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Showing posts with label <b>Theater</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<h2 class='date-header'><span>Wednesday, October 14, 2009</span></h2>

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<p class=MsoNormal align=center style='text-align:center'><a href="http://farm3.static.flickr.com/2623/3920537378_1ba0435e79_b.jpg"><span style='color:windowtext;text-decoration:none;text-underline:none'><img border="0" height="347" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/M8CEOQ_dt1WXDak4sEn7LaI8XJu-dCyaE2IJTN7JIII7qYxDadPHLME-ZfVAl6vtdN4l65lLVYJ08RTVa69dei2bxu5yGmWSc2W0Z2HdtRrD-xg%3Ds0-d" width="520"></span></a><br>
<i style='mso-bidi-font-style:normal'><span style='font-size:8.0pt;mso-bidi-font-size:10.0pt;line-height:115%'>Kathryn Petersen &amp; David Strathairn</span></i><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><o:p></o:p></span></p>

<p class=MsoNormal><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://en.wikipedia.org/wiki/Gotthold_Lessing"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Gotthold Lessing&#8217;s</span></a> <i style='mso-bidi-font-style:normal'><a href="http://www.peopleslight.org/season/show.php?id=9"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Nathan the Wise</span></a> </i>(in <a href="http://www.edwardkemp.co.uk/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Edward Kemp&#8217;s</span></a> translation) is an interesting, even curious choice for People&#8217;s Light Theater Company (PLTC) just west of us in Malvern, PA, literally down the road from the strip mall where I get my haircuts. <i style='mso-bidi-font-style:normal'>Nathan, </i>which completed its run on October 11, was the premier production of PLTC&#8217;s 35<sup>th</sup> season &amp; artistic director Abigail Adams pulled out all the stops. She called in every imaginable chit to get <a href="http://www.imdb.com/name/nm0000657/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>David Strathairn</span></a> (<i style='mso-bidi-font-style:normal'>Good Night and Good Luck;</i> the last two <i style='mso-bidi-font-style:normal'>Bourne </i>flicks; several John Sayles films) for the title role, plus <a href="http://www.imdb.com/name/nm0933096/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Brian Anthony Wilson</span></a> (detective Vernon Holley on <i style='mso-bidi-font-style:normal'>The Wire</i>), OBIE-winner <a href="http://www.imdb.com/name/nm1603998/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Roslyn Ruff</span></a> &amp; <a href="http://www.imdb.com/name/nm1556692/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Saige Thompson</span></a> (<I style='mso-bidi-font-style:normal'>ER, CSI, Cold Case, Without a Trace, Grey&#8217;s Anatomy</i>) to augment the usual cast of PLTC actors &amp; other veterans of the local stage. Adams herself directed the play, which was easily the most well-acted, thoroughly accomplished production we&#8217;ve seen at <a href="http://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2005/05/of-28-theater-companies-selected-to.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>People&#8217;s Light</span></a> since Tom Marshall, my family &amp; I first saw Lee Breuer&#8217;s production of <i style='mso-bidi-font-style:normal'>Gospel at Colonus </i>in 1995 (the capstone to the troupe&#8217;s 20<sup>th</sup> season). All of these actors have a history with PLTC &#8211; Thompson got her start here at the age of 6 &amp; is still young enough to get away with playing the teenaged Rachel in this production.<o:p></o:p></span></p>

<p class=MsoNormal>Lessing was one of the founders of German drama, penning <I style='mso-bidi-font-style:normal'>Nathan </i>a year before his death in 1780. An early advocate of Shakespeare, Lessing borrows several of the bard&#8217;s basic tools &#8211; most notably a couple of people are not who they seem &amp; the key test in the narrative, Nathan&#8217;s parable of the ring, is something Lessing has borrowed from Boccaccio<span style='mso-spacerun:yes'>&nbsp; </span>&#8211; and the play itself hovers in an indeterminate space, part comedy, part romance, close to tragedy &amp; clearly an act of political theater, almost agitprop. Jews turn out to be Christians turn out to Muslims &amp; everybody ultimately is family, even as family itself is recast more broadly. The only true villain in the entire piece is the Christian patriarch, which goes some way toward explaining why the play was banned when Lessing (who turned to drama when his critical &amp; philosophic writing ran afoul of the church) first wrote it.<span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><o:p></o:p></span></p>

<p class=MsoNormal><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Kemp&#8217;s translation was done originally for a 2003 production that performed in modern dress, which partly explains the contemporary tone (Ruff in particular shows superb comic timing with her sarcasm). In the program notes, dramaturg <a href="//www.youtube.com/watch?v=3ePjM3Pq6-I&amp;feature=player_embedded"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Graham Graves</span></a> concedes that the Kemp translation &#8220;gives a very modern feel to the play, and moves more swiftly than the lengthy original.&#8221; A telling change &#8211; Recha, the daughter, is now Rachel, a name familiar to our ears. Combined with the less stagey portrayals given by so many of the film-focused cast (Wilson is the notable exception here, along with PLTC veteran Stephen Novelli, who portrays the sultan Saladin), it makes for an odd concoction of a play: medieval setting, enlightenment values, neo-Shakespearen plot &amp; story devices &amp; present-day speech. <i style='mso-bidi-font-style:normal'>Nathan the Wise </i>is quite a bit more than just Shakespeare without the language, tho I suspect that may be a strong part of its current appeal. <o:p></o:p></span></p>
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<b>October</b><br /><br />Madrid<br />with Charles Bernstein & Susan Bee<br /><br />Barcelona<br /><div><br /><br />Saragossa?<br /><br /><b>November</b><br /><br />Rome?<div><br /></div><div><br /></div></div>
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<li><a href='http://www.poets.org/poet.php/prmPID/1544'>Academy of American Poets</a></li>
<li><a href='http://epc.buffalo.edu/authors/silliman'>Electronic Poetry Center</a></li>
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<li><a href='http://www.pcah.us/the-center/grants-awarded/grantees-1998-ron-silliman/'>Pew Fellowships in the Arts</a></li>
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<li><a href='http://ronsillimanbibliography.blogspot.com/'>Silliman's Bibliography</a></li>
<li><a href='http://www.spdbooks.org/Search/Default.aspx?AuthorName=Ron+Silliman'>Small Press Distribution</a></li>
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<h2 class='title'>Ketjak</h2>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<h2 class='title'>Other Books in Print</h2>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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