| Sitting watching the indifference of a child, the young polyphonist | |
| Grows, precisely, away from the musical night invoked by prestidigitation | |
| The smoke-covered alley thought better about. A sail | |
| Which vanishes has no more adherence. | |
| Therefore we should give over this absence, petrifying coal-dust | |
| The way leagues of imps do. "The ship came sailing up the," and so on, | |
| But as the water surface ripples, the whole light changes. Skies are aghast. | |
| Some defacing of private property goes on, and the wild life in this region is polluted. | |
| You answered him in lying articles. The column never appeared again. | |
| So wails one possible answer next to the discreet head of the young cartomancian. | |
| Baroque dummies of fallen mist could, in a pinch | |
| Unwind the false patinas you've read about. Through a hole in the | |
| Cardboard case half full, the skaters can be seen. | |
| At this stage everything depends on a special bottle | |
| Covered by its tin case, and a second glass beneath | |
| The bottle in its position, now nor two bottles instead. |  |
| Again, the cases are put over the bottles, and again they | |
| Are raised, nipping the special bottle with its | |
| Two linings, and the space for the glass to stand within its | |
| OfXX Dumb patina. There are many false starts, and you can | |
| Choose among them. Obliged to play with two or more, you | |
| May not know the skaters' false chips, in the night of turns | |
| Coming back once again the the anchor of morning. In your arms | |
| lie the pasteboard remains. Now your only choice is to begin over. | |
| Secretly dip the point of the glass rod in oil of vitriol, and touch the mass. | |
| Few of them were present on that occasion: | |
| The teacher, and a few friends. Abe thought of a child's devotion | |
| To penmanship. It is necessary to trace each letter | |
| Of the alphabet quite a few times to get them right. | |
| The "c's" and "i's" can resemble each other quite a lot. | |
| Now loosen the writing a little, and presently it will spread | |
| On the farm landscape. The squares are clalled "White" and "Black" whatever their actual color may be. | |
| For invisible writing, dip a quill in some goose grease and write | |
| On the pad. Then dust some powedered charcoal over the surface | |
| And the magic writing will appear. For plain writing | |
| Try beginning with an easy word, such as "neck" | |
| If you want the whole pad to be a success. The magic words can appear. | |
| On an easily prepared pad. | |
