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<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/'>
Silliman's Blog
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<p class='description'><span>A weblog focused on contemporary poetry and poetics.</span></p>
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Showing posts with label <b>MLA</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>MLA</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Tuesday, January 17, 2012</span></h2>

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<p class=MsoNormal align=center style='text-align:center'><a href="http://farm8.staticflickr.com/7148/6695016025_d9a4a113e6_o.jpg"><span style='color:windowtext;mso-no-proof:yes;text-decoration:none;text-underline: none'><img border="0" height="417" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/X_8SxmRrPUfHiPMgKy-ZYskJ7civJO4vVP0oRrRdOX71A850wn-gN2RaFxyz7pKHvdZUNFW2zqj28zZOdphmnN4X1qsikflHTcZOMhPu_ng_og%3Ds0-d" v:shapes="Picture_x0020_1" width="624"></span></a></p>
<p class=MsoNormal align=center style='text-align:center'><b style='mso-bidi-font-weight: normal'><span style='font-size:14.0pt;line-height:115%;color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><a href="http://media.sas.upenn.edu/pennsound/groups/MLA-Offsite/2012/MLA-Off-Site-Reading_01_Town-Hall-Downstairs_Seattle-WA_7-January-2012.mp3"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>2012 MLA Offsite Reading</span></a><o:p></o:p></span></b></p>
<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>With </span>Greg Bern, Jasper <span class=SpellE>Bernes</span> and Joshua Clover, Julia Bloch,<br> Amaranth <span class=SpellE>Borsuk</span>, Rebecca Brown, Don <span class=SpellE>Mee</span> Choi,<br> Merrill Cole, Matthew Cooperman, Crystal Curry,<br> Maria Damon, Christine <span class=SpellE>Deavel</span>, Sarah Dowling,<br> William J. Harris, Rachel Blau DuPlessis, Joel Felix,<br> Sandy Florian, Jaime <span class=SpellE>Gusman</span>, Joseph Harrington,<br> Jeanne <span class=SpellE>Heuving</span> (also heard as MC at beginning), <br> Anna Maria Hong, Yunte Huang,<br> Grant Jenkins, Erica Kaufman, Myung <span class=SpellE>Mi</span> Kim,<br> Gregory <span class=SpellE>Laynor</span>, Karen An-<span class=SpellE>hwei</span> Lee, Alex Leslie,<br> Stacey Levine, Suzanne Jill Levine, Sarah Mangold,<br> Ezra Mark, John Marshall, Bryant Mason,<br> Joe <span class=SpellE>Milutis</span>, Robert <span class=SpellE>Mittenhal</span>, <br> Laura Moriarty (also heard in opening announcements),<br> Laura Mullen, Paul Nelson, Melanie Noel,<br> A.L. Nielsen, Doug <span class=SpellE>Nufer</span>, Vanessa Place,<br> James Reed, Summer Robinson, Judith Roche,<br> Linda Russo, Leonard Schwartz, Kathy Lou Schultz,<br> Evie Shockley, Monica <span class=SpellE>Storss</span>, Daniel Tiffany,<br> Nico Vassilakis, Catherine Wagner, Christine Wertheim,<br> David Wolach, Deborah Woodard, <span class=SpellE>Maged</span> <span class=SpellE>Zaher</span>,<br> and Julie Brown<o:p></o:p></p>
<p class=MsoNormal align=center style='text-align:center'><i style='mso-bidi-font-style: normal'><span style='font-size:8.0pt;line-height:115%;color:#0D0D0D;mso-themecolor: text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"'>Thanks to <a href="http://writing.upenn.edu/pennsound/x/Heatstrings.php"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>A.L. Nielsen</span></a> &amp; <a href="http://writing.upenn.edu/pennsound/x/MLA-Offsite.php"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>PennSound</span></a><o:p></o:p></span></i></p>
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<h2 class='date-header'><span>Friday, January 07, 2011</span></h2>

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<h2 class='date-header'><span>Tuesday, January 02, 2007</span></h2>

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<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Echoes in the mind&#8217;s eye after the 2006 MLA:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Somebody &#8211; I think it may have been Dan Waterman of the </span><st1:place><st1:PlaceType><span style='font-size:10.0pt;font-family:Arial;color:black'>University</span></st1:PlaceType><span  style='font-size:10.0pt;font-family:Arial;color:black'> of </span><st1:PlaceName><span style='font-size:10.0pt;font-family:Arial;color:black'>Alabama</span></st1:PlaceName></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'> press &#8211; telling me that this was the &#8220;all-poetry-all-the-time MLA.&#8221; <span class=GramE>Then hearing ten other people tell me the same thing over the next two days.</span><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Seeing oodles of old friends, meeting some folks for the first time (hi, Kirby!). Rosmarie Waldrop, Susan Howe, Hank <span class=SpellE>Lazer</span>, Brent Cunningham, Jonathan Mayhew, Carla Harryman, Ben Friedlander, Laura Hinton, George Hartley, Michael Davidson, Norma Cole, Tom Orange, Linh Dinh, Laura Moriarty, &amp; Tim Yu were just the tip of the veritable iceberg.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Finally meeting <a href="http://www.wfmu.org/~kennyg/"><span style='color:black'>Kenny Goldsmith</span></a>.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> <span class=GramE>Being introduced to <a href="http://tinyurl.com/wy3s4"><span style='color:black'>Tracie Morris</span></a>, whom I know, over &amp; over.</span> <span class=GramE>Meeting Aaron Belz, seeing Aaron Kunin.</span> Hard to believe that, before Thursday, the only poet I&#8217;d ever even seen named Aaron was Mr. Shurin.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Seeing a spiral-bound mockup of <i style='mso-bidi-font-style:normal'><a href="http://www.ucpress.edu/books/pages/10742.html"><span style='color:black'>The Age of Huts (compleat)</span></a> </i>in the UC Press booth.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> <o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Seeing Norma Cole read, the first time I&#8217;ve seen her do that since her stroke. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Seeing 23 poets read for the very first time among the 55 readers at the off-site event. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Sensing three concentric circles on the Pound panel: Ben Friedlander focused in on Pound, what he did or didn&#8217;t do, and why (looking closely at the economic motivation by the radio broadcasts, and asking how they fit in with the motivations of the Italian fascist regime, which did not, for example, particularly share Pound&#8217;s anti-Semitism); Rachel Blau DuPlessis &amp; Jennifer <span class=SpellE>Scappetone</span> looking at Pound as influence, <span class=SpellE>Scappetone</span> with regards to Jackson Mac Low, DuPlessis with regards to herself &amp; other contemporary poets; then Barrett Watten looking at Pound as symptom, reading him through <i style='mso-bidi-font-style:normal'>The Authoritarian Personality </i>(Adorno et al.), both with respect to the 1940s &amp; the work in the 50s that led to that Frankfort School project, but to the present moment as well. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Opening the <i style='mso-bidi-font-style:normal'>Philadelphia Inquirer </i>to see a poem by Charles Bernstein on the op-ed page.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Barrett Watten&#8217;s poem<span class=GramE>, &#8221;</span><a href="http://www.english.wayne.edu/fac_pages/ewatten/posts/post33.html"><span style='color:black'>Dream of a Post-Soviet MLA</span></a>.&#8221; <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Susan Schultz calling me &#8220;old fashioned&#8221; when she came up to the podium right after my little one-minute reading. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Realizing that this <i style='mso-bidi-font-style:normal'>wasn&#8217;t</i> just the &#8220;all-poetry-all-the-time MLA,&#8221; but rather was the &#8220;all-<i style='mso-bidi-font-style:normal'>post-avant</i>-poetry-all-the-time&#8221; MLA.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> I never have seen an MLA where I couldn&#8217;t get to every post-avant panel because there were three and four going on in every single slot. Realizing that this was <i style='mso-bidi-font-style:normal'>really </i>the &#8220;Marjorie Perloff MLA&#8221; &amp; she&#8217;d pulled out all the stops. (See Barrett Watten&#8217;s more in-depth analysis of this <a href="http://www.english.wayne.edu/fac_pages/ewatten/posts/post33.html"><span style='color:black'>here</span></a>.)<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'><a href="http://en.wikipedia.org/wiki/Richard_Sieburth"><span style='color:black'>Richard <span class=SpellE>Sieburth</span></span></a> delivering a passionate 15-minute talk in a panel on the role of sound in translation on the role of the <i style='mso-bidi-font-style:normal'><a href="http://en.wikipedia.org/wiki/Ampersand_(&amp;)"><span  style='color:black'>&amp;</span></a> </i>in a 16<sup>th</sup>-century poem and the history of that device in later editions &amp; translations, becoming more &amp; more emotional as he spoke. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'><a href="http://socrates.berkeley.edu/~poetry/williams.html"><span style='color:black'>Tyrone Williams'</span></a> close reading of Taylor Brady&#8217;s <i style='mso-bidi-font-style:normal'><a href="http://www.factoryschool.org/pubs/brady/index.html"><span style='color:black'>Yesterday&#8217;s News</span></a> </i>in the panel on poetics and cultural studies. <span class=GramE><br><br>___ ______ leaning over to me in the audience to whisper, &#8220;Who is <a href="http://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2005/05/did-you-ever-have-experience-of.html"><span style='color:black'>Taylor Brady</span></a>?&#8221;</span><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>People just walking up to me to thank me for this blog.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Marjorie Perloff telling me that &#8220;even in </span><st1:place><st1:City><span   style='font-size:10.0pt;font-family:Arial;color:black'>San Marcos</span></st1:City><span  style='font-size:10.0pt;font-family:Arial;color:black'>, </span><st1:State><span   style='font-size:10.0pt;font-family:Arial;color:black'>Texas</span></st1:State></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>,&#8221; people are asking her if she agrees with &#8220;what Silliman says in that blog.&#8221;<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Poets talking about their own practice &amp; influences were for me a consistently high point of the meetings: Rachel Blau DuPlessis in the Pound panel; Carla Harryman talking about her work in poets&#8217; theater &amp; Poets&#8217; Theatre; everyone on the sound in translation panel &#8211; a revolutionary concept for this particular institution, tho the poets in the room appeared to think it was a perfectly obvious &amp; reasonable thing to discuss (as, of course, it is).<span style='mso-spacerun:yes'>  </span><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'><a href="http://www.english.wayne.edu/fac_pages/ewatten/mla06.html"><span style='color:black'>The poetics and cultural studies panel</span></a> &#8211; which went straight after cultural studies for its failure to use poetry as anything other than a symptom, not to mention its rather incompetent fixation with narrative &#8211; was the best panel I attended. Alas, there appeared to be no cultural studies folks <i style='mso-bidi-font-style:normal'>there</i>, but then there were very few of them at this MLA at all. Jeffrey <span class=SpellE>Nealon&#8217;s</span> deconstruction of Fred Jameson is a tour de force. When Watten posts the papers, I&#8217;m going to have to close read that one in particular. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Realizing that, in 40 years, <i style='mso-bidi-font-style:normal'>nobody</i> will remember cultural studies if we don&#8217;t refer to it in our poems. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Seeing Rachel Blau DuPlessis sitting at the </span></span><st1:place><st1:PlaceType><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>U.</span></span></st1:PlaceType><span  class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'> of </span></span><st1:PlaceName><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Alabama   Press</span></span></st1:PlaceName></st1:place><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'> booth in the exhibit hall as I left the conference on Thursday.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> <span class=GramE>Seeing Rachel Blau DuPlessis sitting at the </span></span><st1:place><st1:PlaceType><span   class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>U.</span></span></st1:PlaceType><span  class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'> of </span></span><st1:PlaceName><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Alabama   Press</span></span></st1:PlaceName></st1:place><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'> booth in the exhibit hall first thing on arriving at the conference on Friday.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Tim Yu thanking Bob Perelman for not organizing the offsite reading alphabetically by last name.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=SpellE><span style='font-size:10.0pt;font-family:Arial;color:black'>Yunte</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> Huang noting the irony of having his name &#8211; coming as it does from a non-alphabetic language &#8211; put into alphabetical order <i style='mso-bidi-font-style:normal'>by first name </i>for the offsite reading. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Patrick <span class=SpellE>Durgin</span> introducing himself as Charles Bernstein.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> <span class=SpellE><span class=GramE>Yunte</span></span><span class=GramE> Huang introducing himself as Walter Lew.</span><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'><a href="http://www.leevilehto.net/default.asp?a=1&amp;b=0&amp;c=0&amp;d=0&amp;e=0"><span style='color:black'>Leevi Lehto</span></a> teaching people how to pronounce his name in Finnish &#8211; <span class=SpellE>L&#277;v&#275;</span> <span class=SpellE>L&#277;chto</span> &#8211; then introducing himself at the offsite reading both in Finnish and in &#8220;American&#8221; (<span class=SpellE>L&#275;v&#299;</span> <span class=SpellE>L&#257;to</span>). <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Leevi Lehto giving a terrific reading of a sound poem in &#8220;barbaric <a href="http://en.wikipedia.org/wiki/Finnish_language"><span style='color:black'>Finnish</span></a>&#8221; <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Craig <span class=SpellE>Dworkin</span> trying to ask me if he could put <i style='mso-bidi-font-style:normal'>Tottels </i><span class=GramE>up</span> on the <a href="http://eclipsearchive.org/"><span style='color:black'>Eclipse</span></a> website while I was trying to ask him, simultaneously, the same question. <o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Seeing Kirby Olson &amp; C.A. Conrad in the same room.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Steve <span class=GramE>Benson,</span> dressed only in a shower curtain, looking <i style='mso-bidi-font-style:normal'>very</i> young in a video clip of <i style='mso-bidi-font-style:normal'>Third Man </i>from Carla <span class=SpellE>Harryman&#8217;s</span> presentation in the panel on poets&#8217; theater.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Carla Harryman acknowledging the importance of the work of Nick Robinson &amp; Eileen <span class=SpellE>Corder</span> in the evolution of poets&#8217; theater in the Bay Area (and realizing that I never thought I would hear <i style='mso-bidi-font-style:normal'>that </i>at an MLA event). <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Tracie Morris&#8217; gospel-cum-sound poetry reading at the offsite.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Walter Lew diving across the grand piano at the Philadelphia Arts Alliance at the start of his reading, playing a few bars of Miles Davis, then reading from the index of an <span class=SpellE>Aldon</span> Nielsen book he&#8217;d just bought, then lunging at <span class=SpellE>Aldon</span> &amp; literally cutting Nielsen&#8217;s tie in half.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>The look on <span class=SpellE>Aldon&#8217;s</span> face.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> <o:p></o:p></span></p>
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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