| But the year XXXXX livery of the year, {the} changing air | |
| Brings each to his turn end. Leaving phrases unfinished | |
| Gestures half-sketched against woodsmoke. The abundant sap | |
| Oozes in girls' throats, the sticky words, half-uttered, unwished for, | |
| A blanket disbelief, quickly supplanted by idle questions that fade in turn. | |
# ? | | |
| Slowly the mood turns to look at itself as some urchin | |
| Forgotten by a road-bed. the roadside. New schemes are gotten up, new taxes, | |
| Earthworks. And the hour becomes light again. | |
| Girls wake up in it. | |
| For these reasons | |
| For these reasons It is best to remain indoors. B, because there is error | |
| In so much precision. As flames are fanned, wishful thinking arises | |
| Bearing its own prophets, its pointed refusals ignoring. And just as a desire | |
| Settles down at the end of a long spring day, over heather and watered shoot and dried rush field | |
| So {fatal} error is plaited into thoughtXXXXXXX desires not yet born. | |
| Therefore the post must be resumed (is being falsified | |
| To be forever involved, tragically, with one's own image?) | |
| The cooler studio light suddenly invaded by theXXX a long casement--values were the one | |
| She knows now. But the floor is pulled a part byXXXXXXXXXXXXXXXX being gradually pulled apart | |
| Like elastic under those limpid feet. slowly | |
| straw | |