Plain/Text


DOWK05.01 and RIFT05.01 copyright (c) 1995. See below for full notice.

David Dowker COVENANT In cartoons and dreams people jump into and out of the script, casual as clams and loaded to the gills with the promise of evening soon to be smashed in the bland mirror of reproduction. Even in advertising fate is unaffected but moving, casual as a clam and loaded to the gills with the promise of consumption in the hurt confusion of amassed humanity. Even in advertising fate is unaffected but moving. And the hallucinated stand on first principles to disdain consumption in the hurt confusion of amassed humanity. It occupies the space between multinational wheat cartels and the hallucinated who stand on first principles to disdain the hunger of the media for the misery of the people. It occupies the space between multinational wheat cartels and the proprietary rights of veritable cargo cults to the misery of the people and their hunger for the media. It has been said. Fate is fractal and semi-permeable. As the proprietary rights of veritable cargo cults subject to certain prior restraints and binding arbitration. It has been said. Fate is fractal and semi-permeable. As the love of the subject for the will to obedience. Subject to certain prior restraints and binding arbitration as outlined in the book of breathing and bound to happening as the love of said subject for the will to obedience. The arousal of the powers of light against a serial (and viral) fear as outlined in the book of breathing and bound to happening. To awake from astonished sleep to routine delusion once again. The arousal of the powers of light against a serial (and viral) fear. Something inexplicably missing. Something impossibly precise. To awake from astonished sleep to routine delusion once again. In cartoons and dreams people jump into and out of the script. Something inexplicably missing. Something impossibly precise as evening soon to be smashed in the bland mirror of reproduction.
PLAIN/TEXT The sum of my self's semblances. An ache made shapely, maybe. The itinerary of evasions: a most literary sequence of eventual despair. A sense of momentous indecision in the unquiet air around here and no argument to reconcile to, insistent intense as the discussion is. This text entity actualized. Vast gasps of syntax and sighs of delighted wrap- around. A delicate instrumentality hidden in the etymologies. The feel of your fonts. The tragedy of your line breaks. The fragrant breezes flutter but the poetic veneer is as apparent as the insect which utters such vernacular (o capacitance o valence). Give us oracular stutters over smooth vacuum or esoteric reference. Rather alchemical tools than ephemeral relevance. Hypnotized by the spin of a charming beginning. The obligatory spectacle ecstasized. My darling diplomat, plumed and plumbed, overwhelmed under the confluence of alarming ardours. De-mystified but never colonized. A lesson in illegitimacy, illegibility of the writing on the new and improved axiomatic wall, depraved may the flowering be, denied as mere raving. That frequently green monster seen through lidless eyestalks heliotropically revolved. Consider this dissonance. That is not that, though. The map is not the genetic expression of a mountain of hats. Our cartoon existence predisposes us to such extensions, such attachments. Disenfranchised yet maintained as the crying of our numbered lot. Diagrammatic exactitude forbidden by inaudible emanence and the graphic resemblance, moonstruck and maddening, to a gorilla grin. The taste of grape jelly suddenly out of memory dumped in my lap. Oh well and good to be sticky occasionally. Loony tunes to elucidate this feeling of "that's all, folks" and happy trails to you. Until we are meat again. Easy habitation in the light of another order of being. Do we read by this illumination or, merely burnished, turn to each other and, chastened, make plans to abandon plans of abandonment? Irreducible to the statistical, the average bat in a leveraged game and the actual factual is the ghost of a flea flattened in the line dance of armoured person-ality or a bastion of status to be cultivated aciduously. A refuge from pleasure, a certain estimable length to be measured and the scissors sever the connection. Is this the commission we were suborned for? A brief, baffled season of leisure to wax and polish our carapace and, then, make space for the next regeneration? Why else this fabled tale unscrolled, scryed and de-scribed? Meanwhile, in another part of the factory we see demons sorting "abandoned car parts" and angels huddled over lathes (wings pinned behind their backs and visors shielding beatific faces). It is not clear what is turning, but it is screaming. "Enough! or too much." The sheared vision, sharpening popsicle sticks against those fractal stucco cliffs of my childhood. The same wide-eyed clarity, utterly alien landscape imposed upon the familiar blue meanders. Milkweed pods and monarch butterfly and the source of all tadpoles flown over by dragonfly reconnaissance squadrons. The container holds in many dimensions, fold as you may or splice it. No telling the knuckleball flutter of fate. Was that the Corn Goddess or Coyote sneaking through the underbrush? The surge to verbiage blunders phase foreword into the narrative passed out in a cornered schematic. The lap of the loop she indecently reposes, phrases the fluencies and flesh gestures. The delicious irony of her body would sustain many an anemic gnome or nymph. The flattened affect, to speak to a machine and mean it, being as repetitive a stress as any other.
_from_ MACHINE LANGUAGE Reconnaissance syntax assimilates dissonance. Lenses into present tense. Touch-sensitive text which we are IN. Bodies non-possessively. Participated. Soluble flesh of the processed word. Being sublimated. Circadian dervish flurries and burns. Tympanum verbatim. By ear unfurled, flanged avalanche. A flock of weathers passes overheard. Pliant iambics of sky and flowers. Vernacular azure in which we embrace.
TRANS-APPARENCIES Dissolve and coagulate. Cogitate. Those creases would be water, woven and waved. Littoral drift. Bits of intonation. Burst modal. Clusters digital, decay. Pixelated. The rose window in the flesh envelope. Data calyx. Syntactic facsimile seeking live heat, infra-red /shift. A sense of imminent luminescence. Deciduous looseness of limb. The light foot in lilt. Levitate. Lull in the lingual. Viral siloes. Reverse transcriptase, trace. The signature within, written in algebraic. Replicate. Reiterate the substrate. Solution in immersion. Dim glimmers. Dense swarm of thermals. Gloss this. Surface tension of ordinary awareness. Embryonic fur of murmurs. Fear nurture. Whirr. Of infernal devices. * The accumulation of these days. In process. Parallel / light and dark, diurnal echo, co- axial. Access this. In the flesh of the instant. Its saying is. In and of, as above. Any is manywhere. Solution in essence. Tenses along the wing chord, curved in kind and charismatic. * The furious distances / between us accumulate, aggregate chasm - a communicable dis-ease, this baffles, be- muses, this whittled insistence of the argument (effect of the affect, d i f f r a c t i o n felt as if upon the verge a fissure fissures) sighs along the italicized silence, sibilant upon the table in condensation spelt and the wide flat expanse of after

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