The first typescript
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pinchball | Some sounds, of course, it is almost impossible to reduce to writing, as, for example, the hollow "skaw" and murmur produced by a multitude of skaters, or the roar of an excited crowd, but in listening to these sounds, it is useful to remember that we may often obtain a key tone to work onxx upon by closing the ears--just as a | |
The | Skaters | painter can often find the prevailing | |
A poem in five | parts | tint of a confused mass of objects | |
Part | ChapteXXXXXXr 1 | by partly closing the eyes." |
Three Hundred Things |
Description of the actual scene. Abe. His way with children. First digression: Portrait of a Spendthrift. His bad habits. Nobody to help him. "Only a mother could ever love a guy like that." Possibility of happiness in another world. Life after death--a possibility? A kind of musical night is invoked. The poet thinks of friends and other people he has known. Abe again. A child's devotion. Penmanship. The forest at dawn. At sunset. The natural habits of animals. Instinct it general. Can animals think? What makes the human brain tick? Second digression: Wind and its Effects. Parabolas. Return of a beloved likened to the lengthening season. Paris. The Skaters' Waltz. Her handout. "Weasel-face." Dandruff and what to do about it. Leaves of the Ginko tree. Photo. Phantom Poodles. "I have to watch Charlotte." Cremated Alive. Silkworms. The Points. The man in the hall. The Critique of Pure Resin. "Blue-bottles drive me crazy!" Good-bye. Bubble Balloons. |
and became | |||
These decubels xxxxxxxxx decibels quite | |||
Are a kind of flagellation, an entity of sound expert | |||
Into which being enters, and is apart.at it | |||
Their colors on a warm February day | |||
Make for masses of inertia, and hips | |||
Prod out of the violet-seeming into a new kind | |||
Of demand that stumps the absolute because not new | |||
In the sense of the next one in an infinite series | |||
But, as it were, pre-existing or pre-seeming in | |||
Such a way as to contrast funnily with the unexpectedness | |||
And somehow push us all into perdition. |
Here a scarf flies, there an excited call is heard. |
The answer is that it is novelty | ||
That guides these swift blades oer the ice | ||
Projects into a finer expression (but at the expense | ||
Of energy) the profile I cannot remember. | ||
Colors slip away from and chide us. The human mind | ||
Cannot retain anything except perhaps the dismal two-note theme | ||
Of some sodden "dump" or lament. (Leave in). |
The feet of the animals | ||
Scrape the ground. |
There is meaning in the evident mastery | ||
Of someone who tries to show you the trick in such a way as will be understandable to all |