We have been reminded again
this week of why the saying “May you live in interesting times” was a curse. In
But in
Ironically, I suppose, the
February-March issue of the Poetry Project Newsletter
finally showed up in my mailbox, weeks – indeed it seems like months –
after I first heard about its “Blank Generation” feature. I’d actually seen the
feature itself –
The Blank Generation feature
starts off from two comments, one made by Lyn Hejinian, the other taken from my
Nov.
21st blog entry, both to the general effect that there had been
a depoliticization of the younger generation when contrasted with our own
experience of the 1960s. This is followed by comments from twelve writers, ten
of whom are significantly younger than either Lyn or I. Obviously, events have
substantially rewritten recent history & my initial criticism about
depoliticization is one charge I’ll never be able to raise again. That’s the
good news.
But I’d like to revisit that
comment of mine in the slightly broader context in which it was originally made,
a part of Carl Boon’s interview, a response to the question of why I was doing
this blog. In the passage that follows, the italicized boldface
portions are what were given to so-called Blank Generation respondents &
published in the issue:
But there has also been a depoliticization of
younger people generally & that has impacted poets. Some of it has
to do with the lack of tangible alternatives to unfettered capital following
the collapse of the old Stalinist bloc – although for decades it has been difficult
to find any western Marxist who would defend the so-called “actually existing
socialist countries,” in large part because state control over capital is not
socialism. In the West, there has been no primary shared point of agreement as
to the goals of the left since the
Those edits – the excision
of history, to be exact – are worth noting.
Like Lyndon Johnson & Richard
Nixon before him, George W. Bush has provided just the sort of “primary shared
point of agreement” that has been lacking for so long. To some degree, the
response to date has been predictable, although dramatically accelerated. The
real issue, it seems to me, will come after
the war, when the
The first Gulf War evaded
the issue neatly by its sheer brevity. Bush, Cheney, Rumsfeld et al would like
to do that again, but at this moment in history it’s too soon to tell. If there
is a dramatic affective difference thus far between the experience of the
antiwar movement of the 1960s & that of this spring, it is simply that the
level of crisis & action that people have gone through this past week
lasted in the 1960s & ‘70s for ten straight years. In the context of that
degree of exhaustion & frustration, the mistakes of, say, the Weather
Underground or the
My comments were a response
to Carl Boon’s question of why, exactly, I was doing a weblog. Since I made
those remarks four months ago, I’ve been thrilled to see so many other poets
pick up the form. It really doesn’t matter what your aesthetic commitments or
heritage might be – acting, writing & thinking critically will add a
dimension to your work, your poetry as well as anything else you might do, that
I believe can only lead to good things. One excellent example of how this can
be extended in ways that go far beyond poetry is Brian Kim Stefans – one of a
handful of poet-bloggers to be blogging longer than I – and his Circulars project, a weblog that has
become a focal point for collecting & disseminating information related to
the war. The last I heard, it was getting thousands
of hits per day. It should be on everyone’s favorites list.
I want to dedicate this blog
to an old friend, Wade Hudson. I first met Wade over thirty years ago when we
worked together on dozens of projects as part of the