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Ezra
Pound
Pound's Collected Poetry Recordings
Photo: Franz Larese, Erker-Galerie, Easter 1971, Burano, Italy
Ezra Pound's Cantos is published by New Directions Publishing
Corp
They can be contacted at editorial @ ndbooks.com
or permissions
@ ndbooks.com.
Pound's Poems and Translations is published by the Library
of America
PennSound Ezra Pound page edited by Richard
Sieburth
The
Sound of Pound: A Listener's Guide
by Richard Sieburth
Interview
with Richard Sieburth by Al Filreis, May 22, 2007 (44:15)
Note:
The bracketed page numbers for non-Cantos materials are taken
from the Library of America edition of Pound's Poems and Translations.
The Canto page numbers are taken from the thirteenth printing
(1995) of the New Directions edition of The
Cantos of Ezra Pound.
The Harvard Vocarium Readings
Recorded in Cambridge, Mass., May 17, 1939
1. Sestina: Altaforte (with drums) (3:40); text [105]
2. The Seafarer (with drums) (7:08); text
[236]
3. Homage to Sextus Propertius, Section VI (2:44) [535-36]
Hugh Selwyn Mauberley [549-59]:
4. E.P.: Ode Pour L'Election de Son Sepulchre (2:45)
5. II, IV, & V (2:59)
6. Yeux Glauques (1:11)
7. Envoi (1919) (from "Hugh Selwyn Mauberley" at the end of Part I) (1:32)
8.
First two sections of Part II of the poem ["1920 (Mauberley)"]
(3:07)
9.
Cantico del sole (0:58) [572] [text]
10.
Canto XVII ("So that the vine burst from my fingers')(7:00) [76-79]
11. Canto XXX (0:58) [147]
12. Canto XLV (3:12) [229-30]
13. Canto LVI (19:30) [301-310]
Thanks to Don Share, Curator in the G.E. Woodberry Poetry
Room, Harvard, for assistance.
From the Radio Speeches
Recorded in Rome, Italy, Jan.
or Feb., 1942
Canto XLVI
(17:08) [231-235]
Recorded
by the Foreign Broadcast Intelligence Service of the FCC [Federal
Communications Commission] on February 12, 1942. The editors
wish to thank Ben Friedlander.
The Caedmon Recordings
Recorded in Washington, D.C., June 12, 13, 26,
1958
1. Exile's Letter (5:08) [254]
2. The Gypsy (0:53) [296]
3.
Cantico del Sole (0:49) [572] [text]
4. Moeurs Contemporaines (5:50); text
of this poem [522-526]
5. Hugh Selwyn Mauberley (10:45) [549-556]
6. Hugh Selwyn Mauberley (6:06) [557-562]
7. Canto I ("And then went down") (5:32) [3-5]
8.
Canto IV ("Palace in smoky light") (7:31) [13-16]
9.
Canto XXXVI ("A lady asks me") (6:41) [177-180]
10.
Canto XLV ("With Usura") (3:13) [229-30]
11.
Canto LI (""Shines / in the mind of heaven")
(3:56) [250-52]
12.
Canto LXXXIV ("8th October: Si tuit li dolh elh plor")
(5:35) [557-560]
13.
From Canto LXXVI ("And the sun high over horizon ...")
(4:11) [477-480]
14.
Canto XCIX ( "Till the blue grass turn yellow")
(23:37) [714-732]
These 1958 recordings are from Ezra Pound Reads by
Ezra Pound copyright © 1960, 1969, 1993 by HarperCollins Publishers,
Inc. Used by permission of HarperCollins.
The Bayrischer Rundfunk Recordings
Recorded at Schloss Brunnenburg, Tirolo di Merano, Italy,
December 1959
- Impressions
of
François-Marie Arouet (de Voltaire),
I (“Phyllidula and the Spoils of Gouvernet”) (0:45)
[315]
- Impressions,
II (“To Madame du Châtelet”)
(1:21) [316]
- Impressions,
III (“To Madame Lullin”) (0:39)
[317]
- Impressions,
III (“To Madame Lullin,” German
translation) (0:46) [317]
- “Der
Wirbel” (German trans. of “Phanopoeia,
I”) (0:45) [565]
- “Es
starben” (German trans. of “Hugh Selwyn
Mauberley, I, V”) (0:40) [552]
- Unedited tapes of the
1959 Brunnenburg recordings: include
tracks 1-6 above, as well as Pound reading the German trans.
of “Hugh Selwyn Mauberley, I, I and dialogue between Pound,
Eva Hesse, and Mike O’Donnell. (17:31)
Recorded by Eva Hesse and Mike O’Donnell for the Bayrischer
Rundfunk. Used by permission of Eva Hesse.
The Spoleto Readings
Recorded in Spoleto, Italy, summer
1967
1.
Canto III ("I sat on Dogana's steps") (2:55) [11-12]
2.
Canto XVI ("And before hell mouth") (13:06) [68-75]
3.
Canto XLIX ("For the seven lakes ...") (3:04) [244-45]
4.
Canto LXXXI ("Zeus lies in Ceres' bosom") (First Reading)
(9:56) [537-52]
5. Canto LXXXI (Second Reading) (10:07) [537-52]
6.
Canto XCII ("And from this mount were blown" (6:36) [638-642]
7.
Canto CVI ("And was her daughter like that") (6:24) [772-775]
8.
From Canto CXV ("The scientists are in terror") (1:10) [814]
The Confucian Odes
Recorded in Spoleto, Italy, summer 1970 (?)
1.
Hid! Hid! (0:47) [755]
2.
O omen tree 0:40 [758]
3.
Kylin's foot (0:22) [760]
4.
In fleecy coats (0:41) [763]
5.
Lies a dead deer (0:35) [765]
6.
Dry grass, in vale (0:23) [792]
7.
Alikter-Ole Brer Rabbit watchin' his feet (0:23) [792]
8.
Hep-Cat Chung (0:45) [795]
9.
On comes her car (1:07) [807]
10.
Garden peach (0:45) [810]
11.
I climb the knoll (0:52) [810]
12.
RATS (1:00) [812]
13.
Lonely pear tree (0:25) [817]
14.
Chariots, rank on rank (0:37) [819]
15.
What! No clothes? (0:37) [823]
16.
Lord of the Light's axe (0:35) [860]
17.
Yaller bird (0:53) [861]
18.
Heaven's worry (1:51) [872]
19.
Let the Great Cart alone (0:29) [885]
20.
The year puts on her shining robe (1:05) [894]
21.
Flies, blue flies on a fence rail (0:32) [898]
22.
Folk worn out (2:10) [936]
23.
Show of respect (6:17) [941]
24.
Compassionate heaven (1:37) [962]
25.
Thick, all in mass (1:23) [986]
Please note that the bracketed page numbers for the Confucian
Odes are keyed to page numbers in Library of America's Poems & Translations.
Confucian Odes ©1970 by Olga Rudge.
An Angle
Recorded in Venice, ca. 1970
or 1971
1.
Canto
XVII
(1:40)
(From "A boat came" [77] through "In the
gloom" [78])
2. Canto
XXV (1:19)
(From "side toward the pizza" to "finish
said canvas" [119])
3. Canto
XXVI (4:32)
(Three segments: from "And that year" [123] through "beards
of those greeks" [124];
from "To the Marquis"
through Carpathio/pictore [127]; from "And I came here" through "taking
light in the darkness" [121])
Recorded by Santomaso for the Erker-Galerie, St. Gallen,
Switzerland
Miscellaneous Recordings
San Ambrogio and Venice, 1962-1972
1. Redondillas (20:31) [LOA, 175-182]
2. from Canto LXXX (8:38)
(from "Nenni, Nenni" [515] through "the nutriment" [519])
3. From Canto LXXXVIII (10:05)
(from "It was Saturday" [597] through "The Major
done told them" [602])
4. Canto XCIII (17:32)
("A man's paradise is his good nature" [643-652])
5. From Canto XCVI (20:05)
(from "Kredemon" [671] through "oikonomia" [680])
6. from Canto CXI (1:49)
(from "Cold mermaid" through "Rothar" [803])
7. from Canto CXII (2:36) [804-805]
8. Addendum for C (4:11) [818-19]
9. Now sun rises in Ram sign (1:00) [820]
10. Dante Speech (1965) with readings from T.S. Eliot and Robert
Lowell (6:04)
11. Dante Inferno XV — “Bruno Latini” — tr.
Lowell (1964-Rapallo) (3:02)
The readings were recorded by Olga Rudge from 1962-1972
and remastered under her supervision by Robert Hughes in the
fall of 1985. They are available through the assistance of Robert
Hughes and by courtesy of Siegfried Walter de Rachewiltz. Special
thanks to Richard Sieburth.
Ezra Pound on PennSound Daily
These sound recordings are being made available
for noncommercial and educational use only. Except as indicated
above, all rights to this recorded material belong to, and are © 2006
by, the heirs of Ezra Pound, Mary de Rachewiltz and Omar S. Pound,
and
New Directions Publishing
Corp, agent for the heirs. All recordings on this page are
used with permission of the heirs and New
Directions Publishing Corp.
Distributed by PennSound.
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