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Silliman's Blog
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<p class='description'><span>A weblog focused on contemporary poetry and poetics.</span></p>
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Showing posts with label <b>passing</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>passing</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Wednesday, February 08, 2017</span></h2>

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<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><a href="https://2.bp.blogspot.com/-y70rm_4JQ4g/WJUkt14OldI/AAAAAAAAHBw/lH1tlRzwtvkKJHI3Fj-pLzCLoZlkLiNNACLcB/s1600/Old%2BTom.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="627" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/2.bp.blogspot.com/-y70rm_4JQ4g/WJUkt14OldI/AAAAAAAAHBw/lH1tlRzwtvkKJHI3Fj-pLzCLoZlkLiNNACLcB/s640/Old%252BTom.jpg" width="640" /></a></span></div>
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span>
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span>
<br />
<div style="text-align: center;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><b><span style="font-size: large;">Tom Raworth</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><b><span style="font-size: large;"><br />1938 -- 2017</span></b></span></div>
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span>
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">A link here to the Poetry Foundation's recording of Tom Raworth reading "<a href="https://media.poetryfoundation.org/uploads/media/default/0001/07/af2f7b36a870aa1a22ec93d34c9ac9916553cb52.mp3">Gaslight</a>":</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span>
<br />
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">a line of faces borders the strangler&#8217;s work</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> heavy european women</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> mist blows over dusty tropical plants</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> lit from beneath the leaves by a spotlight</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> mist in my mind a riffled deck</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> &nbsp;</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> of cards or eccentrics</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> was i</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> a waterton animal my head</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> is not my own</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> &nbsp;</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> poetry is neither swan nor owl</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> but worker, miner</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> digging each generation deeper</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> through the shit of its eaters</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> to the root &#8211; then up to the giant tomato</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> &nbsp;</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> someone else&#8217;s song is always behind us</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> as we wake from a dream trying to remember</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> step onto a thumbtack</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> &nbsp;</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> two worlds &#8211; we write the skin</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> the surface tension that holds</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; you</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; in</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> what we write is ever the past</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> &nbsp;</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> curtain pulled back</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> a portrait behind it</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> is a room suddenly lit</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> &nbsp;</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> looking out through the eyes</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> at a t.v. programme</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> of a monk sealed into a coffin</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> &nbsp;</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> we close their eyes and ours</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> and still here the tune</span></div>
<div style="padding-left: 1em; text-indent: -1em;">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> &nbsp;</span></div>
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"> moves on</span><br />
<br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">*** </span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span>
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">Tom Raworth died this week. He was a giant as a poet, and a gentle, sweet fellow. One of the greatest compliments I ever received was a simple phone call from him -- how he got my number I do not know -- telling me that my book <i>Ketjak </i>was "alright."&nbsp;</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span>
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">I knew him slightly during the years he lived in San Francisco in the 1970s, was in the audience at New Langton Arts when he gave what may be the shortest talk ever, and was fortunate to see him whenever he came through Philadelphia in recent years.&nbsp;</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span>
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">I was once told (by a poet I respect) that Americans were too quick to declare him the finest living British poet. Just the opposite, I suspect, the far reaches of the Commonwealth have been far too slow to recognize the wonder of his work. After Bunting, Tom was the Alps. He himself could not have cared less for accolades, but the weak tea that is so much of British conventionalism is just so much piss-water alongside this stronger brew. I will miss him and we will all miss his work &amp; wit. </span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span>
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">Here are two pieces I wrote on Tom's work some 14 years ago.&nbsp;</span><br />
<br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">*** </span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span>
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<br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;arial&quot; &quot;&quot; , &quot;serif&quot;;">Read <a href="http://tomraworth.com/">Tom Raworth&#8217;s</a> poetry aloud &amp; you
begin to understand almost instantly why, or more accurately how, he developed
his reputation as &#8211; at least until Miles Champion showed up &#8211; the fastest
reader on the scene. Try reading aloud the following stanzas from &#8220;Survival,&#8221; a
poem in <i style="mso-bidi-font-style: normal;"><a href="http://roofbooks.com/Book/index.cfm?GCOI=93780100080280">Clean &amp;
Well-Lit: Selected Poems, 1987-1995</a></i>:</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">

</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">later she would
walk</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">asleep on his
feet</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">to the brink
of inspiration</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">with
lacquered nails</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">paused in
mid-phrase</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">discounting &#8211;
discrediting</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">the epic
sweep of stars</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">devising
stratagems</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">shrunk back
in his head</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">until the day
was filled</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">creating an
illusion</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">radiating
orange lightning</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">sucked into a
vacuum</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">past ponds,
down hills</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">

</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">nothing
better than to re-claim</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">duck with its
head swinging</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">knife &#8211; a
blue pencil</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">only bad
things that affect</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">the opposite
still she came</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">a tall black
vase</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">fluttering
her arms</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">always
displeased</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">moving every
year</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">around
protected by the wind</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">shook the
plate in front</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">did not
scream when he fell</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">outside down
the stairs</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">poured all
her brains</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">

</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">the
adaptations</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">to
differences in colour</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">associated
with food</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">regarded as
the simplest forms</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">stuck
together in lumps</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">are
irrelevant to survival</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">the struggle
towards</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">countless
changes</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">exhausted
from hunger</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">sounded like
water</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">beginning to
burn</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">or an
extinguished star</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">fading with
darkness</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">smiling at
the skull</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">

</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">feelings
belonged to the past</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">his stomach
churned</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">the breeze
blew</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">through thick
underbrush</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">following him
around</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">out onto the
highway</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">and grinned </span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">flailing about</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">not to touch
his cold flesh</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">you could
smell it</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">from deep in
the earth</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">watching the
smoke crawl</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">from his
straining lungs</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;verdana&quot; &quot;&quot; , &quot;serif&quot;; font-size: 10.0pt;">with its icy
purity</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">

</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;arial&quot; &quot;&quot; , &quot;serif&quot;;">The line here represents one
phrase, almost as though each were a single stroke that, together, accumulate
into a large, complex canvas. In general, the lines contain between four
&amp; eight syllables &#8211; the two shorter exceptions in the fourth stanza
above are the first such exceptions in the poem, which is already 16 stanzas
long at the start of this quotation. </span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">

</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;arial&quot; &quot;&quot; , &quot;serif&quot;;">A different poet who focused on
the phrase might vary the segments of language actually used line by line more
than Raworth does: a quick tally of the 56 lines above shows 21 starting with
verbs &#8211; only one is a variant of <i style="mso-bidi-font-style: normal;">to be</i> &#8211; with
another ten starting with prepositions. It&#8217;s precisely this combination of line
length &amp; syntax that propels Raworth&#8217;s text
forward so rapidly. A career of reading texts
such as &#8220;Survival&#8221; in public would speed up anyone&#8217;s reading style.</span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">

</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;arial&quot; &quot;&quot; , &quot;serif&quot;;">&#8220;Survival&#8221; is the longest poem
in <i style="mso-bidi-font-style: normal;">Clean &amp;
Well Lit</i>, which &#8211; with the exception of the sequence <i style="mso-bidi-font-style: normal;"><a href="http://www.sunmoon.com/classics/raworth_eternal.html">Eternal Sections</a></i>
&#8211; represents eight years of writing, post-<i style="mso-bidi-font-style: normal;"><a href="http://www.obooks.com/tottering.htm">Tottering State</a></i>, Like the
&#8220;14-line poems&#8221; of <i style="mso-bidi-font-style: normal;">Eternal
Sections</i> &#8211; Raworth pointedly does not call them sonnets &#8211; &#8220;Survival&#8217;s&#8221;
14-line stanzas carry that familiar quantity about them. Raworth&#8217;s reluctance
to employ the S-word makes sense, as the logic of these stanzas is anything but
sonnet-esque. Rather, the propulsion of the language carries the reader ever
forward, ever faster. If the syntax does contribute to the onward motion of the
language, it never
really resolves up to the level of a sentence &#8211; those little moments of closure
are themselves deferred or displaced. </span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">

</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;arial&quot; &quot;&quot; , &quot;serif&quot;;">I&#8217;ve sometimes wondered if it is
a function of Raworth&#8217;s phrase-focus that makes his work so eminently
accessible to U.S.
audiences &amp; note, just to use these four stanzas as an index, that only
the spelling of <i style="mso-bidi-font-style: normal;">colour
</i>marks his text in any way I think might be recognizable to a Yank as
British. Do the British really use phrases differently? I&#8217;m not enough of a
comparative linguist to know, although I&#8217;m aware of the stereotype propagated
by so many BBC dramas on U.S. PBS television stations suggesting that fully
formed sentences with many dependent clauses are &#8220;British&#8221; in a way that the
more telegraphic, interruptive mode of Yankee discourse is not. Of course
nobody in those dramas sounds like Linton Kweski Johnson either, or even
appears to have come from the north. Still, the complaint I once got from a
young poet with partly British heritage that &#8220;there&#8217;s waaaay too many
&#8216;experimental&#8217; poets who like to think Tom
Raworth is the only poet in England&#8221;
reflects, among other things, the enormous respect &amp; passion Americans
do have toward his work. </span></span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">



</span><br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">

</span><span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;arial&quot; &quot;&quot; , &quot;serif&quot;;">Raworth&#8217;s <i style="mso-bidi-font-style: normal;"><a href="http://www.carcanet.co.uk/scripts/webguild/scribe.cgi?author=rawortht">Collected
Poems</a></i> is about to be issued from Carcanet in the U.K.
&amp; is already available for sale over its web site. Every single blurb
for the book is from a Yank.</span></span><br />
<br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;&quot; &quot;arial&quot; &quot;&quot; , &quot;serif&quot;;">***</span></span><br />
<br />
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;arial&quot;;">It&#8217;s big. It&#8217;s yellow. It&#8217;s
beautiful. It, in this instance, is the </span><span style="font-family: &quot;arial&quot;;">Tom Raworth</span><span style="font-family: &quot;arial&quot;;"> <i style="mso-bidi-font-style: normal;">Collected
Poems</i>, just out from <a href="http://www.carcanet.co.uk/">Carcanet</a>,
making an early bid for the &#8220;best book of 2003&#8221; sweepstakes. The volume has 557
pages of text, plus some 18 of &#8220;front matter&#8221; &amp; another 20 given to various
indices. At one pound, 13 ounces, it&#8217;s a brick. <span class="GramE">A brick with
a cover illustration by the late Franco Beltrametti.*</span></span></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;arial&quot;;">Not long ago, I had a
discussion with poet of my own generation whose work I&#8217;ve praised on this blog,
whom I informed that I longed to see a collected works of his poetry. He
argued, with surprising vigor, against the idea. His primary points were two &#8211;
first, that as a young poet he had not always known when works should be held
back &amp; not published. There was a lot of writing in his first books that,
in his opinion, were &#8220;not ready for prime time.&#8221;** But even more problematic
from his perspective was the way in which &#8220;<span class="SpellE">collecteds</span>&#8221;
eliminate shape. </span></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;arial&quot;;">Shape is a question, I
agree, with any such gathering, as is detail. Perhaps the most notorious
example of how placement can alter &amp; undermine the implications of a text
in such terms are the poems from William Carlos Williams&#8217; <i style="mso-bidi-font-style: normal;">Spring &amp; All</i> as they were included in his own <i style="mso-bidi-font-style: normal;">Collected Earlier Poems. </i>Thus did &#8220;red
wheel / barrow&#8221; become something it never could have been in context, coming as
it originally did 78 pages into a dense argument, leading directly to a discussion
of knowledge, categories, democracy, education &amp; <span class="GramE">confusion.</span>
There also is a distinction between collected &amp; complete with which all
such volumes must contend. Thus there are rumors afoot at the <i style="mso-bidi-font-style: normal;">Collected Books</i> of Jack Spicer will some
day be supplanted by a much fuller edition. &amp; we have just seen how
radically different the new <i style="mso-bidi-font-style: normal;">Collected
Works </i>of Lorine Niedecker are from her two earlier &#8220;collected&#8221; poems, <i style="mso-bidi-font-style: normal;">T&amp;G </i>and <i style="mso-bidi-font-style: normal;">My Life by Water.</i></span></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-family: &quot;arial&quot;;">There also are discrepancies
in this vast edition of Raworth&#8217;s &#8211; moments that will stop a fond, familiar
reader short. For example, the stanza-per-page structure of &#8220;Defective
Definitions&#8221; in <i style="mso-bidi-font-style: normal;"><a href="http://roofbooks.com/Book/index.cfm?GCOI=93780100080280">Clean &amp; Well
Lit</a></i> runs </span><span style="font-family: &quot;arial&quot;;">4-2-1</span><span style="font-family: &quot;arial&quot;;">, though all are quatrains. In the <i style="mso-bidi-font-style: normal;">Collected,
</i>the stanzas are run together. Raworth himself credits the <i style="mso-bidi-font-style: normal;">Clean &amp; Well Lit </i>formatting to
&#8220;happenstance,&#8221; insisting that ultimately there is no such thing as &#8220;correct.&#8221;
Thus <i style="mso-bidi-font-style: normal;"><a href="http://www.aerialedge.com/ace.htm">Ace</a></i> is a long thin poem*** in
a single column in the Edge Press edition I currently own, yet appeared in
double columns in the editions of </span><i style="mso-bidi-font-style: normal;"><span style="font-family: &quot;arial&quot;;">Tottering</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: &quot;arial&quot;;"> </span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: &quot;arial&quot;;">State</span></i><span style="font-family: &quot;arial&quot;;"> published by The Figures &amp; by Paladin. It
doesn&#8217;t appear at all in the O Book edition of <i style="mso-bidi-font-style: normal;">Tottering State</i> &amp; is again in double columns in the <i style="mso-bidi-font-style: normal;">Collected. </i>Indeed, the three editions of
</span><i style="mso-bidi-font-style: normal;"><span style="font-family: &quot;arial&quot;;">Tottering</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: &quot;arial&quot;;"> </span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: &quot;arial&quot;;">State</span></i><span style="font-family: &quot;arial&quot;;"> all differ substantially. The provisional nature of
it all is enough to make one suspicious of a project that calls itself </span><i style="mso-bidi-font-style: normal;"><span style="font-family: &quot;arial&quot;;">Col</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: &quot;arial&quot;;">lected.</span></i></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span class="GramE"><span style="font-family: &quot;arial&quot;;">Which
might well be the point.</span></span><span style="font-family: &quot;arial&quot;;"> As
impressively well-written as these works are &#8211; &amp; I&#8217;m one who could be
persuaded that we live the Age of Raworth &#8211; Raworth&#8217;s poetry itself argues for
a definition of verse as &#8220;what a poet does,&#8221; a condition that offers quite a
bit of latitude. But I don&#8217;t think it&#8217;s latitude that Raworth is after, nor
does his stance have anything to do with an approach to the poem as &#8220;art
language&#8221; the way that David Antin&#8217;s performances do. Rather, the books like
the poems <span class="GramE">themselves,</span> are arguments for a perpetual
restlessness that amounts to constant attentiveness to the conditions of the
real. It&#8217;s in this sense that the <i style="mso-bidi-font-style: normal;">Collected
Poems</i> represents an achievement of major proportion. These works are not
&#8220;the alps,&#8221; as Basil Bunting once characterized Pound&#8217;s <i style="mso-bidi-font-style: normal;">Cantos</i>, not because the accumulation is not massive, but because
there is not a sedentary moment in this book. </span></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-size: 10.0pt;">* Far more
beautiful &amp; colorful than the washed-out thumbnail of it on the Carcanet
web site suggests. </span></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-size: 10.0pt;">** I don&#8217;t
agree.</span></span></div>
<div class="MsoNormal">
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><br /></span></div>
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;"><span style="font-size: 10.0pt;">*** I originally
typed &#8220;long thing poem&#8221; &#8211; it&#8217;s that too.</span></span><br />
<br />
<span style="font-family: &quot;arial&quot; , &quot;helvetica&quot; , sans-serif;">

</span>
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<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 150%;">Some 30-plus years ago, the
Poetry Center at San Francisco State, concerned at having given its annual
book award the previous two years to, I believe, Laura Moriarty and Jackson Mac
Low, asked C.D. Wright to judge the 1985 prize, under the presumption that this
would take care of any implication that the school was too much in thrall to
language poetry. They should have known better than to expect the woman who
brought Frank Stanford&#8217;s <i style="mso-bidi-font-style: normal;">battlefield
where the moon says I love you </i>to the world to meet expectations. She
picked my book <i style="mso-bidi-font-style: normal;">Paradise, </i>thereby
initiating what I take to have<span style="mso-spacerun: yes;">&nbsp; </span>been the
real prize, a thirty-year friendship with a wonderful person. She was a great
writer with a restless, probing intelligence that never settled and was always
questing. Although I had not known who she was back in 1985, I was to learn a
lot from her, as I expect to do from her writing till the end of my days. The
last time we saw each other was at a reading she gave at Haverford College,
after which we went to dinner with Tom Devaney, Gus Stadler and others. I&#8217;m
going to hold the tone of her voice &amp; that lilt of Arkansas accent in my
ear forever. </span></div>
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at
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<a class='timestamp-link' href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2016/01/14.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2016-01-14T10:16:00-05:00'>Thursday, January 14, 2016</abbr></a>
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<h2 class='date-header'><span>Monday, July 13, 2015</span></h2>

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<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%;">In 1968, Ed van Aelstyn, my
linguistics professor at San Francisco State &amp; co-founder of <i style="mso-bidi-font-style: normal;">Coyote&#8217;s Journal, </i>my favorite poetry mag
of the mid-1960s, persuaded me that if I was serious about my poetry I ought to
attempt a journal of my own. So, after the strike at State caused every
untenured faculty member I respected at the school (including van Aelstyn) to
quit or be fired, I dropped out, took a few classes at Merritt College (still
in those days in the flatlands of North Oakland) to get the units I needed to
transfer to Berkeley and, with the aid of d alexander, sent letters to every
poet I was interested in asking for work, getting responses and/or sparking
correspondences with Robert Kelly, Larry Eigner, Daphne Marlatt, Clayton
Eshleman, Jerome Rothenberg, Armand Schwerner et al. And then I did &#8230; nothing.
Which was exactly what I knew about publishing a magazine. I had no clue
whatsoever, no money &#8211; one could live easily enough on $150 a month in those
days, but that didn&#8217;t leave one much in the way of disposable income &#8211; and seemingly
no social skills that would have led me to actually ask somebody who knew more
about this process than I. Gradually, the thermometer-like guilt meter began to
rise, but once I got accepted into UC, embroiled in David Melnick&#8217;s attempt to
get post-New American poets like David Shapiro &amp; David Bromige into the
campus literary journal <i style="mso-bidi-font-style: normal;">Occident </i>&amp;
a subsequent project with Melnick to get a portfolio of Bay Area poets into the
<i style="mso-bidi-font-style: normal;">Chicago Review, </i>the idea of a journal
of my own slipped further &amp; further from my consciousness. Then there was
Kent State &amp; I found myself among a handful of undergraduates on the
steering committee of the Wheeler Action Committee &#8211; as the English Department reconstituted
as an anti-war project called itself &#8211; running a silkscreen workshop in the
grad student carrels to support other anti-war groups, climbing out David
Henderson&#8217;s window to hang the Harriet Tubman Hall banner from the Wheeler
balconies, putting in 20-hour days and starting to acquire those aforementioned
absent social skills. After the end of that semester, Shelley &amp; I moved to
Buffalo briefly, then Trumansburg, &amp; then back to Berkeley where I won my
six-year battle with the draft board &amp; we finally called it a day on our
five years of marriage. </span></div>
<div class="MsoNormal" style="line-height: 200%;">
<br /></div>
<div class="MsoNormal" style="line-height: 200%;">
<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%;">So, it was in the fall of
1970, while I was living in a dilapidated backyard cottage on 61<sup>st</sup>
Street in North Oakland that I got an unsolicited submission from a San
Francisco poet I&#8217;d never even heard of named David Gitin. The long repressed
guilt thermometer instantly popped up, and was now close to boiling over, not
only because I had sat on all this poetry for so unconscionably long, but
because Gitin&#8217;s poetry was terrific. This was exactly what I had thought a
little magazine was supposed to accomplish &#8211; putting you in touch with great
new poets. While at Berkeley, I&#8217;d read <i style="mso-bidi-font-style: normal;">all
</i>of Pound&#8217;s correspondence in microfilm in the UC library &amp; had realized
that his impact on modernism &amp; beyond came about no so much because of his
own writing &#8211; tho I was (and still am) a fan of <i style="mso-bidi-font-style: normal;">The Cantos </i>&#8211; but because he saw it as his duty to put A in touch
with B, X in touch with Y. Somehow I had accomplished this, albeit on an
infinitely smaller scale, with my little non-existent journal just by wanting
it to be so. </span></div>
<div class="MsoNormal" style="line-height: 200%;">
<br /></div>
<div class="MsoNormal" style="line-height: 200%;">
<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%;">This was the poem that first
made the hair on the back of my neck stand up. Its title simply is Poem:</span><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%; mso-fareast-font-family: &quot;Times New Roman&quot;;"></span></div>
<div class="MsoNormal" style="line-height: 200%; margin-left: 1.0in;">
<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%; mso-fareast-font-family: &quot;Times New Roman&quot;;">birds<br />
color the sky<br />
beyond the door<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in;">
<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%; mso-fareast-font-family: &quot;Times New Roman&quot;;">the stone<br />
lions<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in;">
<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%; mso-fareast-font-family: &quot;Times New Roman&quot;;">the museum<br />
parkinglot</span></div>
<div class="MsoNormal" style="line-height: 200%;">
<br /></div>
<div class="MsoNormal" style="line-height: 200%;">
<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%;">I could see, of course, the
heritage of imagism and objectivism in those lines, plus the accentuated
concreteness of imagery. If it reminded me of George Oppen&#8217;s work, it was the
Oppen of <i style="mso-bidi-font-style: normal;">Discrete Series, </i>the edges
of each image all but chiseled into marble. Running <i style="mso-bidi-font-style: normal;">parking lot </i>into a single word seemed exactly the right touch &#8211;
that absent en dash is at least part of the drama of the final line. That
somebody was paying such close attention was what I sought out in poems, and do
to this day. </span></div>
<div class="MsoNormal" style="line-height: 200%;">
<br /></div>
<div class="MsoNormal" style="line-height: 200%;">
<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%;">So I wrote to David &amp;
told him, yes, I would be happy to publish his work as soon as I figured out
how to do that. And I gathered up a few pages of the writing I&#8217;d collected,
typed them up, hand-drew a logo for my instantly renamed new project &amp;
headed down Telegraph Avenue to a copy shop where I printed the first issue of <i style="mso-bidi-font-style: normal;"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"><a href="http://eclipsearchive.org/projects/TOTTELS/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Tottel&#8217;s</span></a></span></i><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">. I didn&#8217;t
get David&#8217;s <a href="http://eclipsearchive.org/projects/TOTTELS2/html/pictures/004.html"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">poems</span></a>
into the journal until the next issue, although I would go on to devote the
entire <a href="http://eclipsearchive.org/projects/TOTTELS7/html/pictures/001.html"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">seventh
issue</span></a> of the journal to his work. It was the third single-author
issue of <i style="mso-bidi-font-style: normal;">Tottel&#8217;s, </i>following ones by
Rae Armantrout &amp; Robert Grenier, and preceding ones by Thomas Meyer, Clark
Coolidge, David Melnick &amp; Larry Eigner. I still consider David&#8217;s work very
much on a par with that list of poets, which readers of this blog will
recognize as pretty close to ground zero for my aesthetic choices to this day.&#185;</span></span></div>
<div class="MsoNormal" style="line-height: 200%;">
<br /></div>
<div class="MsoNormal" style="line-height: 200%;">
<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">David, once I met him, was a tall quiet man with a
ready laugh &amp; whose intensity was somewhat hidden by a deep shyness. He
gave me my first solo reading ever at a bookstore around the corner <span style="mso-spacerun: yes;">&nbsp;</span>from the former Hotel Wentley &amp; later
would also give me my first campus reading as well once he began to teach down in
Monterey. I recall taking him to see a midnight show by the Cockettes in North
Beach, a side of San Francisco culture that straight men were just starting to
adjust to in those pre-Harvey Milk years. <span style="mso-spacerun: yes;">&nbsp;</span>His path to poetry had been an unusual one,
picking the University of Buffalo not because Creeley &amp; Olson taught there,
but because it was his hometown state college (a path that Lisa Jarnot would
replicate a few years later). How he got to San Francisco I&#8217;m not quite
certain, but he and his first wife Maria soon moved south and David&#8217;s already
encyclopedic knowledge of jazz and world music became an even deeper focus for
him as he pulled back from his engagement with &#8220;the scene&#8221; aspect of poetry. I
recall sometime in the 1970s telling him of the death of Paul Blackburn years
before and being shocked that he hadn&#8217;t heard, given that he&#8217;d been one of the
closest readers of Blackburn I&#8217;d known. When I was putting together <i style="mso-bidi-font-style: normal;">In the American Tree </i>in 1981-2, David&#8217;s
position was that poetry was &#8220;over&#8221; for him, he wasn&#8217;t writing or sending work
out, and that it made no sense to think about him for the anthology. </span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 200%;">
<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Happily, that was only partly true &#8211; he was writing,
but had no real interest in engaging with what he took to be a thoroughly corrupting
publishing scene, and for much of the rest of his life he would craft these
small, utterly gorgeous chapbooks of his writing &#8211; a tradition that readers of
John Martone and Tinker Greene will surely recognize &#8211; and send them to
friends. I read every word of each one, even as many contained poems I might
have seen before, or even recycled book titles (<i style="mso-bidi-font-style: normal;">Journey </i>in 1997, <i style="mso-bidi-font-style: normal;">The Journey
Home </i>in 2010). In addition, he would let publishers he trusted &#8211; George Mattingly
or his former student Dan Linehan &#8211; bring out somewhat larger collections. <i style="mso-bidi-font-style: normal;">Woke Up This Morning, </i>a 119-page
selection of 52 years of work, came out earlier this year, self-published but
with a Mattingly design.&#178;</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 200%;">
<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Like Lorine Niedecker, Alfred Starr Hamilton, NH
Pritchard, Besmilr Brigham or even Curtis Faville (who reviewed <i style="mso-bidi-font-style: normal;">Woke Up This Morning</i> <a href="http://compassrosebooks.blogspot.com/2015/01/david-gitins-woke-up-this-morning.html"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">here</span></a>),
David Gitin was an American original, whose commitment to poetry was something
quite apart from any commitment to the poetry scene. His devotion to getting
the right word onto the page was absolute, leaving no room for sentiment,
foggy-headedness or any other manner of blur. </span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 200%;">
<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Getting his books &amp; the occasional card or email, I
was able to follow David at a distance and like several of his friends, was
pleased and not a little amazed when he declared that he&#8217;d reconnected with his
high school sweetheart <a href="http://fineartamerica.com/profiles/gloria-avner.html"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Gloria</span></a>
<a href="http://www.emptymirrorbooks.com/author/gloriaavner"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Avner</span></a>
and was heading to the Florida Keys to spend the rest of his life with her. Which
he did, passing finally late last month. </span></div>
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<br /></div>
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<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">While <i style="mso-bidi-font-style: normal;">Woke Up
This Morning </i>must represent the poems David wanted saved, there are in his
other books enough great poems to warrant a volume twice that size, possibly
more. In addition to the early pieces you can find online in <i style="mso-bidi-font-style: normal;">Tottel&#8217;s, </i>Michael McClure has posted <a href="http://mcclure-manzarek.com/friends/gitin"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">several</span></a>
on his website, you can find a few in <i style="mso-bidi-font-style: normal;"><a href="http://www.bigbridge.org/issue5/po_gitin.htm"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Big Bridge</span></a>,
</i>and you can find virtually everything <a href="http://www.abebooks.com/servlet/SearchResults?an=David+Gitin&amp;sts=t"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">on
Abebooks.com</span></a>. One in particular that I like a lot is &#8220;Words,&#8221; which
I&#8217;ve always imagined as a sequel of sorts to that first poem of David&#8217;s that I
read in 1970:</span></div>
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<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 200%; mso-fareast-font-family: &quot;Times New Roman&quot;;">I leap<br />
from museums<br />
onto passing cars</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 8.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">&#178; Woke
Up One Morning </span></i><span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 8.0pt; line-height: 200%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">was published in 1996 and contains untitled what is now
<span style="mso-spacerun: yes;">&nbsp;</span>the title poem of <span style="mso-spacerun: yes;">&nbsp;</span>this final volume.</span></div>
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Posted by
<span class='fn' itemprop='author' itemscope='itemscope' itemtype='http://schema.org/Person'>
<span itemprop='name'>Ron</span>
</span>
</span>
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<b>October</b><br /><br />Madrid<br />with Charles Bernstein & Susan Bee<br /><br />Barcelona<br /><div><br /><br />Saragossa?<br /><br /><b>November</b><br /><br />Rome?<div><br /></div><div><br /></div></div>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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