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Showing posts with label <b>neglectorinos</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<span style="font-size: xx-small;"><i><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; line-height: 150%;">Trinity College 1970:<br />
Simon Schucat, Eric Torgersen, Michael Lally standing (l-r)<br />
Steve Shrader (circled), Raymond diPalma, Paula Novatnak sitting (l-r)<br />
Dick Paterson (back of head, on ground in front)</span></i></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: red; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 16.0pt; line-height: 200%;"><a href="http://media.sas.upenn.edu/pennsound/authors/Schultz-Susan/Schultz-Susan_01_On-Steve-Shrader_XCP_281_11-7-13.mp3"><span style="color: red;">Talking</span></a></span></b><b style="mso-bidi-font-weight: normal;"><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 16.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"> <a href="http://tinfishpress.com/?projects=the-arc-of-the-daythe-imperfectionist"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Steve</span></a>
<a href="http://tinfisheditor.blogspot.com/2011/10/voice-that-left-hole-in-my-life-on.html"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Shrader</span></a><br />
</span></b><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 16.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">with<br />
<b style="mso-bidi-font-weight: normal;"><a href="http://en.wikipedia.org/wiki/Susan_M._Schultz"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Susan</span></a>
<a href="http://www.poetryfoundation.org/bio/susan-m-schultz"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Schultz</span></a></b></span></div>
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<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 16.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">On </span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 16.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"><a href="http://writing.upenn.edu/pennsound/x/XCP.php"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Cross
Cultural Poetics</span></a></span></i></div>
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<h2 class='date-header'><span>Tuesday, June 21, 2011</span></h2>

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<p class=MsoNormal align=center style='text-align:center'>Merrill Moore, neglectorino</p> <p class=MsoNormal><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>From Hawai&#8217;i, <a href="http://theartpart.jonathanmorse.net/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Jonathan Morse</span></a></span> writes:</p> <p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:10.0pt;margin-left:.5in'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>The rediscovery of <a href="http://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2011/01/vivian-maier-emily-dickinson-of-street.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Vivian Meier</span></a> reminds me that there may be another trove of photographs waiting for somebody (somebody associated with Harvard, I'd guess) to find and discuss. This would be the archive of <a href="http://www.tnellen.com/cybereng/poetry/poems/sonnets_of_merrill_moore.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Merrill </span></a><a href="http://en.wikipedia.org/wiki/Merrill_Moore"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Moore </span></a>(1903-1957).<br><br>In the 1920s, <a href="http://www.poetryfoundation.org/poetrymagazine/toc/200"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Moore</span></a> was one of a group of remarkable student poets who gathered around the Vanderbilt University English professor John Crowe Ransom and published their work in a magazine called <i style='mso-bidi-font-style:normal'>The Fugitive</i>. The Fugitive Group underwent two more metamorphoses after that era: first into a group of right-wing anti-capitalists who called themselves the Southern Agrarians, then into the literary theorists called the New Critics. In English departments, the most enduringly famous members of the group are Ransom himself and his students Allen Tate and Robert Penn Warren.<br><br>Not <a href="http://poetry365.tumblr.com/post/64204251/fable-merrill-moore"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Moore</span></a>, however. As the mentor of the Fugitives, Ransom gathered his students for regular revising sessions, but <a href="http://tinyurl.com/3pdlmqg"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Moore just flat wouldn't revise</span></a>. His reason for that was amazing enough:he was arguably the most facile poet in the history of the English language, and rather than bring one revised poem to the weekly meetings he'd bring fifty brand new ones. With only a few exceptions, all of <a href="http://www.jstor.org/pss/20577545"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>his poems</span></a> were <a href="http://www.jstor.org/pss/27535555"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>sonnets</span></a>, and he composed those as fast as he was physically able to write the words down. In fact, he learned shorthand so that he could physically write the words down even faster. That's why one of his volumes of sonnets (one of many) is called just <i style='mso-bidi-font-style:normal'>M</i> </span><span style='mso-bidi-font-size:10.0pt;line-height:115%;mso-bidi-font-family:Arial;color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>&#8211;</span><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'> M for Merrill, M for Moore, and M for a thousand. Yes, that one fat book does contain a thousand sonnets -- that is, 1000 x 14 lines, or a body of verse longer than <i style='mso-bidi-font-style:normal'>Paradise Lost</i> and <i style='mso-bidi-font-style:normal'>Paradise Regained</i> put together. I flipped through it once, and I found quite a few good lines. But (as you might expect) so far as I was able to see on that one fast scan, there are no good poems.* <span class=GramE>So</span> nobody reads <a href="http://lccn.loc.gov/95770432"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Moore</span></a> now.<br><br>But his major at Vanderbilt was pre-med, and in due time he became <a href="https://www.countway.harvard.edu/chm/archives/iotm/iotm_2004-04.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>a psychiatrist</span></a> who practiced at hospitals associated with Harvard. It's as a <a href="http://journals.lww.com/jonmd/Citation/1955/12000/Poet_and_Psychiatrist_Merrill_Moore,_M__D.9.aspx"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>psychiatrist </span></a>that he's <a href="http://www.library.vanderbilt.edu/speccol/mooredavis.shtml"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>remembered</span></a> now to American literary history, because in that capacity he figured in the lives of several other poets. He kept Edwin Arlington Robinson's depression and alcoholism under control, counseled the Harvard sophomore Robert Lowell to transfer to Kenyon College and study with Allen Tate, and failed to prevent Robert Frost's suicidal son from killing himself but did save Frost's own life by calling the ambulance when Frost was suffering a toxic reaction to some medicine. During that period, too, some of his sonnets were illustrated by Edward <span class=SpellE>Gorey</span>, who was then an unknown Harvard undergraduate.<br><br></span>He was also a prolific publisher of research papers dealing with alcoholism, and a champion marathon swimmer. And you see he didn't even live long (cancer).<br><br>And yes, he also was a photographer. Nobody knows how many sonnets he wrote, but his own estimate was 50,000. That was also his estimate of the number of photographs he took. But I've never seen one, and I don't know anybody who has.</p> <p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:10.0pt;margin-left:.5in'>Jon</p> <p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:10.0pt;margin-left:.5in'><o:p>&nbsp;</o:p></p> <p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:10.0pt;margin-left:.5in'><span style='font-size:8.0pt;line-height:115%'>* One possible exception to my complaint about no good poems by Moore is the sonnet I was able to memorize from start to finish in a single fast reading. It's a psychiatrist's sonnet, and it goes:<br><br>You'll be all right, you'll be all right, you'll be<br>All right, you'll be all right, you'll be all right,<br>You'll be all right, you'll be all right, you'll be --<br><br>etc. for eleven more lines.<o:p></o:p></span></p>
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<p class=MsoNormal align=center style='text-align:center'><a href="http://farm6.static.flickr.com/5085/5270831731_5bab692e1d_o.jpg"><span style='color:black;mso-themecolor:text1;mso-no-proof:yes;text-decoration:none; text-underline:none'><img border="0" height="394" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/ioCzbsK01rkueSJvqYl4VGCGYBj-WWE1HynfQdl7Cv9QBDgVJK-L3AU8DdWst5nQHR0yYFyv3TV0jq9cK4ygVwUl_7M4BQSMl-TuKcPyiRmvM_c%3Ds0-d" width="402"></span></a><span style='color:black;mso-themecolor:text1'><br> </span><i style='mso-bidi-font-style:normal'><span style='font-size:8.0pt; line-height:115%;color:black;mso-themecolor:text1'>Ben Friedlander, Kevin Killian (visible in doorway), Dan Davidson</span><span style='color:black; mso-themecolor:text1'><o:p></o:p></span></i></p>
<p class=MsoNormal align=center style='text-align:center'><span style='font-size:14.0pt;line-height:115%;color:black;mso-themecolor:text1'>Daniel Davidson&#8217;s</span><span style='color:black;mso-themecolor:text1'><br> &#8220;<a href="http://www.tommandel.com/dan_davidson-what_kind_is_this.mp3"><span style='color:black;mso-themecolor:text1'>What Kind is <span class=GramE>This</span></span></a>?&#8221;<o:p></o:p></span></p>
<p class=MsoNormal><span style='color:black;mso-themecolor:text1'>As the jacket for Dan Davidson&#8217;s <i style='mso-bidi-font-style:normal'><a href="http://www.spdbooks.org/Producte/1928650139/culture.aspx"><span style='color:black;mso-themecolor:text1'>Culture</span></a> </i>says, <o:p></o:p></span></p>
<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:10.0pt; margin-left:.5in'><span style='color:black;mso-themecolor:text1'><a href="http://www.spdbooks.org/Search/Default.aspx?AuthorName=daniel+davidson"><span style='color:black;mso-themecolor:text1'>Daniel Davidson</span></a> (1952-1996) came to writing late, emerging from punk music in the late 1980s as a poet of singular talent and originality. <o:p></o:p></span></p>
<p class=MsoNormal style='margin-right:.5in'><span style='color:black; mso-themecolor:text1'><a href="http://home.jps.net/~nada/dahlen.htm"><span style='color:black;mso-themecolor:text1'>Dan Davidson</span></a> was, not unlike Jerry <span class=SpellE>Estrin</span> or Kathy Acker, a constant &amp; important <a href="http://disinhibitor.blogspot.com/2010/11/george-albon-on-daniel-davidson.html"><span style='color:black;mso-themecolor:text1'>presence</span></a> in the poetry scene of the San Francisco Bay Area in the 1980s &amp; early &#8216;90s who died right at the moment when the internet was starting to transform the roles of geography &amp; immanence in the world of poetry (like so much else). For those who knew him, he was a crucial, defining writer whose work was never that far from our consciousness in whatever projects we took on. But those who did not know him may never even have heard of him. <o:p></o:p></span></p>
<p class=MsoNormal><i><span style='color:black;mso-themecolor:text1'><a href="http://www.krupskayabooks.com/culture.html"><span style='color:black; mso-themecolor:text1'>Culture</span></a></span></i><span style='color:black; mso-themecolor:text1'> was Davidson's own title for his &quot;collected books.&quot; The posthumous Krupskaya edition contains four of those books &#8211; <i style='mso-bidi-font-style:normal'>Product; Bureaucrat, My Love; Image; </i>&amp; <i style='mso-bidi-font-style:normal'>Anomie. </i>It is available through SPD. <i style='mso-bidi-font-style:normal'><span style='mso-spacerun:yes'> </span></i><a href="http://www.krupskayabooks.com/culture2.pdf"><span style='color:black; mso-themecolor:text1'>Three other books</span></a> &#8211; <i style='mso-bidi-font-style: normal'>An Account; Transit; </i>&amp; <i style='mso-bidi-font-style:normal'>Desire </i>&#8211; are available gratis as a PDF from Krupskaya, also under the general title <i style='mso-bidi-font-style:normal'>Culture. <span style='mso-spacerun:yes'> </span><o:p></o:p></i></span></p>
<p class=MsoNormal><span style='color:black;mso-themecolor:text1'>Right before his <a href="http://home.jps.net/~nada/bellamy.htm"><span style='color:black; mso-themecolor:text1'>death</span></a>, Dan completed a booklength collaboration with Tom Mandel, <i style='mso-bidi-font-style:normal'><a href="http://www.spdbooks.org/Producte/0937013641/absence-sensorium.aspx?rf=1"><span style='color:black;mso-themecolor:text1'>Absence Sensorium</span></a><span class=GramE>,</span> </i>which George Lakoff frames as follows:<o:p></o:p></span></p>
<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:10.0pt; margin-left:.5in'><span style='color:black;mso-themecolor:text1'>Tom Mandel and Daniel Davidson have done what two poets are not supposed to be able to do: they have jointly written a great long poem that is seamless, where you cannot tell where one leaves off and the other takes up. The whole is much more than the sum of the parts.<o:p></o:p></span></p>
<p class=MsoNormal><span style='color:black;mso-themecolor:text1'>While <i style='mso-bidi-font-style:normal'>Absence Sensorium </i>remains in the SPD catalog, they have no copies. I don&#8217;t know if any cartons are hiding back in the vast <span class=SpellE>Potes</span> &amp; Poets warehouses in Connecticut, but I rather suspect not. If you want one, you will have to use <a href="http://www.abebooks.com/servlet/SearchResults?sts=t&amp;tn=Absence+Sensorium&amp;x=0&amp;y=0"><span style='color:black;mso-themecolor:text1'>Abebooks.com</span></a>, which locates a few at widely varying prices in the stocks of used &amp; rare booksellers.<o:p></o:p></span></p>
<p class=MsoNormal><span style='color:black;mso-themecolor:text1'>I know of only one other book by Davidson not included among the above, a December 1990 chapbook that he self-published in an edition of 45 as a New Year&#8217;s gift to his friends, <i style='mso-bidi-font-style:normal'>Notes From IMAGE. </i>The work there is quite different from that gathered in the <span class=SpellE>Zasterle</span> Press edition of <i style='mso-bidi-font-style:normal'><a href="http://www.spdbooks.org/Producte/8487467156/image-.aspx"><span style='color:black;mso-themecolor:text1'>Image</span></a> </i>published in 1992 (and republished in <i style='mso-bidi-font-style:normal'>Culture</i>). <o:p></o:p></span></p>
<p class=MsoNormal><span style='color:black;mso-themecolor:text1'>Recently Tom Mandel found Dan&#8217;s recording of &#8220;What Kind is This?&#8221; produced in 1980, back when he was still a musician &amp; had not yet begun writing for production, so to speak. I believe it is Dan&#8217;s song, and that is him on vocals &amp; guitar. I can&#8217;t get it out of my head. <o:p></o:p></span></p>
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<b>October</b><br /><br />Madrid<br />with Charles Bernstein & Susan Bee<br /><br />Barcelona<br /><div><br /><br />Saragossa?<br /><br /><b>November</b><br /><br />Rome?<div><br /></div><div><br /></div></div>
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<li><a href='http://www.poets.org/poet.php/prmPID/1544'>Academy of American Poets</a></li>
<li><a href='http://epc.buffalo.edu/authors/silliman'>Electronic Poetry Center</a></li>
<li><a href='http://www.facebook.com/ron.silliman'>Facebook</a></li>
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<li><a href='http://www.english.illinois.edu/maps/poets/s_z/silliman/silliman.htm'>Modern American Poetry</a></li>
<li><a href='http://writing.upenn.edu/pennsound/x/Silliman.php'>PennSound</a></li>
<li><a href='http://www.pcah.us/the-center/grants-awarded/grantees-1998-ron-silliman/'>Pew Fellowships in the Arts</a></li>
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<li><a href='http://ronsillimanbibliography.blogspot.com/'>Silliman's Bibliography</a></li>
<li><a href='http://www.spdbooks.org/Search/Default.aspx?AuthorName=Ron+Silliman'>Small Press Distribution</a></li>
<li><a href='http://eclipsearchive.org/projects/TOTTELS/'>Tottel's</a></li>
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<li><a href='http://www.ubu.com/contemp/silliman/index.html'>Ubuweb</a></li>
<li><a href='https://library.ucsd.edu/speccoll/findingaids/mss0075.html'>UC San Diego Archives</a></li>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<h2 class='title'>Other Books in Print</h2>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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