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Showing posts with label <b>#bookstoread</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<h2 class='date-header'><span>Tuesday, January 14, 2003</span></h2>

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<span style="font-family: Arial;">Insurance Books will publish
<i style="mso-bidi-font-style: normal;">Knowledge Follows</i>, a chapbook-length
poem by David Perry, later this year. If the excerpt that appears in the first
issue of <i style="mso-bidi-font-style: normal;">Monkey Puzzle</i> is any evidence,
it already promises to be one of the best books of the <span class="GramE">new
year</span>.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">At first glance, <i style="mso-bidi-font-style: normal;">Knowledge Follows</i> is a series of linked
pieces, mostly (tho not entirely) in verse form. I wasn&#8217;t actually planning to
read it, I was just thumbing through the issue, trying to get a sense of who
&amp; what were there, particularly given the unhelpful table of contents that
lists contributors only by their first names, when I came across this:<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<st1:city><st1:place><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">Rome</span></st1:place></st1:city><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> <span class="GramE">fell,</span> </span><st1:city><st1:place><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">Paris</span></st1:place></st1:city><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> fell &#8211;
that we can see<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">for</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">
ourselves: shoe trees, the original<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">rack</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">,
truncheons, pestles, magazines<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">everywhere</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">
reflection spreads<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">the</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> rumor
we were there &#8211; in the nave,<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">shooting</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> up the
cemetery, cracking<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">on</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> the
plain, running<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">from</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> the
unpredicted ellipse . . . <o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">as</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> if the
universe were the ultimate<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">word-picture</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">
machine<o:p></o:p></span></div>
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<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">with</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> direct
feeds to the head<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Perry instantly lets the
reader know that he&#8217;s in total control of his medium. The directness of address
&amp; level of detail invokes the genre of a top-notch page turner, even if the
details are not what one might anticipate. Or, more accurately, precisely <i style="mso-bidi-font-style: normal;">because</i> the details were not what one
might anticipate we are driven that much deeper into the </span><st1:state><st1:place><span style="font-family: Arial;">tex</span></st1:place></st1:state><span style="font-family: Arial;">t itself. By the third line, I was completely hooked.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
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<span style="font-family: Arial;">The ensuing section extends
this initial thread, but that&#8217;s the exception here, not the rule. Rather, <i style="mso-bidi-font-style: normal;">Knowledge Follows </i>ranges in several
directions, while pulling out themes, particularly around communication, <span class="GramE">that become</span> familiar because elements have appeared
previously:<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">. . . <span class="GramE">as</span>
if children were understood<o:p></o:p></span></div>
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<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">though</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">
neither heard nor seen. </span><st1:city><st1:place><i style="mso-bidi-font-style: normal;"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">Eureka</span></i></st1:place></st1:city><i style="mso-bidi-font-style: normal;"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">!<o:p></o:p></span></i></div>
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<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">Who&#8217;s to argue with not <span class="GramE">only</span><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">communication</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> but
understanding?<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">Our lifelong self-experiment
with perspective<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span class="GramE"><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;">found</span></span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial;"> itself
up against the wall. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Arial;">As the section above, quoted
in its entirety, suggests, Perry offers a wry, dry wit, but is ultimately more
serious in his approach than we are used to from poets associated with the NY
School&#8217;s Gen XXXIX. <o:p></o:p></span></div>
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<span style="font-family: Arial;">Between these rather
well-architected fragments &amp; the question of the excerpt from the reader&#8217;s
perspective, it&#8217;s impossible to know just how much of the total book is
included in <i style="mso-bidi-font-style: normal;">Monkey Puzzle</i>. I can&#8217;t
tell from the six pages here if this might be half of the eventual chapbook or
if it, in fact, might simply be the first installment in something far larger &#8211;
certainly Perry&#8217;s control in these sections indicates that he&#8217;s capable of it. <o:p></o:p></span></div>
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<span style="font-family: Arial;">While there have been
projects associated with the NY School that have entered into that intermediary
book-length poem space, from Koch&#8217;s <i style="mso-bidi-font-style: normal;">When
the Sun Tries to Go On </i>to Ashbery&#8217;s <i style="mso-bidi-font-style: normal;">Three
Poems </i>&amp; <i style="mso-bidi-font-style: normal;">Flow Chart </i>&#8211; a deeply
underappreciated work &#8211; to longer projects from Bernadette Mayer, Anne Waldman,
Paul Violi &amp; even David Lehman, there never has been a longpoem from this
aesthetic tendency &#8211; not in the sense of taking at least a decade to compose
the poem. This taste of Perry&#8217;s work makes me hungry for someone to explore
that possibility.<o:p></o:p></span></div>
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<span style="font-family: Arial;">One clue here may the degree
of finish in Perry&#8217;s sections or fragments. They are quite different than what,
say, Rachel Blau DuPlessis has characterized as the &#8220;debris&#8221; that she
incorporates into her own <i style="mso-bidi-font-style: normal;">Drafts</i>. The
result is that each section of <i style="mso-bidi-font-style: normal;">Knowledge
Follows</i> feels complete almost in the way of a lyric poem. One wonders how a
truly long poem of infinitely digestible bits could be accomplished &#8211; there&#8217;s </span><st1:state><st1:place><span style="font-family: Arial;">nev</span></st1:place></st1:state><span style="font-family: Arial;">er really been anything quite like that. Zukofsky&#8217;s <i style="mso-bidi-font-style: normal;">&#8220;A,&#8221;</i> in which many of the individual
sections approach that intermediate booklength poem range &#8211; is probably the
best precedent for a work with such clearly defined segments, but there is a
radical difference between even a short section like <i style="mso-bidi-font-style: normal;">&#8220;A&#8221;-9</i> &amp; a work that contains two or three such sections on
every page. Imagine<span class="GramE">,</span> if you will, Creeley&#8217;s <i style="mso-bidi-font-style: normal;">Pieces</i> stretched out to 1,000 pages.
Would it work or would ennui eventually swallow up the project, regardless of
how well written it was?<o:p></o:p></span></div>
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<span style="font-family: Arial;">Another thing that is
interesting here is that I come away with a strong sense of David Perry&#8217;s skill
as a writer, but not one particularly of who he is as a person. He could 25 or he
could be 55, at least based on these pages. All I really know about him is that
he&#8217;s around the </span><st1:state><st1:place><span style="font-family: Arial;">New
  York</span></st1:place></st1:state><span style="font-family: Arial;"> scene
&amp; Larry Fagin swears he could not be the same David Perry who studied
poetry with </span><st1:personname><span style="font-family: Arial;">Robert Kelly</span></st1:personname><span style="font-family: Arial;"> at Bard in the 1960s. Adventures in Poetry published
an earlier volume, <i style="mso-bidi-font-style: normal;">Range Finder.</i>
Based on this excerpt, I know already I have to read more.<o:p></o:p></span></div>
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<h2 class='date-header'><span>Monday, September 23, 2002</span></h2>

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<i style="mso-bidi-font-style: normal;"><span style="font-family: Arial;">The World in Time and Space</span></i><span style="font-family: Arial;"> arrived in the mailbox yesterday and it&#8217;s a big fat
wonderful collection of essays &amp; interviews about contemporary poetry, or
more exactly, poetry from the New Americans of the 1950s to the present. My first
thumb-through (which took a couple of hours) tells me that there is a lot in
here to make me think, learn, laugh, cringe &amp; want to argue. Ed Foster
&amp; Joe </span><st1:personname><span style="font-family: Arial;">Don</span></st1:personname><span style="font-family: Arial;">ahue have done a first-rate job in putting together a
volume on poetry that matters. The list of contributors and their pieces will
tell you why:<o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Bruce Andrews, Making Social Sense: Poetics &amp; the Political
Imaginary <o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Edward Foster, An Interview with Gustaf Sobin<o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Michael <span class="SpellE">Baughn</span>, Olson's </span><st1:city><st1:place><span style="color: black; font-family: Arial; font-size: 12.0pt;">Buffalo</span></st1:place></st1:city><span style="color: black; font-family: Arial; font-size: 12.0pt;"><o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">David <span class="SpellE">Landrey</span>, Robert Creeley's and Joel
Oppenheimer's Changing Visions<o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Leonard Schwartz, Robert Duncan and His Inheritors <o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Norman Finkelstein, cc: Jack Spicer <o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">John Olson, The Haunted Stanzas of John Ashbery <o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">David <span class="SpellE">Clippinger</span>, Poetry and Philosophy
at Once: Encounters between William Bronk and Postmodern Poetry<o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">W. Scott Howard, 'The Brevities': Formal Mourning, Transgression,
&amp; Postmodern American Elegies<o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Mark Scroggins, Z-Sited Path: Late Zukofsky and His Tradition <o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Burt <span class="SpellE">Kimmelman</span>, Objectivist Poetics
since 1970 <o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Jeanne <span class="SpellE">Heuving</span>, The Violence of Negation
or 'Love's <span class="SpellE">Infolding</span>' <o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Peter <span class="SpellE">Bushyeager</span>, Staying Up All Night:
The </span><st1:state><st1:place><span style="color: black; font-family: Arial; font-size: 12.0pt;">New York</span></st1:place></st1:state><span style="color: black; font-family: Arial; font-size: 12.0pt;"> School of Poetry,
1970-1983<o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Stephen Paul Miller, Ted Berrigan's Legacy: Sparrow, Eileen Myles,
and Bob Holman<o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Thomas Fink, Between / After Language Poetry and the </span><st1:place><st1:placename><span style="color: black; font-family: Arial; font-size: 12.0pt;">New York</span></st1:placename><span style="color: black; font-family: Arial; font-size: 12.0pt;"> </span><st1:placetype><span style="color: black; font-family: Arial; font-size: 12.0pt;">School</span></st1:placetype></st1:place><span style="color: black; font-family: Arial; font-size: 12.0pt;"> <o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">David <span class="SpellE">Clippinger</span>, Between Silence and
the Margins: Poetry and its Presses<o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Linda Russo, 'F' Word in the Age of Mechanical Reproduction: An
Account of Women-Edited Small Presses and Journals<o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Standard Schaefer, Impossible City: A History of Literary
Publishing in </span><st1:city><st1:place><span style="color: black; font-family: Arial; font-size: 12.0pt;">L.A.</span></st1:place></st1:city><span style="color: black; font-family: Arial; font-size: 12.0pt;"> Susan <span class="SpellE">Vanderborg</span>, "If This Were the Place to Begin":
Little Magazines and the Early Language Poetry Scene<o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<st1:personname><span style="color: black; font-family: Arial; font-size: 12.0pt;">Susan M. Schultz</span></st1:personname><span style="color: black; font-family: Arial; font-size: 12.0pt;">, Language Writing<o:p></o:p></span></div>
<div class="MsoPlainText" style="margin-bottom: 6.0pt; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-list: l0 level1 lfo2; tab-stops: list 1.0in; text-indent: -.25in;">
&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Marjorie <span class="SpellE">Perloff</span>, After Language Poetry:
Innovation and Its Theoretical Discontents<o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Daniel <span class="SpellE">Barbiero</span>, Reflections on Lyric
Before, During, and After Language<o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Christopher Beach, "Events Were Not Lacking": David <span class="SpellE">Antin's</span> Talk Poems, Lyn Hejinian's My Life, and the Poetics
of Cultural Memory<o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Andrew <span class="SpellE">Joron</span>, Neo-Surrealism; or, The
Sun at Night<o:p></o:p></span></div>
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&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Dan <span class="SpellE">Featherston</span>, On Visionary Poetics,
Robert Kelly, and Clayton Eshleman<o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Peter O'Leary, American Poetry &amp; Gnosticism<o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Michel <span class="SpellE">Delville</span>, The Marginal Arts:
Experimental Poetry and the Possibilities of Prose <o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Stephen-Paul Martin, Media / <span class="SpellE">Countermedia</span>:
Visual Writing &amp; Networks of Resistance<o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Mary Margaret Sloan, Of Experience To Experiment: Women's
Innovative Writing, 1965 - 1995 <o:p></o:p></span></div>
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&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Edward Foster, An Interview with Alice Notley<o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Aldon Lynn Nielsen, "This Ain't No Disco" <o:p></o:p></span></div>
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&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span class="SpellE"><span style="color: black; font-family: Arial; font-size: 12.0pt;">Kathryne</span></span><span style="color: black; font-family: Arial; font-size: 12.0pt;"> V Lindberg Cleaver, </span><st1:city><st1:place><span style="color: black; font-family: Arial; font-size: 12.0pt;">Newton</span></st1:place></st1:city><span style="color: black; font-family: Arial; font-size: 12.0pt;"> and </span><st1:city><st1:place><span style="color: black; font-family: Arial; font-size: 12.0pt;">Davis</span></st1:place></st1:city><span style="color: black; font-family: Arial; font-size: 12.0pt;">, re: Reading of Panther
Lyrics<o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Brian Kim Stefans, "Remote Parsee": An Alternative
Grammar of Asian North-American Poetry<o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Brent Hayes Edwards, The Race for Space: Sun Ra's Poetry<o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Julie <span class="SpellE">Schmid</span>, Spreading the Word: A
History of the Poetry Slam<o:p></o:p></span></div>
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</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Steve Evans, The American Avant-<span class="SpellE">Garde</span>
after 1989: Notes Toward a History<o:p></o:p></span></div>
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&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Loss <span class="SpellE">Pequeño</span> Glazier, Poets | Digital |
Poetics<o:p></o:p></span></div>
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&lt;![if !supportLists]&gt;<span style="color: black; font-family: Symbol; font-size: 12.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">&#183;<span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span>&lt;![endif]&gt;<span style="color: black; font-family: Arial; font-size: 12.0pt;">Alan Golding, New, Newer, and Newest American Poetries <o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt;">
<span style="font-family: Arial;">Talisman
House has done a tremendous job of promoting American poetry in recent years: <i style="mso-bidi-font-style: normal;">Primary Trouble: <span class="GramE">An</span>
Anthology of Contemporary American Poetry</i>, in 1996; <i style="mso-bidi-font-style: normal;">An Anthology of New (American) Poets</i> in 1998; and Mary Margaret
Sloan&#8217;s monumental <i style="mso-bidi-font-style: normal;">Moving Borders: Three
Decades of Innovative Writing by Women</i>, also in 1998. In 2000, Talisman
House published <span class="GramE"><i style="mso-bidi-font-style: normal;">Crossing</i></span><i style="mso-bidi-font-style: normal;"> Centuries: The New Generation in Russian
Poetry.</i> All are &#8220;must-have&#8221; volumes for any halfway decent collection of
contemporary poetry. These are available through <a href="http://www.spdbooks.org/">Small Press Distribution</a>.<o:p></o:p></span></div>
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<h2 class='date-header'><span>Thursday, September 19, 2002</span></h2>

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<span style="font-family: Arial;">In his statement for Michael
<span class="SpellE">Lally&#8217;s</span> 1976 anthology, <i style="mso-bidi-font-style: normal;">None of the Above,</i> the late Jim Gustafson admonished, &#8220;Suggest that
one strives to read something more than the books that come in the mail.&#8221; It&#8217;s
not bad advice, but doesn&#8217;t account for the unexpected delights that once in a
rare while do turn up. Joseph Massey&#8217;s <i style="mso-bidi-font-style: normal;">Minima
St. </i>(Range Press, 2002) is just such a treat.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Arial;">In actuality, <i style="mso-bidi-font-style: normal;">Minima St. </i>(a self-published limited
edition chapbook with a press run of just 50 copies) wasn&#8217;t a total surprise.
Rae Armantrout, who had received the book in her mail ahead of me, had written
to say that I would like the work. The poems are, as the title wryly implies,
minimalist:<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Arial;"><span style="mso-tab-count: 1;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Awakened<br />
by the ticking<br />
<br />
not the alarm.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Such close attention to
detail demands both precision and a sense of balance &#8211; the stanza break prior
to the last line is the poem&#8217;s most important moment. As a whole, <i style="mso-bidi-font-style: normal;">Minima St.</i> manages both values well. I
vacillate between a preference for poems like the one above, which focus on an
individual element, and other pieces that are less completely descriptive,
where the text pushes the reader some to make the connections:<o:p></o:p></span></div>
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<span style="font-family: Arial;"><span style="mso-tab-count: 1;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Gulls &#8211;<br />
<br />
collapsed<br />
song<br />
<br />
weighs<br />
sun.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Arial;">The off-rhyme pulls together
the imponderables: how songs might collapse, the weight of sun, what any of
this has to do with gulls. <o:p></o:p></span></div>
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<br /></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Arial;">Minima St. </span></i><span style="font-family: Arial;">fits
into a long tradition of self-published first books mailed out to potentially
sympathetic readers that can be traced back at least far as Whitman&#8217;s initial
edition of <i style="mso-bidi-font-style: normal;">Leaves of Grass</i>. In its
use of short forms, hard-edged lines, commitment to precision, and especially
its fondness for the strategically placed em dash, the most obvious predecessor
to Massey&#8217;s volume might be George Oppen&#8217;s <i style="mso-bidi-font-style: normal;">Discrete
Series.</i><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial;">Interested readers might be
able to obtain copies by emailing <a href="mailto:rangemag@aol.com">rangemag@aol.com</a>.<o:p></o:p></span></div>
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at
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<b>October</b><br /><br />Madrid<br />with Charles Bernstein & Susan Bee<br /><br />Barcelona<br /><div><br /><br />Saragossa?<br /><br /><b>November</b><br /><br />Rome?<div><br /></div><div><br /></div></div>
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<li><a href='http://www.poets.org/poet.php/prmPID/1544'>Academy of American Poets</a></li>
<li><a href='http://epc.buffalo.edu/authors/silliman'>Electronic Poetry Center</a></li>
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<li><a href='http://www.pcah.us/the-center/grants-awarded/grantees-1998-ron-silliman/'>Pew Fellowships in the Arts</a></li>
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<li><a href='http://ronsillimanbibliography.blogspot.com/'>Silliman's Bibliography</a></li>
<li><a href='http://www.spdbooks.org/Search/Default.aspx?AuthorName=Ron+Silliman'>Small Press Distribution</a></li>
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<h2 class='title'>Ketjak</h2>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<h2 class='title'>Other Books in Print</h2>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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