Lew Welch
the noise they were making...
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to Dorothy Brownfield, 28 September 1949 to Dorothy Brownfield, et al, 4 November 1950 to Philip Whalen, 7 July 1957 to Donald Allen, 18 December 1959 to Charles Olson, 9 August 1960 to Larry Eigner, 7 September 1961 draft of a letter to Robert Duncan, July 1962 to James Schevill, 16 October 1966 to Robert D. Wilder, 19 June 1969 from How I Read Gertrude Stein
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To Larry Eigner, Dear Larry, I've just gone through On My Eyes for the third or fourth time & want to tell you how beautifully I think you write. For one thing, there is a speed in poems like the one starting "It's getting there" which I've only seen in Olson & Whalen, and I think you're even faster. By speed I think I mean only that really all the old lumber is finally gone, and that what is being got at is hit directly. The impression from that poem is exhilarating, a trip, a swift ride. But it is a much deeper thing you do in the poems which, like your title says you are doing, speak in that big range just before what we see enters the world of words. I don't know of any poem in our language that does this better than the one about all that equipment about to work on that field, "the noise they make." (I just looked it up and find it's "the noise they were making.") & it's the look into that world which runs all through the book which makes it so astonishing and fresh and good. But this is craft & the rest is harder to talk about: that I am moved by those poems, lifted out and shaken up a bit — something that after all is the only point to it. It is the big thing that you are doing (and I think what that is is the strong statement which translates out: "I walked about this planet for a while, it was this" or, like what Van Gogh did "I saw a sunflower, I Van Gogh," but I blabber, possibly). I have to use your lines there are all types as a dedication to a section of the poem I am now working on — a long poem about salmon fishing, commercially, the job I am now doing & which may finally have freed me altogether (or not). I will try to keep all my bitterness out of the poem — a thing you do so beautifully in yours . . . As I write this my cat is nursing an old T-shirt of mine. He chews & purrs and kneads & today we discovered, upon lifting him up from these devotions, that he had his (perhaps) first erection. Now he has stopped. He sleeps in his flea-collar (September in San Francisco is the month of fleas: world famous). It is all about us, at every speed at once Lew Welch
SECTION FOR FISHPOME There are all types
I shoved fishhooks through herring carefully, the One after the other Their bellies always white as (Startled from herring, laugh, I Jellyfish, brown, like turkish pillows or
"Penguins," to fisherfolk, murre, I'm told, up "caught one three stops down" (60 feet) A bird on a fishhook! or the barnacles when we painted the Whole business very hard on sentient beings It's all crowded around us as we walk our bellied floor The salmon so big in August we lice in the gills Like tiny rays or skates very "You can't do that and be a Buddhist." next to end: No more fish to gut, the Or: at times a fishing boat is visited by canaries "I had dozens of them once, albacoring, they That's as far as I got on Sept. 6, 1961
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