All the Whiskey in Heaven

All the Whiskey in Heaven

Selected Poems of
Charles Bernstein

Farrar, Straus and Giroux
March 2010
app. 300 pp.
ISBN 978-0-374-10344-6
now in paper
March 2011
ISBN: 978-0-374-53265-9, ISBN10: 0-374-53265-6
cover photo by Emma Bee Bernstein; cover design by Jeff Clark

Biographical Note
EPC author page

Zinc Bar launch with readings by friends

Reviews

•David O'Neill, Bookforum: Feb./March 2010: "... a rousing selection from thirty years of work ... Bernstein deftly shifts moods and tones, but a sense of urgency and a hard-won clarity are in evidence throughout this volume."

•Publisher's Weekly ,2/20/10, starred review: This gathering of 30 years worth of work by the prominent L=A=N=G=U=A=G=E poet and essayist offers a rigorous critique of the art of poetry itself, which means, among other things, a thorough investigation of language and the mind. Varied voices and genres are at play, from a colloquial letter of complaint to the manager of a Manhattan subway station to a fragmentary meditation on the forces that underlie the formation of knowledge. Bernstein's attention to the uncertainty surrounding the self as it purports to exist in poetry—“its virtual (or ventriloquized)/ anonymity—opens fresh pathways toward thinking through Rimbaud's dictum that “I is another.” In addition to philosophical depth—which somehow even lurks beneath statements like “There is nothing/ in this poem/ that is in any/ way difficult/ to understand”—a razor-sharp wit ties the book together: “You can't/ watch ice sports with the lights on!” These exhilarating, challenging poems raise countless essential questions about the form and function of poetry. (Mar.)

•Ken Tucker, Entertainment Weekly, (April 16, 2010): “A solid selection of 30 years of Bernstein’s lyrical, thickly layered poetry. Bernstein has, on occasion, been criticized as “difficult.” But Whiskey does the great service of showing how consistently he has explored the true, richly emotional meanings of what we’re trying to express when we speak or write in halting phrases or with nervous repetition and hesistation. Or as Bernstein puts it: “Poetry is like a swoon, with its difference / it brings you to your senses.”

•David Kaufman, "Sensible Swoons," Tablet Magaizne (Feb., 2010)
•TimeOut New York (March, 2010)
•Jake Marmer, "Fussing on the Cliff, Is This What You Call the Jewish Avant-Garde?," Jewith Daily Forward , (March 26, 2010)
•Yunte Huang, Santa Barbara News Press (March 28. 2010)
•Daisy Fried, The New York Times Book Review [facsimile] (April 11, 2010)
•Jeff Simon, Buffalo News, (April 11, 2010)
•The Devil's Accountant, (April 12, 2010)
•Tim Griffin, Bookforum, (April 14, 2010)
•R.D. Pohl, "Pulizer Surrpises: Small Press and Language Poetry," Buffalo News
(April 17, 2010)
•The New York Times Book Review, Editors' Choice, (April 18, 2010)
•The Boston Review, Richard Deming, "Called into Being," (May/June 2010)
•JBunce, Hub Pages, (June 2, 2010) The Quarterly Conversation
•John Herbert Cunningham, “Poetry’s Ulysses: All the Whiskey in Heaven," (June 7, 2010)
•The Rumpus, Mark Scroggins, (July 8, 2010)
•Provincetown Arts, Mary Maxwell, Summer 2010
•New Pages, Larry Dean, September 2010
•Critical Frame, Tom Lewek, September 2010
•Lana Turner, David Lau, #3, 2010
•Huffington Post, Best Book Covers 2010
•TLS: Marjorie Perloff: Best Books of 2010
•American Poet, (Fall 2010, issue 39), Academy of AmericanP oets: Notable 2010
•Forward Fives (5 best poetry 2010)
•Maxwell Clark, Swans Commentary, March 14, 2010
•Kaplan Harris, "A Zine Ecology of Charles Bernstein's Selected Poems," Poostmodern Culture , (20:3, 2010)
•Harriet Zinnes, Hollins Critic 48.2 (2011): 18+
•"Pigeonhole Magnetic North," Critical Frame #9, September 2010
•Stephen Ross, "Through Fog and Fumbling Shadow," The Wolf #24, Spring 2011
•Norbert Hirschhorn, Eyewear, Sept. 21, 2011
•Benjamin Myers, Connotation Press, October 2011
•Stephan Delbos, The Prague Post, May 30, 2012
•Fred Dings, World Literature Today, July 2012
•Jason Guriel, "Words Fail Him: The Poetry of Charles Bernstein," Parnassus
(vol. 33, 2103); response to this review by Brian Palmu
•Todd Swift, "Wildly Light on His Feet," (on Salt UK edition), Poetry London, Summer, 2013
•Seth Abramson, Huffngton Post,, June 2013
•Mark Ford, TLS, Nov, 22, 2013

INTERVIEWS

•Harriet (Poetry Foundation) blog interview with Thom Donovan: part one, part two (2010)
•FSG blog interview with Alan Gilbert (2010)
•Bomb interview with Jay Sanders (Spring 2010) (in Pitch of Poetry) (n
•Chicago Reader interview with Daniel Benjamin (2010) (in Pitch of Poetry) (n
RADIO
•Cross-Cultural Poetiics Episode #208 with Leonard Schwartz, February 4, 2010
Complete Recording (36:58): MP3

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All the Whiskey in Heaven brings together some of Charles Bernstein’s best work from the past thirty years, an astonishing assortment of different types of poems. Yet, despite the distinctive differences from poem to poem, Bernstein’s characteristic explorations of how language both limits and liberates thought are present throughout. Modulating the comic and the dark, structural invention with buoyant sound play, these challenging works give way to poems of lyric excess and striking emotional range. This is poetry for poetry’s sake, as formally radical as it is socially engaged, providing equal measures of aesthetic pleasure, hilarity, and philosophical reflection. Long considered one of America’s most inventive and influential contemporary poets, Bernstein reveals himself to be both trickster and charmer.

“Charles Bernstein’s poems resemble each other only in being unexpected. Simultaneously mad, tragic and hilarious, they seem written to illustrate the truth of his lines: ‘things are / solid; we stumble, unglue, recombine.’ All the Whiskey in Heaven is a vast department store of the imagination.” —John Ashbery

“Charles Bernstein uses words as a surgeon uses a scalpel. He strips away the skin and cuts to the bone to reveal reality and—ultimately—to heal. This essential collection from 30 years of cutting edge work will confirm Bernstein as our true poet laureate—the voice of a new generation.” —John Zorn

“For more than thirty years Charles Bernstein has been America’s most ardent literary provocateur. This long-needed selection of his poetry gives us a new perspective on his work, for it shows us that the many forms he has worked in over the years are in fact a single form, the Bernstein form, and it is unique, the product of an imagination unlike that of any other contemporary writer. His poems challenge you to think in unaccustomed ways. They address public matters, private matters, poetic matters—in other words, all that matters most. And, good Lord, can they ever make you laugh” —Paul Auster

“Charles Bernstein is our ultimate connoisseur of chaos, the chronicler, in poems of devastating satire, chilling and complex irony, exuberant wit, and, above all, profound passion, of the contradictions and absurdities of everyday life in urban America at the turn of the twenty-first century. From such early underground classics as “The Klupzy Girl,” to the mordant verbal play of “The Lives of the Toll Takers,” to the great meditation on 9/11 called “Report from Liberty Street” and the deeply personal ballads and elegies of recent years, Bernstein’s much awaited Selected Poems displays a formal range, performative urgency, and verbal dexterity unmatched by other poets of his generation.” —Marjorie Perloff

“A perfect introduction to the adventure that is Charles Bernstein’s work. But even for those of us who have known his irrepressible inventiveness and engaged humor from the individual books it is a boon to see here the full range of his exuberant ingenuity in battling sclerosis of word, mind—and poetry.” —Rosmarie Waldrop

“This wonderful book confirms Charles Bernstein’s position as the pre-eminent American poet of mental activity—delineating not simply the mind as it registers stimuli, but the more radical commitment to mind as a machine that constantly invents totally new moves and strategies in the daily battles of perception. All the Whiskey in Heaven captures 30 years of ground breaking and revelatory work.” —Richard Foreman

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SSalt UK Edition