Thursday, April 10, 2003

A letter from Chris Stroffolino. I’ve left it unedited, save for the addition of two footnotes:

 

Dear Ron—

 

Having recently read your blog in which you ask us to note the excision of your historical analysis in the comments attributed to you by Gary and Nada for their (nefarious?) “Blank Generation” feature, it occurred to me that my response might have been significantly different had I been aware of the elided passage, and so would like to take this opportunity (especially in the rocket’s red glare of events that “have substantially rewritten recent history”) to consider some of these points.

 

Taken in your “slightly broader” context, the comments about “depoliticization  consider in turn two particular historical moments that seem to have significance in one way or another for many of us, 1989 (roughly) and 1974. Ultimately it seems you argue that 1974 was the more crucial year in terms of the “depoliticization” you’ve noted. Whether the increased deterioration of “shared point of agreement as to the goals of the left” was primarily due to the U.S. exiting Vietnam, “identarian tendencies,”  the resignation of Nixon, the “Oil Crisis,” inflation, or other less easily pin-downable factors (such as, for instance, the so-called “coming up age”  of many of the baby boomers at that time; the co-optation of symbols of rebellion by the dominant culture, or the burgeoning re-segregation of much popular music during that time) may be beside the point. In my view (though, granted, I didn’t live through those “ten straight years” as you did, but don’t think this would necessarily invalidate my perspectives), all of these factors (and more) played a part, and it’s difficult for me to see the anti-war movement as the primary cohesive force of that time.

 

For the present purposes, I am especially interested in the question of demographics. The fact that the baby-boomers had a significant numerical and demographic advantage viz-a-viz their elders (and, surely you would agree that some of the excesses and “mistakes” of the weather underground, etc., related very specifically to the idea(l) of an “alternative youth culture”) had much to do with both the “shared point of agreement”; and that, by definition, could not be sustained without being reconceptualized as many began the slow-march toward “dropping out from the drop outs” with age. At the same time, many of us born in the 60s found that one of the major disadvantages we had was that we would not be heard. Over and over again in the 80s, whether at Nuclear Freeze or “U.S. Out of El Salvador” rallies, or in hard-core punk mosh-pits, there seemed to be ample evidence that, no matter how we organized, no matter what little victories we were able to achieve locally, that we couldn’t affect the public sphere, couldn’t access the airwaves, largely because the demographic doors had been shut on us. This was not so much “an incentive not to organize,” --and certainly, for many of us, REAGAN (as well as Bush I) was A PRIMARY SHARED POINT OF AGREEMENT—but there definitely was a developing politics of “cynicism and disgust” as you put it---even amidst the attempts to organize. Basically, as you probably know already, many of the “underground” or “punk” (or whatever term you wish to use) of the 80s developed a strong aversion to working within the system, a DIY ethos*, to some extent out of necessity, but to some extent it was an attempt to WILL the “marginalization” that had been forced on many of us — to make a kind of separatism a virtue. Surely there were some heroic exceptions, for instance Act-Up circa 1990, with its poignantly comic post-yippee media interventions, but, for many, a kind of “purism”  reigned---words like “sell-out” were perhaps even more common currency during this time than they were during the 1960s (for instance, some of the punks in the squat in which I lived called me a sell-out for 1) taking an adjunct job rather than continuing to be a trash picker or 2) for wanting to play melodic music rather than simply bang on metal like the local (Philly) “industrial band” Sink Manhattan. I could quote many more examples of others….).(As a sidenote, I should probably add that in many ways in subsequent years I’ve found such dynamics of political “purism”  also played itself out in much of the avant-garde poetry scene I began to become more involved with after that New Coast conference in 1993. The parallels are striking, and so when I read your use of the word “disgust” here, it’s hard not to think of Sianne Ngai’s essay** in which she argues for the continuing of an elitist, er, marginalized, post-language coterie as “political”….and thus I concur with you, at being disgusted by this ORGANIZED disgust, whether seen in squats or Stanford professors---although, I TOO don’t want to make such a charge in any kind of dogmatic way, since, as you say, events have substantially written recent history.)

 

Anyway, since “my” generation had, compared to yours, a relatively protracted adolescence (due to economic and demographic factors at least as much as the lack of a 10 year anti-Vietnam movement), I wonder about those born in the 1980s who are now in their teens and early 20s. The 1980s baby boom, we’re told, is numerically larger than than the late 40s---50s baby boom (though, still smaller demographically---no one’s predicting that half the nation’s population will be under 30, as it was in 1967 I think, any time soon). So there may be an opportunity for this generation, coupled with those of my “protracted” generation (many of us still floating in a temp-economy with no health-benefits, and thus not as easily seduced by the patriotic rhetoric of “privilege” as many who were our age [late 30s, early 40s] in the late 60s), to actually “successfully negotiate” whatever “reconstruction” may very well be recurring in the coming times. It’s, as you say, still to early to tell---but working against the hope of an anti-war (and anti-“homeland security,” etc.) movement even as effective as the one in the 60s remains the large degree of media censorship, whether it’s Clear Channel banning the Dixie Chicks for making anti-war statements, to the more salient, if not benign propaganda of Teen People, to get the youth hooked on materialism much more effectively than ever (though this itself may very much parallel 1950s America much more than the 1980s was---though it bugs me that one of the things the press—well at least that dares reports on anti-war activities today somewhat favorably, keeps saying is “unlike the 1960s, it’s not a bunch of shaggy drop-outs. No, it’s respectable business people who protest the war”  as if the reason for that isn’t because so many are forced to dress and look more ‘respectable’ in office-like ways now than at any time in American history! Ah, health!)

 

Ah, I remember how so many of us thought the 1980s was LIKE the 1950s and so therefore the 1990s could be like the 1960s, and for a second there, around 91, 92, it seemed not unrealistic---but the 1980s, though politically conservative, were perhaps not socially conservative enough to be a seed-bed for a 1960s kind of life affirming opposition to the military-industrial complex. For instance, Madonna, who many of us had contempt for, was still speaking sexual liberation to some extent, even amidst AIDS, While the far more sanitized pop-acts today may be much closer to Pat Boone, etc.

 

To return to your original point----

Although I therefore don’t think 1974 effected a depoliticization of younger people generally (though it is a convenient year for marking the depoliticization of many who had been young in the 1960s; the next “crop” of young was very political, just less heeded), I am willing to grant the significance of 1989—1992 as time in which I witnessed a substantial depoliticization, a breakdown of much of the underground political and artistic networks of the “youth culture” of my generation---whether it was the “Clinton Democrats” or the Major label co-optation of the vital potential of the 80s underground music scene, the 90s was such a cynical time (in its alleged economic prosperity that never quite trickled down) that I found myself in many ways nostalgic for the late 80s, even though in the late 80s I, and others born in the 60s, felt “things can’t much worse than this!”  Furthermore, in terms of socialism, some of us tried to make the argument that NOW THAT the Stalinist Bloc has collapsed, actually we should be in a position to make a BETTER case for socialism or communism because, as you point out,

 

Those so-called communist countries weren’t communist---but ultimately this argument got lost in the shuffle of so-called 90s prosperity, and even (if not especially?) in the poetry “world,” such class-based arguments fell on deaf ears amidst identarian tendencies and an over-obsession with the politics of poetic form (which, however useful a counter strategy in the 70s, seemed to be thoroughly bourgeois-ified by the early 90s…). Whether the current war, as well as the “war-on-terrorism” will begin to be articulated in terms of class remains to be seen, and I do not want to too giddy for a shared point of agreement as Bush/Chaney/Rumsfield et al, for I am very suspicious of becoming too much like The general and majors who always seem so unhappy unless they got a war (as that 1980 song puts it…)

 

One last thing, speaking of 1974---

I recently read a poem by Jeffrey McDaniel (b. 1967) that begins like

this--- I’ve a hunch it not be your thing, but here’s how it starts.

 

“Nixon fell in ’74, like a painting off the wall,

and we busted out the lighter fluid, the marshmallows,

danced around the bonfire of him, ripped off

our paisley blouses, made love so cosmically

even the sun came, birds squirting in every direction,

but when the drugs wore off—what had changed?

When they said WATERGATE (italics), we expected an ocean,

A river at least, to irrigate sunflower seeds of protest.

Not Gerald Ford in a see-through apology….

(etc….)

 

all best Ron,

keep on bloggin

Chris

 

 

 

 

* Do it yourself.

 

** “Raw Matter: A Poetics of Disgust,” Open Letter, Tenth Series, No. 1, 1998; also in Telling It: Avant-Garde Poetics of the 1990s, edited by Marc Wallace & Steven Marks, U. of Alabama, 2002.