WRITERS MAKING FILM: ABIGAIL CHILD
Weds., Oct. 2, 4pm CFA Screenig Rm
Film Screening: Covert Action, Mayhem, Mercy, Ornamentals, Dark Dark
Abigail Child makes experimental films that exist just within the comprehensible
wild. Distinguished by their frenetic montage of original and archival images
and use of sound as a concrete rather than complementary element, her films
enable the viewer a temporary home in the unknownsoliciting participation
by the call of adventure and not by the dare of competition. The programs
titles Covert Action (1984), Mayhem (1987), and Mercy (1989)
are from Is This What You Were Born For?, a series intended to
bracket ongoing film investigations in the context of the aggressions of the
late Twentieth Century and named after a Goya etching. The earlier work
Ornamentals (1979) exemplifies the filmmakers commitment to rhythm,
the rhythm of body-nerve-mind whereas Dark Dark (2001), (read a
review of Child's B/Side in Bright
Lights Journal. Childs newest film, further investigates narrative
construction and decomposition by interlacing four found story fragments: film
noir, western, romance, and pursuit. Films are 16mm, feature the music of Ennio
Morricone, Zeena Parkins and Christian Marclay, and run about 70 minutes total.
Abigail Child, is the chair of the Film Department at the School of the Museum of Fine Arts.Child is also a poet, whose books include Motive for Mahem, Mob, Scatter Matrix, and From Solids.
"Writers Make Films" is curated by Caroline Koebel, Assistant Professor
of Media Study. For further information on this program contact her at cgkoebel@buffalo.edu.