<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:gd="http://schemas.google.com/g/2005"><id>tag:blogger.com,1999:blog-3738579.post111911646336484939..comments</id><updated>2011-07-13T16:13:18.645-04:00</updated><title type='text'>Comments on Silliman&#39;s Blog: </title><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='https://ronsilliman.blogspot.com/feeds/comments/default'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/111911646336484939/comments/default'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2005/06/rosa-luxembourgs-grave-implicit-logic.html'/><link rel="hub" href="http://pubsubhubbub.appspot.com/"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>5</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3738579.post-111930519091857704</id><published>2005-06-20T18:06:00.000-04:00</published><updated>2005-06-20T18:06:00.000-04:00</updated><title type='text'>Does noted poet prose-over poetry before poverty?</title><summary type='text'>Does noted poet prose-over poetry before poverty?</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/111911646336484939/comments/default/111930519091857704'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/111911646336484939/comments/default/111930519091857704'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2005/06/rosa-luxembourgs-grave-implicit-logic.html?showComment=1119305160000#c111930519091857704' title=''/><author><name>Carton Tragedy</name><uri>https://www.blogger.com/profile/06542989177956491967</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2005/06/rosa-luxembourgs-grave-implicit-logic.html' ref='tag:blogger.com,1999:blog-3738579.post-111911646336484939' source='http://www.blogger.com/feeds/3738579/posts/default/111911646336484939' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1629265714"/><gd:extendedProperty name="blogger.displayTime" value="June 20, 2005"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-111929991410464342</id><published>2005-06-20T16:38:00.000-04:00</published><updated>2005-06-20T16:38:00.000-04:00</updated><title type='text'>Ron, I&#39;ve been re-reading Don Byrd&#39;s great book on...</title><summary type='text'>Ron, I&#39;ve been re-reading Don Byrd&#39;s great book on the Maximus Poems, and yesterday ran across a paragraph which treats the formal question you&#39;re raising here in a different (and for my money, more useful) way. As Olson writes, &quot;Love is form&quot; . . . and Byrd adds: &quot;In light of our most venerable traditions, it is an outrageous statement. We believe that our form-making abilities reside in the </summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/111911646336484939/comments/default/111929991410464342'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/111911646336484939/comments/default/111929991410464342'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2005/06/rosa-luxembourgs-grave-implicit-logic.html?showComment=1119299880000#c111929991410464342' title=''/><author><name>Joe Safdie</name><uri>https://www.blogger.com/profile/17504838189736814071</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2005/06/rosa-luxembourgs-grave-implicit-logic.html' ref='tag:blogger.com,1999:blog-3738579.post-111911646336484939' source='http://www.blogger.com/feeds/3738579/posts/default/111911646336484939' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1693656871"/><gd:extendedProperty name="blogger.displayTime" value="June 20, 2005"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-111928502806160861</id><published>2005-06-20T12:30:00.000-04:00</published><updated>2005-06-20T12:30:00.000-04:00</updated><title type='text'>R Lux seems to be a fertile inspiration for writer...</title><summary type='text'>R Lux seems to be a fertile inspiration for writers obsessed with splaying out lines. There&#39;s a comparison (or contrast) waiting to be made between Moxley&#39;s poem and Jane Cooper&#39;s &quot;Threads: Rosa Luxembourg from Prison&quot; of 1978.</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/111911646336484939/comments/default/111928502806160861'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/111911646336484939/comments/default/111928502806160861'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2005/06/rosa-luxembourgs-grave-implicit-logic.html?showComment=1119285000000#c111928502806160861' title=''/><author><name>Michael Peverett</name><uri>https://www.blogger.com/profile/17090710369630916194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2005/06/rosa-luxembourgs-grave-implicit-logic.html' ref='tag:blogger.com,1999:blog-3738579.post-111911646336484939' source='http://www.blogger.com/feeds/3738579/posts/default/111911646336484939' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-566691718"/><gd:extendedProperty name="blogger.displayTime" value="June 20, 2005"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-111927818823139527</id><published>2005-06-20T10:36:00.000-04:00</published><updated>2005-06-20T10:36:00.000-04:00</updated><title type='text'>An odd quality in the work of James Wright--specif...</title><summary type='text'>An odd quality in the work of James Wright--specifically the middle period of The Branch, or Shall We Gather--is a curious &quot;twisting&quot; or &quot;deccelerating&quot; affect he gets, through the use of conversational speech, broken up ingeniously to explore its componant resonances, which appears to increase its emotional thrust.  Of course, Wright never toyed with non-syntactical constructions in his </summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/111911646336484939/comments/default/111927818823139527'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/111911646336484939/comments/default/111927818823139527'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2005/06/rosa-luxembourgs-grave-implicit-logic.html?showComment=1119278160000#c111927818823139527' title=''/><author><name>Curtis Faville</name><uri>https://www.blogger.com/profile/01813159652010352331</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2005/06/rosa-luxembourgs-grave-implicit-logic.html' ref='tag:blogger.com,1999:blog-3738579.post-111911646336484939' source='http://www.blogger.com/feeds/3738579/posts/default/111911646336484939' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1749964855"/><gd:extendedProperty name="blogger.displayTime" value="June 20, 2005"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-111927497671048934</id><published>2005-06-20T09:42:00.000-04:00</published><updated>2005-06-20T09:42:00.000-04:00</updated><title type='text'>&quot;The image of a profession in the minds of its pra...</title><summary type='text'>&quot;The image of a profession in the minds of its practitioners is not too reliable.&quot; --Robert Musil, THE MAN WITHOUT QUALITIES</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/111911646336484939/comments/default/111927497671048934'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/111911646336484939/comments/default/111927497671048934'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2005/06/rosa-luxembourgs-grave-implicit-logic.html?showComment=1119274920000#c111927497671048934' title=''/><author><name>Kenneth</name><uri>https://www.blogger.com/profile/00381784865866177857</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2005/06/rosa-luxembourgs-grave-implicit-logic.html' ref='tag:blogger.com,1999:blog-3738579.post-111911646336484939' source='http://www.blogger.com/feeds/3738579/posts/default/111911646336484939' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-210334075"/><gd:extendedProperty name="blogger.displayTime" value="June 20, 2005"/></entry></feed>