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<p class='description'><span>A weblog focused on contemporary poetry and poetics.</span></p>
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<h2 class='date-header'><span>Monday, August 20, 2007</span></h2>

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<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><img height="341" id="_x0000_i1025" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/3B7fJqnKZv5WuoUzhrZWit5j-mxYnqqlObBGm6PDmNMOBq0JLBqwa6R2CqJgvXERyHhTJzfcXXgoNnIk_BJhmdLlWedgWAoDTWyu%3Ds0-d" width="454"></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial'>Not that long ago I received a mailing envelope from England in which there was a small matchbox, the top of which reads, black boldface against a yellow background, one word per line, <i style='mso-bidi-font-style:normal'>Scott / Thurston / Internal / Rhyme</i>. Inside, postal authorities will be relieved to learn, were no matches, but rather many little slips of paper, plus, near the bottom, the negative of a single frame of film inside of some protective plastic. The &#8220;largest&#8221; sheet of paper (roughly three inches wide, one &amp; one-eighth inches high) describes the project:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.5in;text-align:justify'><span class=GramE><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>INTERNAL RHYME<span style='mso-tab-count:1'>      </span><br>
<br>
Originally seven poems of four stanzas each, arranged two by two, and readable both horizontally and vertically.</span></span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'> In this presentation each <span class=GramE>stanzas</span> is to be read individually and/or as part of a 28 stanza sequence, in new two by two patterns (recommended) or in entirely new combinations. See <a href="http://www.matchbox.org.uk/"><span style='color:black'>www.matchbox.org.uk</span></a> for more. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>A sample stanza (each is a quatrain) reads:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:0in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>internal rhyme<br>
I can feel your<br>
eternal flask<br>
of relief at the end of</span><span style='font-family:Verdana;color:black'> </span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The website is particularly useful in its demonstration of possible combinations, which can be found through the link under Scott&#8217;s photo on the &#8220;Boxers&#8221; page of the site. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The result is a particularly simpatico example of poetry as ludic language. The implicit argument &#8211; that there is no &#8220;wrong&#8221; way to read these lines &#8211; is itself a claim about the truth value of poetry itself, that it lies beyond (or at the very least beside) any question of reference. My reaction on delving through the box, trying out different possibilities, is one of great pleasure.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The image on the negative appears to be an automobile photographed with a &#8220;fish-eye&#8221; lens, giving it that Self-Portrait in a Convex Mirror look. There is an explanatory sheet for this as well, which reads<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.5in;text-align:justify'><span class=GramE><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>INTERNAL RHYME photographic responses by Simon Taylor<span style='mso-tab-count:1'>         </span><br>
<br>
A single negative from a set of 150 responses by Simon Taylor to Scott Thurston&#8217;s Internal Rhyme.</span></span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'> For details of how to develop your original print visit Simon&#8217;s page on the Matchbox site: <a href="http://www.matchbox.org.uk/simon.html"><span style='color:black'>www.matchbox.org.uk/simon.html</span></a><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>This in turn recommends<o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-top:0in;margin-right:3.0in;margin-bottom:12.0pt;margin-left:.5in;text-align:center'><strong><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black;font-weight:normal;mso-bidi-font-weight:bold'>HOW TO DEVELOP YOUR <br>
UNIQUE SINGLE <br>
NEGATIVE</span></strong><b><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'><br> 
<br>
</span></b><strong><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black;font-weight:normal;mso-bidi-font-weight:bold'>For pristine results you'll need a prolab, not a high street photo-shop. Acrom in </span></strong><st1:City><st1:place><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black;font-weight normal;'>London</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black;font-weight:normal;mso-bidi-font-weight:bold'> are cool. There will also definitely be a prolab in your area. It's easier to find one in The Yellow Pages than on Google. Give them a ring. Tell them that you want to develop from a single negative and they will be able to make a print for you.</span><b><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'><br>
<br>
</span></b><strong><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black;font-weight:normal;mso-bidi-font-weight: 
bold'>Some prolabs say they can't print from a single negative. Don't believe them. An A3 image will cost you about &#163;20.</span></strong><b style='mso-bidi-font-weight:normal'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'><o:p></o:p></span></b></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>And suggests that you write to Simon to discuss your image.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Nor does the fun stop here.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> The bottom of the box contains a wee photo of Scott Thurston, along with two modes of poetry trivia, one a &#8220;Did you know&#8221; question &amp; answer, the other a puzzle &#8211;<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>According to Frank <span class=SpellE>Kuppner</span>, how many Second Best Moments in Chinese History are there?<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The answer to which can be found on the website. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>In all, this is the 9<sup>th</sup> in the series &#8211; it&#8217;s the eighth one I&#8217;ve got (missing only number 6, Tim Atkins) &#8211; out of what appears to be a projected 12. Other authors include Ray DiPalma, Bill Griffiths, Lisa Jarnot, P. Inman, Allen Fisher &amp; Craig Dworkin, definitely a first-rate roster of poets. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Matchbox, which is the brainchild of James Davies in </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Manchester</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'>, carries the idea of the micropress to its logical conclusion &amp; is a perfect marriage of text &amp; event. You can&#8217;t really use them to fill a bookshelf, but my collection sits very happily on my windowsill, alongside a series of equally tiny minibooks by Richard Hansen as part of his <a href="http://www.sacfreepress.com/poems/"><span style='color:black'>Poems-for-All</span></a> project in </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Sacramento</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'>. Each book is two inches high, one and three-quarter inches wide, with a single saddle staple. Like Matchbox, Poems for All has published a number of well-known writers, many more, in fact, since its series has now reached number 786 (!!), including (just to pick a few from the first couple of years of this six-year-old series)<o:p></o:p></span></p>

<p class=checklist style='margin-top:0in;margin-right:0in;margin-bottom:12.0pt;margin-left:1.0in'><span class=SpellE><span style='font-size:10.0pt;font-family:Verdana'>d.a</span></span><span style='font-size:10.0pt;font-family:Verdana'>. levy<br>
Ted Joans<br>
Robert Creeley<br>
<span class=SpellE>Roque</span> Dalton<br>
Peter <span class=SpellE>Kropotkin</span><br>
Charles Bukowski<br>
Vladimir Mayakovsky<br>
Jack Spicer<br>
Bertolt Brecht <br>
Anne Waldman<br>
Arthur Winfield Knight<br>
Kit Knight<br>
Douglas Blazek<br>
William Blake <br>
Jack Hirschman<br>
<span class=SpellE>Delmira</span> <span class=SpellE>Agustini</span><br>
Peter <span class=SpellE>Orlovsky</span><br>
Patti Smith <br>
Allen Ginsberg<br>
Dr. Seuss<br>
Henry David Thoreau<br>
Ralph Waldo <span class=SpellE>Emmerson</span><br>
Robert Burns<br>
Tom Waits<br>
Ruben Dario<br>
Pete <span class=SpellE>Seeger</span><br>
<span class=SpellE>Tuli</span> <span class=SpellE>Kupferberg</span><br>
Jack <span class=SpellE>Micheline</span> <br>
<span class=SpellE>Ko</span> Un<br>
W. H. Auden<br>
Harold Norse<br>
George Harrison<br>
Steve Dalachinsky<br>
Michael <span class=SpellE>Basinski</span><br>
William <span class=SpellE>Wantling</span><br>
Jean <span class=SpellE>Arp</span><br>
<a name=2002></a>A.D. <span class=SpellE>Winans</span> <br>
Lyn <span class=SpellE>Lifshin</span><br>
Richard Brautigan<br>
Diane <span class=SpellE>di</span> Prima<br>
George W. Bush (APRIL FOOL)<br>
Gerald Nicosia<br>
Kenneth Patchen<br>
Ann <span class=SpellE>Menebroker</span><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial'>In general, Matchbox focuses on post-avant writers from the past 30 years whereas Poems-for-All tends more toward a Beat &amp; New American focus from the historical period immediately prior to that, which makes them generally poetic cousins. Perhaps their greatest area of divergence is their distribution strategy. Matchbox lists a total of five known distribution points other than subscription as a means of getting these boxed delights &#8211; three are in </span><st1:City><st1:place><span   style='font-size:10.0pt;font-family:Arial'>Manchester</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial'>, two in </span><st1:City><st1:place><span   style='font-size:10.0pt;font-family:Arial'>London</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial'>. Poems-for-All&#8217;s website describes how its books are<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial'>scattered around town&nbsp;&#8211; on buses, trains, cabs, in restrooms, bars, left along with the tip; stuffed into a stranger's back pocket.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Both of these projects are in the tradition of <a href="http://www.dailyiowan.com/home/index.cfm?event=displayArticle&amp;istory_id=2898741"><span style='color:black'>Joyce Holland&#8217;s legendary <i style='mso-bidi-font-style:normal'>Matchbook</i></span></a><i style='mso-bidi-font-style:normal'>, </i>published in </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Iowa City</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> during the 1970s. Ms. Holland, a fictional editor in the Pessoa-<span class=SpellE>esque</span> tradition of Araki Yasusada &amp; <span class=SpellE>Ern</span> Malley, was herself the creation of Dave Morice. Morice, a.k.a. Dr. Alphabet, is one of the inspired <span class=SpellE>anarcho</span>-goofs that poetry seems to generate, having once published an <i style='mso-bidi-font-style:normal'>Alphabet Anthology </i>containing nothing but one-letter poems &amp; currently translating all of <i style='mso-bidi-font-style:normal'>The Divine Comedy </i>into a limerick. The poems in <i style='mso-bidi-font-style:normal'>Matchbook </i>were no longer than those in Hansen&#8217;s Poems-for-All books, such as &#8220;The Truth&#8221; <span class=SpellE>byTed</span> Joans, the second of Hansen's books, which <span class=GramE>reads (in its entirety):</span><o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:0in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>if you should see<br>
a man<br>
walking down a crowded street<br>
talking aloud<br>
to himself<br>
don&#8217;t run<br>
in the opposite direction<br>
but run toward him<br>
for he is a POET!<br>
you have NOTHING to fear<br>
from the poet<br>
but the TRUTH<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>There was a time when I had a fairly good collection of issues of <i style='mso-bidi-font-style:normal'>Matchbook, </i>but that was 30 years ago &amp; today I couldn&#8217;t tell you where a single copy was. I feel/fear that this may be the fate of these delightful little projects that I now have in hand, as it has been also for more than a few broadsides of mine over the years.&#185; These literal ephemera make something like the Hanuman Press books, four by two &amp; three-quarter inches &amp; thick enough to warrant perfect binding, feel like <i style='mso-bidi-font-style:normal'>Maximus </i>or <i style='mso-bidi-font-style:normal'>The Cantos </i>in comparison, and they seem almost to flaunt their fragility. In so doing, they make the case for the presentness of poetry itself (this may be why these projects always pop up on the post-avant side of the continuum) as well as for the temporary nature of poetry, so like words melting into air.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:8.0pt;font-family:Arial;color:black'>&#185; The worst situation being my copy of Robert Grenier&#8217;s <i style='mso-bidi-font-style:normal'>Cambridge <span class=SpellE>M&#8217;ass</span>, </i>a booklength epic on a huge single sheet, that was &#8220;liberated&#8221; from my office at San Francisco State back in 1982. I&#8217;ve never been able to obtain another and a search of the web&#8217;s rare books&#8217; engines turns up not a single available copy. <span style='mso-spacerun:yes'> </span><o:p></o:p></span></p>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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