Charles Bernstein PRINCETON
Bain-Swiggett Seminar
ENG 563
Tuesdays, 1:30-4:20pm Poetry Ordinary and Extraordinary: The Pataquerics of Everyday Life
email: Charles.Bernstein -- at -- English.Upenn.Edu
"We can never safely exceed the actual facts in our narratives. Of pure invention, such as some suppose, there is no instance. To write a true work of fiction even, is only to take leisure and liberty to describe some things more exactly as they are. A true account of the actual is the rarest poetry, for common sense always takes a hasty and superficial view.' – Thoreau, A Week on the Concord and Merrrimack Rivers.
The extraordinary is never more than an extension of the ordinary. The seminar will extend the field of investigation from my Spring 2011 Penn seminar, “Unsettling the Word: Attack of the Difficult Poems (The Aversive Poetics of Estrangement, Disturbance, Expropriation, Abnormality, and the Pataquerical),” please see syllabus , taking up the intertwined discourses of the quotidian, the critique of everyday life, and poetic invention, with specific focus on the conflict between the ordinary and the normal. A set of exemplary philosophical and poetic readings will considered to complicate and contradict the ongoing discussion.
The relation of sound to the ordinary will be one focus, with special reference to the recordings at PennSound.
Readings will make use of extensive web resources at the Electronic Poetry Center and otherwise. There will be some books assigned, but a great dead of the reading will be web-based.
I will fill in details of specific readings over the summer. Here is provide a map with a few selected readings. Contact me for more details on any auhtor or if you have a suggestion.
Books required at Labyrinth:
•William Carlos Williams, Spring and All (Facsimile Edition), from New Directions
ISBN-10: 0811218910 ISBN-13: 978-0811218917
•Louis Zukofsky, Selected Poems, ed. Charles Bernstein (Library of America)
ISBN-10: 9781931082952 ISBN-13: 978-1931082952
•Rae Armantrout, Money Shot (Wesleyan)
ISBN-10: 081957130X ISBN-13: 978-0819571304
•Lyn Hejinian: My Life (Green Integer)
ISBN-10: 9781931243339 ISBN-13: 978-1931243339
•Caroline Bergvall, Meddle English (Nightboat) ISBN-10: 0982264585 ISBN-13: 978-0982264584
Web purchase/acquisition: Dialogues with Marcel Duchamp by Pierre Cabanne, tr. Ron
Padgett (Da Capo Press): you can get this in a variety of ways via on-line markets.
For posts and discussion, I am trying out a Course Kit: you can get the sign in code by writing to me. Some of the readings will require a password: write to me to get this password.
required book: Spring & All
Respondent: Ella on Poe––Emerson––Eliot
Melissa on Hawthorne's "Wakefield"
Respondent: Dixon on Poe and Baudelaire
Respondent: Sarah: WCW
•Additional poems: "The Young Housewife," "Pastoral " "Between
Walls" (above) [does the place you read this make a difference? is something I want to discuss] •Audio
at PennSound (please listen to a few of the poems and reflect on the difference to reading them and also the relecance to the seminar frame)
See also James Clifford on "To
Elsie" & the Penn
symposium on "For Elsie".
>For discussion: Peter Quatermain, "Canonical Strategies And The Question Of Authority: Eliot And Williams" (ms, pdf)
background: Eliot, "Tradition
and the Individual Talent" (part of "The
Sacred Wood"); alternate pdf
file of essay
Optional: PoemTalk: Al
Filreis leads a discussion of "Between Walls"
Note: LION has Collected WCW.
"My viewpoint in the video is that of an autistic person. But the message is far broader than autistic people. It is about what kinds of communication and language and people we consider real and which ones we do not. It applies to people with severe cognitive or physical disabilities, autistic people, signing deaf people, the kid in school who finds she is not taken seriously as a student because she does not know a lot of English, and even the cat who gets treated like a living stuffed animal and not a creature with her own thoughts to communicate. It applies to anybody who gets written off because their communication is too unusual." (from Amanda Baggs Wiki page)
see also Wired interview