<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:gd="http://schemas.google.com/g/2005"><id>tag:blogger.com,1999:blog-3738579.post113698353375160261..comments</id><updated>2011-07-13T16:13:18.645-04:00</updated><title type='text'>Comments on Silliman&#39;s Blog: </title><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='https://ronsilliman.blogspot.com/feeds/comments/default'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html'/><link rel="hub" href="http://pubsubhubbub.appspot.com/"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>19</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3738579.post-113814022537127041</id><published>2006-01-24T17:03:00.000-05:00</published><updated>2006-01-24T17:03:00.000-05:00</updated><title type='text'>Fassbinder&#39;s late films in particular use colour i...</title><summary type='text'>Fassbinder&#39;s late films in particular use colour in a very painterly way I&#39;d say.</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113814022537127041'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113814022537127041'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1138140180000#c113814022537127041' title=''/><author><name>alan</name><uri>https://www.blogger.com/profile/01870989960640695940</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1382155689"/><gd:extendedProperty name="blogger.displayTime" value="January 24, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113764622478354180</id><published>2006-01-18T23:50:00.000-05:00</published><updated>2006-01-18T23:50:00.000-05:00</updated><title type='text'>Hey Ron, just an addendum to your history of what ...</title><summary type='text'>Hey Ron, just an addendum to your history of what might be called the over-determination of color in film.  I disagree that the history ends, or interrupts, quite where you have it.  Dario Argento&#39;s horror film _Suspiria_ (I believe the year was &#39;78 or 9) uses deliberately oversaturated colors throughout.  Argento may have been influenced by the 60&#39;s horror films of Mario Bava, such as _Blood and</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113764622478354180'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113764622478354180'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1137646200000#c113764622478354180' title=''/><author><name>Mark DuCharme</name><uri>https://www.blogger.com/profile/12197766475242892287</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-558997620"/><gd:extendedProperty name="blogger.displayTime" value="January 18, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113718164566387489</id><published>2006-01-13T14:47:00.000-05:00</published><updated>2006-01-13T14:47:00.000-05:00</updated><title type='text'>Ron - Have you not seen David Salle&#39;s only foray i...</title><summary type='text'>Ron - &lt;BR/&gt;&lt;BR/&gt;Have you not seen David Salle&#39;s only foray into commercial filmmaking, the oft-maligned adapation of a Howard Korder play, _Search and Destroy_?  The Scorsese-backed Salle film came out in the mid 90s and lasted about a week in theaters.  It was pretty much canned critically across the board to my recollection.  &lt;BR/&gt;&lt;BR/&gt;Salle&#39;s pallettes and mise-en-scenes tell the story of the </summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113718164566387489'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113718164566387489'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1137181620000#c113718164566387489' title=''/><author><name>Lester</name><uri>https://www.blogger.com/profile/04219479023387881600</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1478288716"/><gd:extendedProperty name="blogger.displayTime" value="January 13, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113716636427576410</id><published>2006-01-13T10:32:00.000-05:00</published><updated>2006-01-13T10:32:00.000-05:00</updated><title type='text'>I loved this post, Ron; loved your historical look...</title><summary type='text'>I loved this post, Ron; loved your historical look at color in film. I greatly enjoyed the film &lt;I&gt;2046&lt;/I&gt;, as well as &lt;I&gt;Hero&lt;/I&gt;.  &lt;BR/&gt;&lt;BR/&gt;Last night, I watched the Korean film &lt;I&gt;Oldboy&lt;/I&gt;, released last year. Fascinating.</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113716636427576410'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113716636427576410'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1137166320000#c113716636427576410' title=''/><author><name>Michael Parker</name><uri>https://www.blogger.com/profile/01280355936107965244</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-2002640408"/><gd:extendedProperty name="blogger.displayTime" value="January 13, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113708210205824345</id><published>2006-01-12T11:08:00.000-05:00</published><updated>2006-01-12T11:08:00.000-05:00</updated><title type='text'>The Italians seem to have a completely different c...</title><summary type='text'>The Italians seem to have a completely different concept of cinema.  I remember when I saw Red Desert, when it first was released in America.  Think how an American director would tell the same story.  Doris Day and Rock Hudson.  Or, Debra Winger and William Hurt.  Each message would be semaphored with lead-ins and repetition.  &lt;BR/&gt;&lt;BR/&gt;Antonioni&#39;s &quot;entry into color&quot; seems less important in </summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113708210205824345'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113708210205824345'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1137082080000#c113708210205824345' title=''/><author><name>Curtis Faville</name><uri>https://www.blogger.com/profile/01813159652010352331</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1749964855"/><gd:extendedProperty name="blogger.displayTime" value="January 12, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113707184229666845</id><published>2006-01-12T08:17:00.000-05:00</published><updated>2006-01-12T08:17:00.000-05:00</updated><title type='text'>A very early film by Kurosawa called Dodes Ka-Den ...</title><summary type='text'>A very early film by Kurosawa called Dodes Ka-Den makes one of the more bizarre and, yes, painterly uses of color I&#39;ve ever seen..</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113707184229666845'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113707184229666845'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1137071820000#c113707184229666845' title=''/><author><name>Max</name><uri>https://www.blogger.com/profile/18171731007326838375</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1533672398"/><gd:extendedProperty name="blogger.displayTime" value="January 12, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113705047941891823</id><published>2006-01-12T02:21:00.000-05:00</published><updated>2006-01-12T02:21:00.000-05:00</updated><title type='text'></title><summary type='text'>This comment has been removed by a blog administrator.</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113705047941891823'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113705047941891823'/><author><name>andy gricevich</name><uri>https://www.blogger.com/profile/00797822725132844348</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name='blogger.contentRemoved' value='true'/><gd:extendedProperty name="blogger.itemClass" value="pid-1436621432"/><gd:extendedProperty name="blogger.displayTime" value="January 12, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113704172411227992</id><published>2006-01-11T23:55:00.000-05:00</published><updated>2006-01-11T23:55:00.000-05:00</updated><title type='text'>I guess I meant, I thought a lot of Ran watching H...</title><summary type='text'>I guess I meant, I thought a lot of Ran watching Hero. Didn&#39;t hurt the experience, but didn&#39;t help it.</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113704172411227992'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113704172411227992'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1137041700000#c113704172411227992' title=''/><author><name>michael white</name><uri>https://www.blogger.com/profile/06006120938521382041</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1039711475"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113704143270169327</id><published>2006-01-11T23:50:00.000-05:00</published><updated>2006-01-11T23:50:00.000-05:00</updated><title type='text'>Yes, but Ran is way better than most any motion pi...</title><summary type='text'>Yes, but Ran is way better than most any motion picture you can name...</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113704143270169327'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113704143270169327'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1137041400000#c113704143270169327' title=''/><author><name>Ron</name><uri>https://www.blogger.com/profile/09250950725876683923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-660918411"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113703548661754472</id><published>2006-01-11T22:11:00.000-05:00</published><updated>2006-01-11T22:11:00.000-05:00</updated><title type='text'>I agree, it&#39;s a long list. Ran was way better than...</title><summary type='text'>I agree, it&#39;s a long list. &lt;BR/&gt;&lt;BR/&gt;Ran was way better than Hero, though I loved Hero.</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113703548661754472'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113703548661754472'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1137035460000#c113703548661754472' title=''/><author><name>michael white</name><uri>https://www.blogger.com/profile/06006120938521382041</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1039711475"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113703117452239894</id><published>2006-01-11T20:59:00.000-05:00</published><updated>2006-01-11T20:59:00.000-05:00</updated><title type='text'>Painterly use of color:Tarkovsky films mentionedBe...</title><summary type='text'>Painterly use of color:&lt;BR/&gt;&lt;BR/&gt;Tarkovsky films mentioned&lt;BR/&gt;Bertolucci/Storraro: The Last Emperor, The Conformist (around time of or before Sheltering Sky)&lt;BR/&gt;Cinematographer Eduardo Serra is pulling this off in films like The Wings of the Dove and What Dreams May Come (which I decided was unwatchable)&lt;BR/&gt;Kurasawa, Dreams and much of his other late work&lt;BR/&gt;Kieslowski, Red, White and Blue --</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113703117452239894'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113703117452239894'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1137031140000#c113703117452239894' title=''/><author><name>Ian Keenan</name><uri>https://www.blogger.com/profile/16596558654735506132</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1591342472"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113702201801241756</id><published>2006-01-11T18:26:00.000-05:00</published><updated>2006-01-11T18:26:00.000-05:00</updated><title type='text'>Andy, I&#39;d agree to put Greenaway in their company,...</title><summary type='text'>Andy, I&#39;d agree to put Greenaway in their company, but you&#39;ll have a hard time finding anything like the Oulipian structures of films like The Falls, Draughtsman&#39;s Contract, Drowning By Numbers, A Zed and Two Naughts, or Pillow Book anywhere in JLG&#39;s or Pasolini&#39;s work. If you said he owed everything to Calvino or Perec  you&#39;d still be wrong, but closer to the mark.</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113702201801241756'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113702201801241756'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1137021960000#c113702201801241756' title=''/><author><name>Kirk Johnson</name><uri>https://www.blogger.com/profile/05529898733002317995</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-895736745"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113701115296227021</id><published>2006-01-11T15:25:00.000-05:00</published><updated>2006-01-11T15:25:00.000-05:00</updated><title type='text'>Greenaway&#39;s film definitely has it, but borrowed i...</title><summary type='text'>Greenaway&#39;s film definitely has it, but borrowed it (and almost everything else) from Godard&#39;s and Pasolini&#39;s films, which are at least ten thousand times as good, I think. &lt;BR/&gt;&lt;BR/&gt;This color obsession is already in pretty clear evidence in Godard&#39;s &lt;I&gt;Weekend&lt;/I&gt; (1968), though perhaps not as powerfully, partly becuase there&#39;s so much going on in that film. &lt;BR/&gt;&lt;BR/&gt;&lt;I&gt;2046&lt;/I&gt; sounds </summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113701115296227021'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113701115296227021'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1137011100000#c113701115296227021' title=''/><author><name>andy gricevich</name><uri>https://www.blogger.com/profile/00797822725132844348</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1436621432"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113699561530304911</id><published>2006-01-11T11:06:00.000-05:00</published><updated>2006-01-11T11:06:00.000-05:00</updated><title type='text'>Yes, the reds in Cries and Whispers.  Also the red...</title><summary type='text'>Yes, the reds in Cries and Whispers.  Also the reds and greens in Hitchcock&#39;s Vertigo.&lt;BR/&gt;&lt;BR/&gt;Especially Cyclo and The Scent of Green Papaya by Anh Hung Tran.&lt;BR/&gt;&lt;BR/&gt;Raoul Ruiz&#39;s films as well.  On Top of the Whale, etc.</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113699561530304911'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113699561530304911'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1136995560000#c113699561530304911' title=''/><author><name>James</name><uri>https://www.blogger.com/profile/14066844450420389687</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-564976163"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113699530675712887</id><published>2006-01-11T11:01:00.000-05:00</published><updated>2006-01-11T11:01:00.000-05:00</updated><title type='text'>My son brought home a VCR of Chungking Express a f...</title><summary type='text'>My son brought home a VCR of Chungking Express a few years after its release. For an old arthouse junky like me, watching it was like living out the last act of Winter&#39;s Tale. &lt;BR/&gt;&lt;BR/&gt;WKW&#39;s been refining the elements you note since at least As Tears Go By (1988); Doyle&#39;s been on the set since Days of Being Wild (1991), if not earlier. He&#39;s never done anything as tightly scripted as Greenaway (</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113699530675712887'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113699530675712887'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1136995260000#c113699530675712887' title=''/><author><name>Kirk Johnson</name><uri>https://www.blogger.com/profile/05529898733002317995</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-895736745"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113699428506528361</id><published>2006-01-11T10:44:00.000-05:00</published><updated>2006-01-11T10:44:00.000-05:00</updated><title type='text'>Might I offer these additional examples for a &quot;Pai...</title><summary type='text'>Might I offer these additional examples for a &quot;Painterly Use of Color&quot;?:&lt;BR/&gt;&lt;BR/&gt;Bergman-Cries and Whispers&lt;BR/&gt;Kubrick-Barry Lyndon, Eyes Wide Shut, etc&lt;BR/&gt;Tarkovsky-Stalker, The Sacrifice&lt;BR/&gt;Alexander Sokurov-- Mother and Son (literaly painterly)&lt;BR/&gt;David Gordon Green -- George Washington&lt;BR/&gt;Roy Anderson - Songs from the Second         Floor&lt;BR/&gt;&lt;BR/&gt;Justin</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113699428506528361'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113699428506528361'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1136994240000#c113699428506528361' title=''/><author><name>Justin</name><uri>https://www.blogger.com/profile/00551769416874658724</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-156882145"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113699298080438418</id><published>2006-01-11T10:23:00.000-05:00</published><updated>2006-01-11T10:23:00.000-05:00</updated><title type='text'>I&#39;d forgotten that film &amp; actually don&#39;t recall th...</title><summary type='text'>I&#39;d forgotten that film &amp; actually don&#39;t recall that aspect about it. Greenway&#39;s films are always highly stylized (viz. The Pillow Book) -- it may be worth a relook -- esp. now that Mirren &amp; Gambon are so much more better known as actors.</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113699298080438418'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113699298080438418'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1136992980000#c113699298080438418' title=''/><author><name>Ron</name><uri>https://www.blogger.com/profile/09250950725876683923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-660918411"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113699103752922580</id><published>2006-01-11T09:50:00.000-05:00</published><updated>2006-01-11T09:50:00.000-05:00</updated><title type='text'>What about Peter Greenaway? I&#39;m thinking especiall...</title><summary type='text'>What about Peter Greenaway? I&#39;m thinking especially of &lt;A HREF=&quot;http://www.imdb.com/title/tt0097108/&quot; REL=&quot;nofollow&quot;&gt;The Cook the Thief His Wife and Her Lover&lt;/A&gt;, but really, almost all of his films utilize color in the way you describe it here.</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113699103752922580'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113699103752922580'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1136991000000#c113699103752922580' title=''/><author><name>Josh_Hanson</name><uri>https://www.blogger.com/profile/04072181113771913036</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-385522224"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry><entry><id>tag:blogger.com,1999:blog-3738579.post-113698882139895511</id><published>2006-01-11T09:13:00.000-05:00</published><updated>2006-01-11T09:13:00.000-05:00</updated><title type='text'>It&#39;s not surprising that Hero and 2046 share a sop...</title><summary type='text'>It&#39;s not surprising that Hero and 2046 share a sophisticated visual style. They also share the same cinematographer, Christopher Doyle, who has worked on many great looking movies, including many by Wong Kar-wai. &lt;BR/&gt;&lt;BR/&gt;You might should also look at Wong&#39;s previous movie, In the Mood for Love, for which 2046 is a kind of oblique sequel. In the Mood also stars Tony Leung. The female lead (</summary><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113698882139895511'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3738579/113698353375160261/comments/default/113698882139895511'/><link rel='alternate' type='text/html' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html?showComment=1136988780000#c113698882139895511' title=''/><author><name>Herb Levy</name><uri>https://www.blogger.com/profile/04535714024154963215</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='https://ronsilliman.blogspot.com/2006/01/in-1964-michelangelo-antonioni-italian.html' ref='tag:blogger.com,1999:blog-3738579.post-113698353375160261' source='http://www.blogger.com/feeds/3738579/posts/default/113698353375160261' type='text/html'/><gd:extendedProperty name="blogger.itemClass" value="pid-1047599926"/><gd:extendedProperty name="blogger.displayTime" value="January 11, 2006"/></entry></feed>