GUIT02.01 and RIFT02.01 are copyright (c) 1994. See below for full notice. Click here for EPCHOTLIST
Must write memo to Omem Tsum: don't incur any expenses in Rucni.
Tragedy at Denword: Mort Sleam drowned in the Ydegrat
Krap park: Nobody liked the name except Ydobon, Dekil, & Eman.
Looking at the Somen was Nemo's idea.
Skip Piks: it is as overrated as Detarrevo.
What Dottie Eittod had written on the Eton note was FUCK KCUF.
"Who or what is Kay Cee You Ef?" asked young Deksa Gnouy.
Stopped at Deppots, ate the world famous Daerb bread, drank
Reebknard beer. Does anybody know why it is called that?
Dear Enil Em (aka Daeh) read me the terrible headline: NO ACCORD
ON DROCCA. What's next? El Birret, Txen, Stahw?
Otta Omirp in "Atto Primo": one more mistake of Ekatsim Eromeno.
On to Noitulos where we expect to find the solution to the Amgine
At Ta-Deyats Edna and E stayed at Hotel Letoh (where De Wercs
screwed Olivia Aivilo).
Going up Rewot Tower, Senhor Rohnes Dias said to Deb Moor: "Is
room in my bed? Si!
Evening at Gnineve. What's here besides the ruins of Ereh
Everyone is going to scream if we go one more time to Maercs or
In The Morphological Component
Imbalance undernamed disprairie
infragrance unexpressioned dispur
antename unspread disamerica
unlilack forecloaked unspiny
aforming foretaken unchicasaw
unnew unfuckingnew unhobble
The Goldsmith Variationthe garden hotel down through a woman & hidden grandmother victorian burning was it her real street looking for eaves walking in god's laboratory & she must name (to finish) millstones has room under the tornado transformation through threshing in the octagonal field she is in the mastodon town the next woman naked whirls through cattle her baby underwater closeted the road an octopus transited the dapple-gray girl she has fat wings stones stall her owl turns foul by sleep flame bell resort high glass meditating calling her down eve taps god the name shoulder appears up & down orders first last time garden walks
graven images of babar
in the apartments of babar
have a future and babar
is spherical like pascal
at the beginning
mother & father
& all the stars
the dancer can't step twice
into the admirable
booties of the great babar
plus babar minus babar
do not say such oppositions
can be swung to give a semblance
sweetened wry pragmatic semblance
of an instance of babar
the only way forward
as it now appears
is through misty babar
o seductive illusion
of the absence
of the loving
who does `you' unnuzzle
next nuzzle un-next nuzzle nuzzle
tines of time [of timy time] in the fork of time forking forking
the anti-anti-communist locks like locklike
knocks like ancient device
knocks the antiknock compound
to the foreground
to subsidize whole of 'it that underlies' press 1
to derive a certain endemic confusion or the signifying
structures with the order of phenomenal cognition press 2
to falsify the content that such questioning
may say abends press 3
if side a mouth side abeef sserp sserp
if mouth spills mouths' pills sserep o sserph
if spills the old devolved watercooler colder colder polo
daddybeat daddydoo mommymeat mommymon the moon
[in actuality la lune]
item angloams crushed darkoams
once nonce always das fonce
once (huanss) to the right san wan
wherefrom p r )
once to wright (bob)
once to left in deference (robertote)
flight all headed fright fried refritos
faroese farabund fritoes [de-serving]
a kind type category kind of type kind of like kind of like
`i' (noted eye) was without
mercedes sanz "mercy"
"labelle" "dam" (the selfsame dam)
preferences proffering professing
start spangled tanner as I (eye) keep (seep) ('cept) looking
(looking looking looking) loooookin'!!!!!!!!!!!!!!!! [forgive
part two part then part part part part part
*eduardo was at the air
*jose was most cap
*pablo was think
there were more _________________ (hint: homeless)
RIF/T: An Electronic Space for Poetry, Prose, and Poetics
Editors: Kenneth Sherwood and Loss Pequeño Glazier
Version 2.1 Winter 1994
GUIT02.01 and RIFT02.01 are copyright (c) 1994. All rights revert to author(s) upon publication. Texts distributed by RIF/T, e-poetry@ubvm, or the Electronic Poetry Center (Buffalo) may not be republished for profit in any form without express consent of author(s) and notification of the editors, but may be freely circulated among individuals for personal use provided that this copyright statement is included. Public archiving of complete issues only, in electronic or print forms, is permissible provided that no access fee is charged.
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