thousand faces
into extremem grimaces of grief and transformed grief
equal to things forgotten
equal to the thing itself.
Ah.
The elusive thing itself
10)
This is my dog, says Roly Poly
But nobody sees his dog
Nobody, nobody sees his dog
Nobody sees his dog
Nobody sees his dog
This is my dog, says Roly Poly
Roly Poly and the invisible dog
but nobody sees his invisible dog
nobody, nobody sees his invisible dog
Roly Poly and the invisible dog
nobody sees his invisible dog
11)
Roly Poly looks carefully at the people surrounding him
and he says to the people surrounding him
you do not shine
the light in this room, in china, is so very bright inside this room
that you people,
you do not shine when I look into your eyes.
You are full of memories. and ideas
that help no one.
So I reject you.
It is unfortunate perhaps
but I must reject you
I must reject you
12)
Roly Poly begins to suspect
that the solution, his private solution
is to cut his own life into smaller and smaller pieces’
because if he makes each piece of his own life
small enough
then each piece of his life, because of such tinyness, turns brilliant,
sparkling like a small diamond\
and only when he allows the pieces of his life to grow larger
to begin connecting with each other, larger even, much larger--
only then
does his life take on its usual mediocre aspect
so it’s a question of punctuation.
Roly Poly understands that.
It’s a question of punctuation
Always a question of punctuation
13)
What piece of the world is interesting to Roly Poly?
He never one single piece--
because there is no one piece of the world
that is interesting to Roly Poly.
Only the whole world is interesting to Roly Poly.
Only when everything is included in one experience
that is everything at once
Roly Poly does not know
how to experience every experience
in one experience
but that is the only thing that is interesting to Roly Poly
(pause. music)
14)
This business of giving birth to new ideas
-- painful, very painful inside Roly Poly,
because needless to say, more often than not
these ideas do lurks, stillborn. do not finally emerge
and therefore very painful
here in china, in china
where psychic pressure is applied to Roly Poly
which is painful inside Roly Poly
necessary but painful
very painful
so very, very painful
15)
This effort
to make something elusive
be here in full three dimentional reality--
this is the peverse nature of Roly Poly’s presence
here in china, here in china
here in the full three dimentional reality of what does not really exist
here in china
here in china
which is the problem
because Roly Poly says
I have no problem
except the energy inside me, which denies energy.
The form inside me which denies form
--why do such ideas ravish me?
And am I therefore
thrown onto history’s scrap heap?
Is this where Roly Poly is headed?
Thrown
onto history’s scrap heap?
He hopes not
Oh Roly Poly hopes not
he hopes not
16)
Roly Poly asks himself--
If the world becomes totally unrepresentable,
is that me
falling out of the picture?
I don’t think so, I don’t think so
because if I fall out of the picture
I think that means the picture couldn’t hold me
and the fault therefore is as much a fault of the picture
as a fault of my own.
Roly Poly in china
Roly Poly in china
is he falling out of that picture?
Is he falling out of that picture now?
17)
Roly Poly was not visible to himself
inside his own experiences.
This was the cross he bore.
This was the cross he bore.
Roly Poly was not visible to himself
inside his own experiences.
____________________________________
One could also say
that the grid upon which
Roly Poly was able to chart his experience
was not his experience
The grid on which Roly Poly
was able to chart his experience
was not his experience
__________________________
One could also say
launching himself into a certain language
Roly Poly immediately realized
the inappropriateness of his choice
(repeat)
Careful, careful, careful, careful
18)
Roly Poly should tell us, of course
that his arogance is misplaced.
He expects to offend
those surrounding him,
though this was far from his original intention--
but let’s see -- who can handle
such a reality
let’s see who can handle this
Roly Poly, arogant in china
Roly Poly
aragont in china
arogant in china
19)
what is the world for Roly Poly
The world is a container, in which light bounces.
The world is a jewel, therefore-- light imprisoned.
But if light were released, it would turn invisible.
and that same light, bounces inside Roly Poly.
It’s called-- thinking. But it isn’t
unless, like roly-poly
you admit that thought is a prison.
And the escape from that prison
the thought that negates itself.
But consider also-- the act
that negates itself
Imagine a thought or an act
that hovers, only
a thought or an act
that makes of itself-- it’s own impossibility
we are not speaking of paradox, you understand
because paradox is something wound tight, like a spring--
hence, an object
and we are talking about something that passes over
into the total deflection that
eliminates the starting poit.
That’s it. A step
that eliminates it’s starting point
why? why a step that eliminates it’s starting point?
Because that’s being outside the prison!
Invisible-- which means, therefore
everything
everything
20)
This is what I need
says Roly Poly
I need YOU
to look at me
I leave looking
to those who do looking
better than I do looking
That’s what I need
says Roly Poly--
that’s why I am in China
to be visible
to be more, more, more visible
to be more, more, more visible
21)
I don’t know what kind of movemnts to make
I don’t know what kind of movements to make
I don’t know what kind of movements to make
(etc)
.22)
Tables don’t move by themselves, says Roly Poly.
Tables. . .
But is it possible
that my life has been wasted,
that my reliance upon my mind
has been misplaced?
But this is a misunderstanding only.
I place no reliance on my mind--
my individual skull
that skull in particular
that the universe has already emptied
Table don’t move by themselves, Roly Poly
Tables don’t move by themselves!
23)
Finally. Roly Poly speaks.
Great duck-- great duck
I have come to you as a last resort--
but ahh, I should have come to you earlier
but Roly Poly ---alas
was shy, great duck--
shy? Shy?
Why shy with me, Roly Poly
why shy with me in china
why shy with me
why shy with me?
23)
The duck that moves Roly Poly to important emotions
by definition:
Emotions, versus duck
The duck icon
the duck material
the duck depth
Oh Roly Poly in china
if a duck enters a chinese delicatessen
that duck is eaten
That duck, perhaps, speaks--
I’d like roast beef sandwiches--
I’d like cream cheeze on toast--
but before ducks eats roast beef
or cream cheese--
or food equally ourishing and desirable
such a duck had best--
self eat.
SELF-EAT
And the connection is--
obviously-- duck as itself--edible
all creatures, ediable
though no creature
eats of its own kind
and certainly no creature
eats itself
except in emergencies
emergencies
(golf)
--is this an emergency for a duck?
Is this an emergency for Roly Poly?
Is this an emergency in china
Is this an emergency in china
(golf)
The belief being
a large beak, located below eye level
interferes with the ability to play golf.
But Roly Poly suffers no such interference
In china.
And it is discovered--
(swing)
Missed! Missed again!
One more thing
that makes being a duck
less satisfying than being a human being
In china
In china
In china
24)
Roly Poly tried to remember
that a thing
all things
any thing
a thing-- is more than its boundaries.
always.
be they physical, conceptual, whatever.
A thing
roly poly
is
reactions to that thing--
and the totality of those reactions
is never knowable.
25)
This chair upon which Roy Poly is now seated
A lft-- not for his body
but for the weight of that body.
If Roly Poly is in china, and he is
if Roly Poly is upon this chair, in china
then
he is weightless
thanks to this chair’s suffering.
All life is like this
and aims for weightlessness.
weightlessness. . .
26)
This is my Dog
This is my real dog
This is my Dog
This is my chinese dog
I am aware of my dog
because this is my chinese dog
This is my chinese dog
This is my dog in china
This is my dog in china
27)
Believe it
but nothing completes this wall
except when Roly Poly
runs up against this wall
Oh Roly Poly
don’t let you forewhead be a battering ram
A room vibrates, yes
but is that, possibly
because you erase yourself?
Is that why, is that why?
Because you erase yourself, Roly Poly?
28)
Do understand
do understand
Roly Poly’s ability to speak
and his ability to speak well--
this ability is being taken away from him.
Or rather-- no--it is not being taken away from him
rather he, Roly Poly, gives up that ability
voluntarily
This is Roly Poly’s decision
because he would rather
be a vessel
through which something else speaks
that is Roly Poly’s decision
and it is a very difficult decision
very difficult indeed
29)
Ah Roly Poly
you are going to cure us
after all?
Well, Roly Poly puts it this way.
I’m either going to cue you,
or I’m going to send you
running from this room
acreaming and tearing your hair out!
Which? Which?
But then again
maybe I’ll just turn on you
and beat the shit out of you.
Yes, maybe
maybe that!
30)
Oh My God. The agony of the truth
The agony of the truth is that the unproductive moments of Roly Poly
the sterile moments,
are the moments that feed Roly poly,
that justify his existence in fact
that bring to him the kind of irritable frustration
that leads to a slow circlimg around a new idea that
because of his stasis--
has time and space to grow,
not as Roly Poly, but as
idea itself
the idea itself
While his productive moments
produce only
vanity
filling Roly with a vigor
that self-binds only
This is the truth
This is why suffering is unavoidable
31)
Having lost control of his body--
the ideas which fill his mind
which is a part of his body--
are pale but fluid, certainly
so how to exploit this sad fact?
What newness therein
can be made to reveal itself
by some new,
almost effortless stratagy?
And Roly Poly waits
not moving, and nothing comes--
and --is that the pearl?
Nothing comes-- is that the pure
flawless pearl?
See now, the void between Roly Poly’s mental fingers
Ah--
the entire void-of-the-world.
Welcome your highness
and may I
roly poly
serve you now
may I serve you
32)
It is evident by now
Roly Poly has read the book of life
and he who does so
goes in multiple directions
But often there is a pause
or gap,
in such reading.
Life goes on
but is not read,
slides away from one as it were
and if something significant should happen--
no, no cries Roly Poly
--I am mentally ready to record such things!
Ah Roly Poly
that sounds like someone
participating in life on;ly
half way.
33)
Nothing to do. Nothing to do. He just
sits where he sits
Certain things in the course of his life
have engaged him deeply
Now they don’t
Ah
Nothing to do
Even in China
Nothing to do
34)
Roly Poly thinks--
this territory has been previously explored
but I no longer recognize it
That’s the problem
someplace inside me
a door
must have been left open
and a green light goes on
over an open door
That means,
terrible and violent things
are happening
behind that door.
Indescribable?
Well, not indescribable
but Roly Poly would have to use words
he may not be willing to use.
What words?
What things?
You don’t want to know
Believe me
You really don’t want to know
35)
This may hurt somebody
but here in china
pain is the way people acquire knowledge
so hurting isn’t what happens
36)
It’s like this:
what Roly Poly no longer experiences
is the utter bafflement
with things that heretofore-drive him.
He is no longer baffled by things--
that’s what Roly Poly has achieved
utter sterily
because
nothing is a mystery in the face of genuine pain
in china
in china
37)
Roly Poly is one of those people
who can control nothing
Life must first-- sieze him
then, his twisting and turning
is both evocative and highly unusual
but if he himself, tries to make things happen--
in contrast, all is banal.
Another way of saying this is to say--
if Roly Poly has plans--
what results from such plans
is less vital
and less interesting
than what results if he
has no plan
and the storm of life simply strands him
in some heretofore
unrecognizable landscape
in china
in china
38)
carpets cover the floor. This is normal
Fet mention the idea of a direction
A vechicle in which one rides, spins, always, into history
Roads less traveled, become colorful. This is normal
Normal people, notice themselves for bizzare reasons.
Normal prople notice themselves, for bizzare reasons
39)
It says-- stupidity is discovereds to hold great promise. Rooms, therefore, are immediately re-decorated.
It says-- the world comes full circle. In order not to be forgotten
Ablackboard is erased, and thereby thinks it re-defines itself-- not realizing somebody else is rubbing it out
A book turnsd it’s own pages. This is normal.
This is normal
This is normal
40)
Rolly Poly wants something from the people of China
What does he want?
He does not know
Therefore we can predict with confidence.
Roly poly wants a book from which wisdom has been drained.
Because
Roly Poly is rules by emotion only.
Hard to believe
but one can see it on his face
one can see it in the way he holds his body
Roly Poly is presented with a manuscript
from which all wisdom has been drained--
and he asks-- when will I be able to fill this
with my very own emotions--
when I have read this book?
and it is therefore,
returned to a locked cabinate
(tries to open it)
It’s locked.
He didn’t believe it would be locked
but it’s locked
41)
Here’s what happens
A man comes into a room
playing the role of an extraordinary human being
He closes the door of a cabinet, forcefully
before anything real has escaped.
The cabinet closes itself on valuable objects
At the same time, a cloud covers the sun
At the same time
shoes turn to places no shores have explored heretofore
at the same time
a reason to give up hope--
gives up on language itself
because
wisdom hasn’t really worked out
Oh Roly Poly
we bless you for the following reason.
For your stupidity
in wanting to understand,
now
reorganize your mental apparatus, dear Roly Poly
Reorganize your mental apparatus completely
42)
Well
Can an idea, which is thought by no one
be said to exist?
there is an idea for which Roly Poly is searching
and this idea has not yet been thought
so certain opinion holds
this idea does not exist
but the truth is-- it does exist
undiscovered
and it pulls Roly Poly
who knows not its shape
or the direction of its thrust
though it pulls Roly Poly
which changes his life in ways that are still incomphrensible
which is perhaps why
the idea to which he is pointing
is incomprehensible
43)
Thought
has now come to China
Thought is now upside down
facing something imense
and is therefore wiped out.
There are still moments to be filled
but suppose they are not filled
what then?
Everything stops.
That does not mean, however
that death rules.
Roly Poly says that death
is the shadow cast
by the attempt to fill moments
and if moments are not filled, well-- the shadow of death
simply disolves.
That proves it
That proves it for Roly Poly
44)
Admittedly
Roly Poly was late in speaking
Roly Poly wanted to remain in bliss
issuing noises perhaps, but not words
because the fall into speech
means the fall from paradise.
Good and evil, speech making that rupture--
expelled from paradise
carring only the memory, the seed
planted here, in china
which means
non-language, planted in language
so that language can slide
into the opposite realm
in china
45)
I am at the edge of an experience, I think
thinks, Roly Poly--
plunge inside
but why does he still hesitate
because
he doesn’t know if he’s hesitating
or if he is in a very natural position
where moving forward is un-natural
so, should the effort be made?
Let’s say--
At the very edge of experience
he leaps
He could have done that
at the very edge of experience, he withdraws
He could have done that, also
46)
And Roly Poly is drinking in the atmosphere, that’s all
Because all he wants out of life
is a cerian mood
a certain atmosphere.
He wanmts to be in a certain state of mind
but that’s a mistake, Roly Poly
because moods are like clouds
They drift
You supply the missing word.
But Roly Poly can’t supply the missing word
because after all this timer
he still doesn’t speak chinese
he doesn’t speak a single word
in the entire chinese language
47)
Because Roly Poly had no coherent policy for life
he suffered.
But life didn’t suffer.
Life’s purposes were served, exactly
which should have made Roly Poly feel much better
but it didn’t make him feel better
and life’s purposes were served by that also.
It was then that his language began to deteriorate
and it wasn’t life that worriewd about this
but language worried about this
And the next thing that should have been said
was never said
and several independent observers
thought to themselves
“Who’s talking?”
but there was no answer of course,
because the persons asking the questions,
were interfering, by their very asking
with the possibility of an answer
and there was no answer
because every available space
was now fiulled
in china
still in china
48)
Just suppose, that it is, finally, like it is.
Just suppose there is nothing but pure eventfulness
No further scheme of things
and further suppose
that events themselves
are predicated in a system called BRAIN
so that the eventr
the real fact
vanishes into quite artificial interpretation.
That is to say
translated into the terms
of a value system
that are never quite, invented,
like fairy tales are invented
but in eventfulness, raw
inside the blind spot of the mental eye.
So to plunge there
grasping for no life preserver
is to be truly fed
and the hunger is
un-noticable often
but insatiable
and insatiable humger
49)
You tell us, Roly Poly
what’s it like
What’s it like
here in China
where self information doesn’t really surface
elusive
like something hidden
like-- we can’t see your real face, Roly Poly
we can’t see your real expression
because our experience is
that your real expression is hiding from us
in this room, always in this room
always in china
so
what’s it like
hiddenness
what’s hiddenness really like
what’s it like to be hidden
50)
It’s not so hard to understand, really
All it means, is that the things Roly Poly wanted to say
are going back into the head,
that’s why the words come pouring out
because when we reach the end of that
we really reach the end
What flashes then?
In a kind of cloudless sky?
51)
Here is the truth of the matter
So long ago, when young
Roly Poly located himself
at the mouth of this verbal flow.
He tried to flood the world-
and he recognized the source was inexhaustable
But then it was exhausted, only he Roly Poly
had not the sheer courage
to feel better in his emptiness--
or was it slightly different?
that he wasn’t self-locatable
in the emptiness which was elsewhere
-- Roly Poly being separated from that
by a kind of mental space--?
Ah well
who would understand Roly Pole
even if he could speak
so instead
he dreamed a magic object
until somebody in the back of his head
rises and says
I understand you, Roly Poly
I underatdn where you’re headed
so aim carefully, Roly Poly
and someone else will come to your rescue.
Someone else will turn that perfect aim
into a vague trajectory that wobbles,
so fast -- it wobbles with light trembling
and look-- it’s the way out
for both of us
for all of us
52)
The creative explosion
started in this very room, here
and Roly Poly didn’t control it, of course
--it simply happened
that his life, twisted.
Nothing on the surface changed
But as a matter of fact, nothing on the interious
changed also--
Roly Poly had no profound illumination.
Therefore
nothing changed.
Except-- everything
slightly
depending on the scale
upon which one choses to graph such things
so nothing has to change
even if it changes
53)
Assume this, cries Roly
assume this--
at all moments
experience is trying to reach me
as the representative of something else.
Not the event as a thing of weight
but something else
--event comes as local atmosphere, but WHY
what secret resides in such atmosphere
which is only local
the effect only, of light mixed with temperature
and vista, and archetectural articulation of space
in which air and light
are mixed to varing degrees
with particles of dense matter.
But I want to say something about life
which will really
BE something about LIFE.
But why
Why does he want to do this,
because Roly Poly can lie about the world
or Roly Poly can tell the truth about the world
But Roly Poly will never know
which of those two possibilities
he is truly-- engaging.
This is something he will never know
So why does he want to do such a thing--
why not let life be as life is, lifelike
in and of itself-- or is it?
Lifelike, if Roly Poly never saying something about it
that is life-like
or a lie
in addition to life
like a very real part of life
both before and after it could possibly happen to be true.
54)
Roly Poly thinks about his life.
He imagines talking to himself from a mirror
Is it possible, he asks
that you are going to approach me--
some time in the future-- with the words
“why were you not
more
emotionally forthcoming?
It is not happening, now
that I am here, asking these things
But here I am.
Pleading ignorance, making an effort
that ends up
in a direction I didn’t have in mind,
so please
any mistake that seems important to me
is probably no mistake.
And yet, and yet
things fall apart when I touch them.
So-- why not the appropriate cry of pain?
Why Not! Indeed why not?
55)
Look, Roly Poly--
there is honey on your lips--
lick them, lick them.
and now speak
don’t be afraid to speak
. Don’t be afraid to speak
simply because the words you have chosen
play inside a volcano.
When those words bite--
bite back--
suffer the tongue, longing for sweetness
to cause trouble--
to reshape things
to devour things
so the real world is not eaten
but only
substitue words are eaten, like eating fire
from the most terrible volcano of all,
lick at that volcano
in china
only in china
56)
OK,
all this material
is pouring into the arena of life
and here is Roly Poly as a kind of focus
organizing it at least
in a certain way.
But before Roly Poly was here
in China
this material was still pouring
from one place to another place
only Roly Poly wasn’t here, really
to organize things in his imagination
so what was it like, really
--before Roly Poly was here
to organize things
with his mental apparatus.
What was it like,
how was it different,
before
Roly Poly himself,
before Roly Poly was alive,
what slight adjustment
in the scheme of things,
with no Roly Poly
57)
These are Roly Poly’s words.
The closer the sky comes-- the less it exists.
In a reverse sense--
to distance Roly Poly from his habitat
turns it into a thing of dreams.
Therefore,
the evident relation
between distance and dreams.
Yes.
Yes.
Whenever Roly Poly touches the truth,
it’s because he is going in a circle.
Self, truth, self.
And yet.
The image of a circle
suggestingas it does, the human head--
that image is what impresses upon us
the dangerous illusion
of inside versus outside.
But if one continues forward in a circle,
back to the starting point--
self-truth-self--that as truth--
yes
but the moment one conceptualizes it as a circle--
that circle--
illusion.
what does this demonstrate?
He thinks again,
when it storms
Roly Poly is some not-participating element.
But when it is mild
with a bright sun--
Roly Poly feels whole.
what does this demonstrate?
Roly Poly looks into the lamp light.
If the lamp is taken out of the room
there is no more light.
But he can REMEMBER seeing the lamp.
He can REMEMBER the light.
at the same time his open eyes, now see darkness.
But when he closes those eyes--
can he remember darkness?
Because, eyes closed, he is SEEING darkness--
so how can he know if he is remembering it or seeing it?
This must be, thinks Roly Poly
a very special state indeed.
Trying to remember darkness
with one’s eyes closed.
So suppose, just suppose
that Roly Poly tries to REMEMBER being alive
at the same time that he is, of course, alive.
Or suppose Roly Poly tried to remember--
TRYING TO REMEMBER.
Ah, says Roly Poly
Ah
the time table of the present is always erased.
No departrures, no arrivals
yet one is still, always,
where one was not, previously,
and will be next.
So this proves, thinks Roly Poly--
that to erase is more primary
than to register
so with each new word
simply erase the others that surround it
in china
where the word “light” for instance
can be used to erase all other words,
and if Roly Poly says
--my God, I’m thirsty.
and then the word “LIGHT”
and the word light does not erase his thirst
but illuminates a quality of himself
and his thirst and it makes Roly Poly orbit himself
and discover the circle like
range of his sensations
and he is in China,
stable in china
which is no place at all
for more than a brief, brief, moment.
58)
Oh Roly Poly
Now you know
that a word echos your expectations
but you still cannot isolate that word
you still cannot pull it foward
into your consciousness
because that word is only being spoken,
somewhere
behind your head
in a region of blankness
you never even experience as blankness
because you do not experience it.
(open to face)
And you reach forward--
to make contact with a terrible painted face
that grimaces
on the wall, opposite from where you sit--
but how are you able to cover such a relatively major distance
with a mere thrust of the hand towards your own
invisible face?
Now I understand
how you stitch together
a tissue of exageration to come up with
something real.
There you manifest finally,
prancing in your own beautiful space,
a hole in nothering--
that’s where the wind blows, now I know what to name it--
wind, hurricane, tornado,
and whenever you name something--
it disappears in the depths of some
unfathomable
CHINA!
59)
Here’s the story
Roly Poly leads us into the last room but one,
opens a door
--we look through the door
without entering,
afraid to follow the lead of this
man who lived
someplace OTHER than in his head.
This frightened educational fanatic
who lapsed, lapsed,
after he reached for what he
really desired. . .
because the opportunity
actually sets one on fire
and now that one is burning, one burns
and if one burns
changing course is out of the question for the moment!
(Some places, you understand
are portals. doors.
This is such a place
a space-- what happens here
is concecrated. It is no longer china
it opens)
60)
Now that he has come to the end of his experience,
Roly Poly asks himself
Now that I have come to the end of my experience
which is unsatisfactory
with no end in sight
and yet--
make that very fact
no end in sight,
an end
and an end, that is satisfactory as an end--
fulfilling
in it’s very experience of being not- fullfilling
(Pause)
Who can deal with this
(record on, more, stagger fall)
61)
Roly Poly.
The man who tries to be brief
but is never brief enough.
Roly Polyy.
Whenever he develops an idea
it changes.
Each impulse
Roly Poly--
matures-- which means
that everything else in the world
into which that impulse is planted by speech
corrupts it.
But this is what MUST happen to Roly Poly
This corruption,
because the alternative would be that nothing manifests--
and to be here
to discuss this obligation to manifest
and the purity of such self-manifestatitowartds which Roly Poly feels--
thanks to an equally unavoidable rigor--
to be launched here, now,
in that very pure way that must necessarily
fall corrupt by that
very self same necessarily courrpted stuff--
--out of which an entire world is constituted--
Ah, for this reason--
the object you see
which is revolving
here in china
at the center
of Roly Ploy’s particular universe.
--He keeps his back to this object
as much as possible.
Is this fear?
Yes, this is fear.
This is Roly Poly’s deep respect
for reality.
For reality itself.
For the reality he does not see
the reality, still pure
uncorrupted.
Pure
62)
Tomorrow of course, more of this will happen
Roly Poly won’t see it happening
he might be on a voyage
He might travel
far from china
into space itself
because there is no atmosphere in space
Because
moods of light
clouds
mist
different atmospheric conditions that create
different ambience--
this does not exist in space
into which Roly Poly now
dreams of moving.
Because Roly poly arises
perhaps, co-incidentally only
with a certain kind of articulation
of light and water--
which are building blocks of atmosphere--
even dust, perhaps
which is earth
to which -- dust ti dust--
even fire, which is smoke--
which are the elements which have always numbered
four-- Roly Poly--
but consciousness, perhaps--
Roly Poly’s consciousness--
twin of that atmosphere, that mood
our of which Roly Poly rises
63)
Ready to leave, noiw
Here is a list of potential items
which Roly Poly will remember.
Crown
drum
hand
blindfold
knife
Does this mean that Roly Poly favors
physical objects over people?
Well--
this is what it means
to the extend that Roly Poly favors
not people
but what is inside people.
Because those potent physical objects that he choses
perform excevations
inside people.
A brass trumpet
to express the “oh” inside people
in a way that would shake things
to their very foundations
an Roly Poly would like to be turned, inside out
by such an “Oh”
--A lust for something he may not be able to handle
--but he lusts for that.
He lusts for it
64)
No more questions?
No questions?
A crown
large hands
stabbing oneself with a knife
blindfolded
black cape
eyeglasses
wings
large wings!
65)
The minute one speaks
one goes off the track, remember
But writing is different
writing is better
because speaking inevitably produces in the voice
inflections which cheapen
and vulgurize
and limit the resonance of things
which written
is closer to the unsayable
which by definition
remains the unsaid.
So. Never speak
Is that agreed upon? There will be no speaking.
66)
And so-- All Roly Poly’s sentences got used up.
And so: -- begin again from the beginning.
Locate oneself inside the available mirror
But remember
Looking into a mirror is really, like opening a window.
So imagine a room , closed off from the real world, where a certain kind of light pours in when a window is opened.
But the quality of that light implies a quality of light in the land beyond the room. Full of mirrors. A faceted landscape. So activity multiplies, and light multiplies.
And facial expressions, smiles and gestures, all multiple.
And a child, Roly Poly, sits at a desk in front of a blackboard. And something is written rapidly on the blackboard and Roly Poly copies, mirrors, what is written: but copies slowly.
While the streets outside, curl under the multiple reflections, and somehow the blackboard in front of the child speaks of these streets.
And the child Roly Poly copies something, but not that-- not that of which the blackboard itself speaks as it is written upon-- that is not something the child is taught to copy.
And so, when the child matures, there is something lost to the child. And a window is opened, and the light pours through, but the child-- adult now-- Roly Poly, is shaken in memory, without being able to know what it is that produces that profound yet elusive impression.
And the child's life, the adult's life, is a longing that is never answerable. And the beauty of life seems, accidental and unstable.
And the life to be lived, is lived, like a task. And the task is done, and a window is closed, a mirror, turned to the wall, and the room itself wobbles, and forever, is truly . . .lost.
holy moly
pg.