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PROSE ACTS: PARTICIPATING
BANDS
>>ETHER DRAG
Ether Drag can
be one person or four or six. They sometimes tie knots on vintage pedals
and other times freeze achingly beautiful with live cello, violin, and
drums. Iıve heard them sound like Coilıs ³How to Destroy Angels² and then
when I blink they become Morton Feldmanıs longest and most spare composition.
But this isnıt a boring academic avant-garde: they can be tender, like
the sappiest Dirty Three and/or the ecstatic howl of some loosely tight
jazz, maybe Monk. ³Ether Drag² is ultimately a term for a constant collaboration
the sounds shift and mutate, always flowing into something else. Like
the opulent minimalists they are, thereıs never a resolution or the false
drama of loud soft loud soft used to a fault by many contemporary post-rock
favorites. The bandıs mainstay, Ben Freeman, connects with sounds in an
uncanny way, reworking emotion through the simplest movements without
leaning on stock phrases: the knob on a Raga drum machine moves to the
left 1/4 of an inch and you want to start shouting joyously. So whatever
Ether Drag is or becomes before or within Buffalo, folks are sure to stare
slack-jawed or with eyes closed, wanting to float away on the sheets of
sound working throughout the room, maybe in their heads creating a new
time and space calendar, or diagramming the flight of a sigh. You can
download the entire Sick Passenger EP at <http://www.etherdrag.com/>.
>>KRAKATOA
Krakatoa is a Brooklyn
based band which migrated north from Philadelphia in January 2000. To
get an idea of what they sound like, imagine if Daniel Johnston had studied
under Bartok, or if Itzhak Perlman hit the road with the Magnetic Fields.
This is the musical world of trouble known as Krakatoa. Spawned from the
demise of The Lost Art of Puppet Orchestra, the band has performed everywhere
from The Knitting Factory in New York City to the Alternativa Festival
in Prague. The core group consists of Val Opielski on piano, Glendon Jones
on violin, Ely Levin on drums, and Ted Casterline on bass. Lately they've
been joined by the Neu String Ensemble: Ben Freeman on cello and Dave
Brown on violin. These punk virtuosi are one of the most overlooked and
smart avant-garage rock bands playing today. (--Tom Devaney 5.25.01) Further
information is available at <http://www.etherdrag.com/krakatoa>.
>>THE NATIONAL
The National make
music thatıs a lot like getting up just before 6am on some dewy side street
in Western Montana: ³Rivers can be broken,² you say under your breath
and to the landscape resting beside and beneath you. The bandıs self-titled
full length is a chapbook of souls, or better yet, a discarded Farmerıs
Almanac blooming with revelatory pencil sketches. Like d.a. levyıs incantatory
poems about rust and rivers, these are songs channeled through Midwestern
ice, teeth, divining rods, shape-shifting emptiness, ghosts, and silence.
Vocalist Matt Berninger is a young Johnny Cash raised on college radio.
The New York Times' Jon Pareles writes "In the National's songs, on the
rainy border of folk-rock and mope-rock, fading love lingers just enough
to keep the singer tortured by all the things he could have done." Washington
City Paper says "The band's debut is exquisitely wrought..." Philadelphia
City Paper calls singer Matt Berninger "a brilliant lyricist and chronicler
of emotional minutia." These things are true. The rest of the band is
two pairs of brothers: Scott (guitar/backing vocals) and Bryan Devendorf
(drum/backing vocals/spokesmodel); Aaron (bass/backing vocals) and Bryce
Dessner (guitar/backing vocals). Further information and MP3s are available
from the band's web site <http://www.americanmary.com/>
and Brassland, the band's record
label.
>>WHITE COLLAR CRIME
From New York City, WCC are the fabled soul punk combo fronted by Soft
Skull shaman Sander Hicks. They use drums, keyboards, and bass with no
guitar. The new album, distributed by Soft Skull, is ³Their Laws are Dimwit
Greed.² In a recent performance at Desmondıs Tavern, Hicks jumped across
tables and lassoed chairs with a microphone cord and sipped other peopleıs
beer while starring down nonbelievers. When he called for revolution
at the time he was spinning from a ceiling fan - the band clicked immediately
into tight punk cabaret and a friend turned to me and said, ³this is the
best band ever.² I believed him: my neck was shivering and I was ready
to storm the White House. WCC are the real thing: Crass and DK, a band
for cocktail hour, The Sound of Music, the best live band of 2001. "Frontman
Sander Hicks spews sarcasm and wit like Jello Biafra on a caffeine buzz.²
-Flagpole, Athens, GA. "Revolutionary anti-corporate anthems with new
wave keyboards and NO GUITARS! Now that's Punk Rock." -Brecht Forum. Information
about the band can be found at Soft
Skull Press, which is currently distributing WCC's CD "Their
Laws are Dimwit Greed." Further information and .mp3 files are available
at <http://artists.mp3s.com/artists/148/whitee_collar_crime.html>.
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