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<p class='description'><span>A weblog focused on contemporary poetry and poetics.</span></p>
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Showing posts with label <b>dance</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>dance</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Friday, November 07, 2014</span></h2>

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<a href="http://www.foundationforcontemporaryarts.org/grant_recipients/mssallysilvers.html"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Silvers</span></a>
<a href="http://www.sallysilversdance.com/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Dance</span></a><br />
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<i><a href="http://www.nytimes.com/2012/12/01/arts/dance/sally-silverss-bonobo-milkshake-at-roulette.html"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Storming</span></a>
<a href="http://www.movementresearch.org/criticalcorrespondence/blog/?p=7731"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Heaven</span></a><br />
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</i></span></b><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 115%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"><br /></span></div>
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Design &amp; Text: <a href="http://en.wikipedia.org/wiki/Bruce_Andrews"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Bruce
Andrews</span></a><br />
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<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; line-height: 115%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Set Design &amp; Visuals: <a href="http://en.wikipedia.org/wiki/Antonio_Martorell"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Antonio Martorell</span></a><o:p></o:p></span></div>
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<a class='timestamp-link' href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2014/11/blog-post_7.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2014-11-07T00:00:00-05:00'>Friday, November 07, 2014</abbr></a>
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<h2 class='date-header'><span>Friday, December 13, 2013</span></h2>

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<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 16.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"><a href="http://www.somethingonpaper.org/dilley-fowler-jaeger-rotkin-and-jks-433-experiments/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">F o u r
t h i r t y t h r e e: <i>Caged</i></span></a><i>!<o:p></o:p></i></span></h3>
<h3 align="center" style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 200%; margin: 0in 0in 7.5pt; vertical-align: baseline;">
<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; font-weight: normal; line-height: 200%; mso-bidi-font-weight: bold; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Performances from<br />
the two-day celebration<br />
of John Cage&#8217;s centennial<br />
at Naropa University in 2012 <br />
with</span><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; letter-spacing: 3.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242; text-transform: uppercase;"><br />
<a href="http://www.naropa.edu/presidents-office/naropa-leadership/barbara-dilley.php"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">BARBARA
DILLEY</span></a><br />
WITH <a href="http://www.robertspellman.com/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">ROBERT SPELLMAN</span></a>&nbsp;&amp;
<a href="http://www.marcdevine.net/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">MARC DEVINE</span></a><o:p></o:p></span></h3>
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<b><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; letter-spacing: 3.0pt; line-height: 200%; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242; text-transform: uppercase;">JKS 4&#8217;3&#8221;
EXPERIMENT:<br />
<a href="https://soundcloud.com/kyle-pivarnik"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">KYLE PIVARNIK</span></a>,
<a href="http://www.zoominfo.com/p/Kirstin-Wagner/1586409144"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">KIRSTIN
WAGNER</span></a>, <a href="http://shop.authorstand.com/Products/8534-the-hitching-post.aspx"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">KATE
ZIPSE</span></a><o:p></o:p></span></b></div>
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<b><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; letter-spacing: 3.0pt; line-height: 200%; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242; text-transform: uppercase;"><a href="http://www.paulfowler.net/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">PAUL FOWLER</span></a><o:p></o:p></span></b></div>
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<b><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; letter-spacing: 3.0pt; line-height: 200%; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242; text-transform: uppercase;"><a href="http://www.saltpublishing.com/writers/profile.php?recordID=202060"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">PETER
JAEGER</span></a><o:p></o:p></span></b></div>
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<b><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; letter-spacing: 3.0pt; line-height: 200%; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242; text-transform: uppercase;">JKS 4&#8217;3&#8221;
EXPERIMENT:<br />
<a href="https://www.facebook.com/elyse.brownell"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">ELYSE BROWNELL</span></a>,
<a href="http://asalott.com/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">ASALOTT</span></a>, <a href="http://boulderingpoets.wordpress.com/tag/naropa/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">MELISSA
MAE</span></a><o:p></o:p></span></b></div>
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<b><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 12.0pt; letter-spacing: 3.0pt; line-height: 200%; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242; text-transform: uppercase;"><a href="http://boulderingpoets.wordpress.com/tag/naropa/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">JOANNA
ROTKIN</span></a><o:p></o:p></span></b></div>
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<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 8.0pt; line-height: 115%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">With thanks
to <i><a href="http://www.somethingonpaper.org/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Something on Paper</span></a><o:p></o:p></i></span></div>
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<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Asalott' rel='tag'>Asalott</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Barbara%2520Dilley' rel='tag'>Barbara Dilley</a>,
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Beach:</span></a></span></b></div>
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documentary by<br />
Chrisann Verges &amp; Mark Obenhaus<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
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at
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<a class='timestamp-link' href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2013/10/14_27.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2013-10-27T00:00:00-04:00'>Sunday, October 27, 2013</abbr></a>
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<h2 class='date-header'><span>Friday, October 25, 2013</span></h2>

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<a class='timestamp-link' href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2013/10/14_25.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2013-10-25T00:00:00-04:00'>Friday, October 25, 2013</abbr></a>
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<p class=MsoNormal align=center style='text-align:center'><object height="505" width="640"><param name="movie" value="//www.youtube.com/v/tXp7r96UTQ4&amp;hl=en&amp;fs=1&amp;"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="//www.youtube.com/v/tXp7r96UTQ4&amp;hl=en&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="505"></embed></object></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://www.pbs.org/newshour/art/blog/2009/07/remembering-merce-cunningham.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Remembering</span></a> <a href="http://www.nj.com/entertainment/arts/index.ssf/2009/07/on_the_move_for_90_years_merce.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Merce</span></a> <a href="http://latimesblogs.latimes.com/culturemonster/2009/07/merce-cunningham-remembered.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Cunningham</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><i style='mso-bidi-font-style:normal'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://www.pbs.org/wnet/americanmasters/database/cunningham_m.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>American Masters</span></a><o:p></o:p></span></i></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>About <a href="http://www.merce.org/about.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Merce</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><i style='mso-bidi-font-style:normal'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://public.npr.org/anon.npr-mp3/npr/atc/2009/07/20090727_atc_11.mp3"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>All Things Considered</span></a><o:p></o:p></span></i></p>

<p class=MsoNormal align=center style='text-align:center'><i style='mso-bidi-font-style:normal'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://www.merce.org/mondayswithmerce.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Mondays with Merce</span></a><o:p></o:p></span></i></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://www.poetryfoundation.org/harriet/2009/07/the-voice-dances-of-merce-cunningham/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Voices &amp; dances</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://www.npr.org/templates/story/story.php?storyId=6692356&amp;ps=rs"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Dance at the Edge</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>&#8220;The day I met <a href="http://www.guardian.co.uk/culture/charlottehigginsblog/2009/jul/28/dance-mercecunningham"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Merce Cunningham</span></a>&#8221;<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>A lifetime of <a href="http://www.movmnt.com/merce-cunningham_007467.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>greatness</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>&#8220;<a href="http://online.wsj.com/article/SB10001424052970203609204574314512935454066.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Two clocks ticking</span></a>&#8221;<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://online.wsj.com/article/SB10001424052970204120604574252063609302846.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Why dances disappear</span></a> &#8211;<br>
Can Cunningham save his dances<br>
by killing his company?<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><i style='mso-bidi-font-style:normal'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://bit.ly/Njz1c"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>The Modernizing of Modern Dance</span></a><o:p></o:p></span></i></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>&#8220;The <a href="http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/07/28/MN4418VM60.DTL"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>end of an era</span></a>&#8221;<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://www.latimes.com/entertainment/news/arts/la-et-merce-sidebar28-2009jul28,0,6205389.story"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Fundraising needed</span></a><br>
for troup&#8217;s &#8220;farewell tour&#8221;<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>&#8220;<a href="http://www.newyorker.com/archive/2003/11/03/031103crda_dancing?currentPage=all"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Chance becomes its own order</span></a>&#8221;<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://blog.limewire.com/posts/23005-rip-merce-cunningham/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Merce &amp; music</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>A <a href="http://blog.danceruniverse.com/blog/story/2009/7/27/18325/4403"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>dancer&#8217;s</span></a> perspective<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="//www.google.com/hostednews/ap/article/ALeqM5hiQI4Hwy8G3Q3PlNqQv9YPQCwOLQD99NA4VG0"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Lin-hwai min</span></a> on Cunningham<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://seattletimes.nwsource.com/html/thearts/2009546053_cunningham0bit28.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Centralia&#8217;s</span></a>
<a href="http://www.chronline.com/articles/2009/07/27/opinion/our_views/doc4a6dee5c6fb46034195299.txt"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>own</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://www.artnet.com/magazineus/features/finch/merce-cunningham7-27-09.asp"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Cunningham, Cage, Rauschenberg</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://www.nytimes.com/2009/04/18/arts/dance/18merc.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Cunningham</span></a> at 90:<br>
meanings pour from movement<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://www.telegraph.co.uk/news/obituaries/culture-obituaries/dance-obituaries/5919495/Merce-Cunningham.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Starting as a great dancer</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>&#8220;<a href="http://www.ft.com/cms/s/0/60e482fe-7af7-11de-8c34-00144feabdc0.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>a grand lightness</span></a> and a superb jump&#8221;<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>His <a href="http://www.boston.com/ae/theater_arts/articles/2009/07/25/cunninghams_influence_remains_vital/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>influence</span></a> remains<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>&#8220;<a href="http://www.newyorker.com/online/blogs/newsdesk/2009/07/alma-guillermoprieto-merce-cunningham.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>how little he cared</span></a><br>
about anything but the work&#8221;<o:p></o:p></span></p>
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<p class=MsoNormal align=center style='text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-size:20.0pt;line-height:115%;color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://en.wikipedia.org/wiki/Merce_Cunningham"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Merce</span></a> <a href="http://www.merce.org/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>Cunningham</span></a><o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'><a href="http://www.washingtonpost.com/wp-dyn/content/article/2009/07/27/AR2009072701082.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>1919</span></a> <a href="http://www.latimes.com/entertainment/news/arts/la-me-merce-cunningham28-2009jul28,0,75973.story"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>&#8211;</span></a> <a href="http://artsbeat.blogs.nytimes.com/2009/07/27/merce-cunningham-dies/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242'>2009</span></a><o:p></o:p></span></p>
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<h2 class='date-header'><span>Tuesday, February 26, 2008</span></h2>

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<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Because it is a three-dimensional art, dance functions on at least two planes: one vertical, where the axis is the dancer&#8217;s spine (singular or plural), the other horizontal, the stage itself a two- (or more) dimensional canvas. Anyone who can remember footage of <a href="http://tinyurl.com/2jmhvc"><span style='color:black'>Busby Berkeley</span></a> extravaganzas, or even the June Taylor Dancers of the 1950s, will recognize that there are forms of dance where a seat in the middle of the main level of a theater is a disadvantage. Another artist who makes great use of the horizontal as well as vertical plane is <a href="http://tinyurl.com/2bla5d"><span class=SpellE><span style='color:black'>Shen</span></span><span style='color:black'> <span class=SpellE>Wei</span></span></a>, the MacArthur-winning choreographer behind <a href="http://www.shenweidancearts.org/"><span class=SpellE><span style='color:black'>Shen</span></span><span style='color:black'> <span class=SpellE>Wei</span> Dance Arts</span></a>. Born in the province of Hunan &amp; trained in calligraphy, painting and Chinese opera before helping to found the first modern dance company in China &amp; then moving to the US in 1995, <span class=SpellE>Shen</span> <span class=SpellE>Wei</span> &#8211; he always uses both names &#8211; is a polymath &amp; showman of the first order: his images &amp; work will help to open &amp; close the Olympics later this year in Beijing. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Considering the show his dance company performed a little over a week ago in the Perelman Theater of the </span><st1:place><st1:PlaceName><span   style='font-size:10.0pt;font-family:Arial;color:black'>Kimmel</span></st1:PlaceName><span  style='font-size:10.0pt;font-family:Arial;color:black'> </span><st1:PlaceType><span   style='font-size:10.0pt;font-family:Arial;color:black'>Center</span></st1:PlaceType></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'> in </span><st1:City><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>Philadelphia</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'>, this is quite the achievement. His work unquestionably is good, but there is nothing here that viewers of any of the choreographers associated with the Judson Church movement, post-Graham dancers like Margie Jenkins or younger choreographers like Sally Silvers will not have already seen. In a sense, the effect is not unlike watching Baryshnikov dancing the work of Lucinda Child or Trisha Brown with the White Oak Dance Project to an audience with more than a few blue-haired women in minks, what once was radical having now become ever so uptown chic. But in actuality, Baryshnikov is a stunning dancer &amp; the impact is profound. <span class=GramE>So too <span class=SpellE>Shen</span> <span class=SpellE>Wei</span>, tho with some critical differences.</span><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The most obvious one is that <span class=SpellE>Shen</span> <span class=SpellE>Wei</span> isn&#8217;t dancing with his troupe, but he does just about everything else, from sets to costumes to make-up. The first of his two pieces at the Kimmel was <i style='mso-bidi-font-style:normal'><a href="http://www.shenweidancearts.org/map.htm"><span style='color:black'>Map</span></a></i>, a seven-part construction to excerpts from Steve Reich&#8217;s <i style='mso-bidi-font-style:normal'>The Desert Music. </i>Choreography to Reich&#8217;s music is so 1980s &amp; Reich&#8217;s glaring misreading of William Carlos Williams&#8217; poem of depression &amp; despair is itself an odd choice for a work that seeks &#8220;to create an abstract dance of raw and pure movement.&#8221; But <span class=SpellE>Shen</span> <span class=SpellE>Wei</span> has no apparent interest in the work&#8217;s underlying text, so much as in the work&#8217;s construction into <span class=GramE>a symmetry</span> of seven movements, rather on the order of a palindrome: ABCDCBA. <span class=SpellE>Shen</span> <span class=SpellE>Wei</span> uses each section to create a work that often is defined mathematically, using four groups of dancers for the most part in threes. The photo at the top of this note shows one moment of the work in which three groups are onstage simultaneously, involved in coordinated but separate activities. From up high &#8211; second balcony, first row &#8211; this is even more effective than viewed head on. <span class=SpellE>Shen</span> <span class=SpellE>Wei&#8217;s</span> experience as a painter comes across more powerfully here than in the I-wish-I-was-Robert-Rauschenberg-or-Jasper-Johns backdrop that is the set for this work. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>There are some extraordinary moments in <i>Map</i>, starting with the beginning when the dancers snaking across the floor at the start of the opening section. The most extraordinary is the opening of the fifth section, and it&#8217;s worth quoting from the program, penned by <span class=SpellE>Thea</span> Little when the work was first performed in 2005: <o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>In this section, the first dancer feels the internal flow of her center, leading her to eventually move to places of suspension and momentum. As she continues this for most of the section, a group forms to repeat an adagio phrase that is based on lengthening the space between the joints. The movement comes from the joints, as the shoulder, elbow, and wrist joints spread apart and lengthen to the fingertips. Thus, the limbs are lengthened as they swing from position to position with no effort. The movements are <span class=SpellE>nonmuscular</span>, with a floating internal quality. Soon, one by one, the dancers peel off from the group and dance their own solos until they are off stage.<o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The very opening portion, with the first dancer solo on the stage, her back turned to the audience, sort of wriggling up from her spine as she extends further &amp; further, is flat out one of the most erotic moments I&#8217;ve ever seen in dance &#8211; even in blue jeans &amp; a perfectly modest halter top. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>In later sections, there are movements in which the dancers appear to mime the course of fireworks in the sky, or schools of fish darting about a tank. One can watch almost perfectly relaxed as the mind constantly rehearses the mathematical ratios as they play out on the stage. <o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The second, and much shorter, piece was <i style='mso-bidi-font-style:normal'>Re- (Part I), </i>&#8220;broadly based on the feeling of the land, the people, the religion and the culture of </span><st1:country-region><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>Tibet</span></st1:place></st1:country-region><span style='font-size:10.0pt;font-family:Arial;color:black'> that I gained from my recent journeys there.&#8221; The dancing itself, done by just four dancers, appears mostly to have been modeled after Tai Chi, with that same essentially very calm sense of rhythm throughout. When the lights first came up after the intermission, the dancers were sitting on the floor at various points around what appeared to be a modernist or minimalist painting, circles inside of squares inside of circles, with a rectangular border that really did make the page appear to be a canvas. My first thought was <i style='mso-bidi-font-style:normal'>I wonder how they did that, </i>followed quickly by <i style='mso-bidi-font-style:normal'>I wonder how they&#8217;re going to dance on it. </i>The instant the first dancer&#8217;s foot swept through the pattern, which scattered as he did so, I realized that the stage had been turned into a very simple version of a sand painting. Soon all four dancers were moving through it, dragging their feet as they went, so that the stage transformed very quickly into an abstract expressionist work of art. This manifestation of the page as canvas is something that <span class=SpellE>Shen</span> <span class=SpellE>Wei</span> has done before, and his choreography is such that it looks great at the beginning, in the middle &amp; at the conclusion. On the other hand, artists like Jill Scott were doing this in their performance pieces in </span><st1:City><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>San Francisco</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> back in the 1970s &amp; Yvonne Rainer was dragging nude models covered in paint over canvases long before that. All of this, incidentally, was accompanied by some traditional Tibetan singing by <a href="http://www.choying.com/"><span class=SpellE><span style='color:black'>Ani</span></span><span style='color:black'> <span class=SpellE>Choying</span> <span class=SpellE>Dolma</span></span></a>.  <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>So read the messages: modernism, Tai Chi, sand painting, abstract expressionism, Tibetan music &#8211; it&#8217;s almost a perfect pastiche of globalization in dance. As a whole, it proved more cohesive than <i style='mso-bidi-font-style:normal'>Map, </i>tho it did so by sacrificing some of the high points of the first work. My wife, who studied dance at the </span><st1:place><st1:PlaceName><span   style='font-size:10.0pt;font-family:Arial;color:black'>North Carolina</span></st1:PlaceName><span  style='font-size:10.0pt;font-family:Arial;color:black'> </span><st1:PlaceType><span   style='font-size:10.0pt;font-family:Arial;color:black'>School</span></st1:PlaceType></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'> of the Performing Arts as well as at the American Ballet Theater, preferred the first piece primarily because there was more pure dance involved. I can appreciate that, but for completeness of vision my own preference was for the second. <o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>What to make of all this? Should I be happy that so much of what I&#8217;ve enjoyed elsewhere over the past 30 or so years is connecting now with larger audiences in a slick motif? You don&#8217;t get a larger audience than the Olympic opening &amp; closing ceremonies. Or should the constant appropriation of everything <span class=GramE>creep</span> me out? There is, in fact, some first rate dance here, and some moments of first-rate choreography. But what I really saw &amp; heard at the Kimmel was the cool construction of terrific theater, and a glimpse into the process by which what was once avant-garde becomes source material for pure pop.<span style='mso-spacerun:yes'>   </span><o:p></o:p></span></p>
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