The Autobiography of Larry Eigner
Joseph Mosconi’s Word Search
Recordings of most of
Oakland’s Labor Day extravaganza
Bhanu Kapil on “duplicate territory”
David Wolach featured on PhillySound
Kate Greenstreet’s
“notes for Called”
Rodger Kamenetz:
introducing Kafka to Rabbi Nachman
Kamenetz discusses Burnt Books
Talking with Harry Northup
Talking with Tyrone Williams
Talking with 55 Words
What causes language?
Ron Padgett
on the letters from
Ted to Sandy Berrigan
Alfred Starr Hamilton
& the law
Kathy Acker’s
last published work
Concerning Cid Corman’s
“little books”
Close-reading Bruce Andrews
with Al Filreis, Sarah Dowling,
Chris Funkhouser & Tan Lin
Natasha Trethewey
on the Mississippi Gulf Coast
Mark Wallace on
Elisa Gabbert, John Cotter, Chris McCreary
& Laura Moriarty
Jordan Davis on
Michael Gottlieb’s
Memoir and Essay
Lydia Davis in Playboy
Four visual poems by Jennifer Scappettone
Kimberly Lyon’s Abracadabra
Talking with Raúl Zurita
Talking with Amy King
More on The New Sentence
Leslie Scalapino on
The Dihedrons Gazelle –
Dihedrals Zoom
George Bowering,
“bullshit artist”
Best UK poetry site
I’ve yet seen
Talking with Elisa Gabbert
in an incredibly small font
Talking with Natasha Trethewey
Susan M. Schultz’
Old Women Look Like This
On grief –
& dying without finishing
your book
Talking with Ken Edwards
Who wrote the poems of Frank O’Hara?
Tony Towle’s “true account”
Flânerie ending with oi
From Ray DiPalma’s
“Obloquium & Committer of Tidings”
(plus a second set)
What Khlebnikov means
Robert Grenier on Robert Creeley
Talking with Ana Božičević
Ange Mlinko’s Shoulder Season
The first form of
voice recognition software
was women
Vanessa Place’s
Tragodía – 1: Statement of Facts
Flarf may have Belarus
but Conceptualism claims Finland
Tweeting Gone with the Wind
Vote for Rae Armantrout
in Library of Congress’
“favorite author” poll
A KickStarter page for
Robert Kelly’s Oedipus After Colonus
Mamet’s doctrine
Talking with Chimalum Nwankwo
Reading The New Sentence
Talking with Robert Kelly
Robert Kelly’s sudden fictions
Talking with Rae Armantrout
What The New Yorker doesn’t publish
Jena Osman on Bern Porter
The Bern Porter website
Ken Edwards
on innovative British writing
& the lack thereof
Tim Carmody
on Lydia Davis & Edith Grossman
Gurlesque:
The New Grrly, Grotesque, Burlesque
Poetics
Ange Mlinko:
Can a “global poet” exist?
Life on the content farm
Gustaf Sobin’s Collected Poems
Will Alexander:
Mirach Speaks to His Grammatical Transparents
(selections)
Talking with Gerard Malanga
Eric Baus’ Bee-Stung Aviary
Andrea Cohen’s Long Division
A history of the Peter F. Yacht Club writing group
Lisa Robertson & Avra Spector on Henri Meschonnic
Susan Howe’s Souls of the Labadie Tract
Ammiel Alcalay’s Islanders
Sandra Simonds’ “Lines Written on Nursery Wall”
Simonds’ “Landscape Made from Egg and Sperm”
The EPC’s brand new John Wieners page
CAConrad,
talking to himself
Kay Ryan’s Collected Poems
Generosity & Tom Raworth
Christine Hume’s Shot
Maryrose Larkin’s Marrowing
Chris McCreary’s Apocrypha
Elisa Gabbert:
Is poetry boring?
Is the reading giving way to vaudeville?
Ray DiPalma’s House of Keys
Learning that Leslie Scalapino has died
Carol Mirakove’s Wall
Eileen Myles’ Inferno
From the other (original) Milk Magazine:
A Tangiers Journal for Paul Bowles,
Thomas Rain Crowe interviews Philip Lamantia,
Vincent Katz on
Yvonne Jacquette & Rudy Burckhardt,
George Wallace
on Mary Beach & Claude Pelieu,
& much more
Ted Berrigan by Alex Katz
Ted Berrigan:
Adamic
Remembering Leslie Scalapino:
Fanny Howe
Tim Atkins
Robert Grenier
Rob Holloway
Lisa Samuels
Caroline Bergvall
Peter Middleton
Barry Schwabsky
Stephen Ratcliffe
Carol Watts
Laura Hinton’s
How2 feature on Scalapino
Rachel Blau DuPlessis, Bob Perelman & Charles Bernstein
close-reading Charles Olson
Jennifer Moxley:
Fragments of a Broken Poetics
Poetry, language & the visual arts
Innovative Women’s Poetry at Greenwich
Dorothea Lasky’s Poetry is Not a Project
Talking with Norman Fischer
Marthe Reed & Chris McCreary
review & interview one another
Talking with Rae Armantrout
Rae Armantrout
vs. the velvet rope line of ellipticism
Obamas & Armantrout
at the National Book Festival
Designing a page
fit for a winner of the Pulitzer
Reading John Wieners
Chris Tysh, from Molloy, the Flip Side
Talking with Ken Edwards
Wayne Montecalvo: 4 performance videos
Rethinking Lucia Joyce
Steve Fama on Garrett Caples
Ange Mlinko
on Anne Finch,
Countess of Winchilsea
Talking with Marie Ponsot
Chris Stroffolino’s Light as a Fetter
Remembering Antonio Giarraputo
If the Royals (KC, that is) were poets
Seth Abramson’s School of Quietude:
poems (if not poetry) at the end of history
& furthermore…
Todd Swift:
This is really about the lyric Self
Are we smart enough for contemporary art?
Charlie Rose by Samuel Beckett
John Latta on New Poetry 1963
Basil King @ 75
Ugly Duckling turns into digital swan
Talking with Robert Hass
Photo by Alan Bernheimer
An interview with Rae Armantrout
6 new poems by Armantrout
Contextualizing Gerardo Diego’s
Handbook of Foams
Leslie Scalapino’s plural time
Susan M. Schultz at PennSound
Rachel Blau DuPlessis and the poetry of textual reverence
Delmore Schwartz, reading
Stephen Burt
on poetry as political narcissism
in a time of real political need
Jordan Scott:
Flub and Utter
Jerome Rothenberg:
the anthology as manifesto
Tao Lin:
Interview questions I feel
interested / less interested
in answering
Dennis Cooper’s critical prose
Kerouac students organize
to save the writing program at Naropa
Anne Waldman & Lisa Birman on the situation at Naropa
Twitter stream in solidarity with Naropa’s writing program
Austerity in literature
Emma Cocker: “Open City”
Why isn’t a short poem considered ambitious?
Rob Fitterman’s Collective Task
Joan Retallack’s Fourth of July
Retallack on alternative poetries,
alternative pedagogies
Retallack on Leslie Scalapino
Laura Hinton on Scalapino
Camille Martin:
Remembering remembering
Leslie Scalapino
“Embracing interplay
of life and time”
Rachel Levitsky on Leslie Scalapino
Leslie Scalapino’s Rhythmic Intensities
Rae Armantrout: “Errands”
Ellen Davis on Fanny Howe
Mary Manning Howe reads Finnegans Wake
(& much much more!)
Eating & drinking through Bloomsday
What happened to the Black Literary Canon?
Mary Ponsot’s stroke
Joan Retallack’s Rethinking Poetics Log
Wendell Berry takes back his papers
from the University of Kentucky
Talking with Wendell Berry
Joseph Massey’s Exit North
Gustaf Sobin’s Collected Poems
Jack Kerouac and Allen Ginsberg: The Letters
POET: the world’s largest ethanol producer
Aram Saroyan on Jim Carroll in Bolinas
Juliana Spahr:
Rethinking poetics
John Keene:
A Poem-Report
Rebecca Wolf:
The personal vs. “social poetics”
Stephanie Young’s “Repoport”
Marjorie Perloff’s response to Stephanie Young
K. Silem Mohammad’s post-conference thoughts
Nada Gordon:
“you can’t rethink poetics…very well…
in the same old theatre of power”
Joshua Clover:
“where all dialectical thought begins –
with Silliman’s blog”
(reg. req.)
Josh Corey:
on not rethinking poetics
On really not rethinking poetics:
the Oxford Poetry Professorship goes to Geoffrey Hill
“stud lover boy”:
NY Times obit for David Markson
James Yeh on David Markson
Preparing to misspell Wittgenstein
David Markson: An Introduction
LA Times obit
RIP David Markson:
where postmodern meets pulp
2 new videos of
Leslie Scalapino reading
Lyn Hejinian:
Remembering Leslie Scalapino
Memorials for Leslie Scalapino
RON SILLIMAN has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.
