"line" versus "sentence" as the formal basis of poetic
language
Modern and especially contemporary American avant-garde poetry, especially
that following the modernism of William Carlos Williams, has generally
repudiated the sentence as a basis
of poetic language, preferring the line as its central formal feature. No
one has stated this preference more adamantly than Robert Creeley, whose poetic form descends
directly from that of Williams.
POETRY
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Last modified: Wednesday, 18-Jul-2007 16:27:17 EDT