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II-E |
Pulling, tugging us along with them, by means of streamers | ||
Golden and silver confetti. Smiling, we laugh and sing with the revelers | ||
But are not quite certain that we want to go--the dock is so sunny and warm | ||
That majestic ship will pull up anchor who knows where? |
And full of laughter and tears, we sidle once again with the other passengers | ||
The ground is heaving underfoot. Is it the ship? It could be the dock... | ||
And with a great whoosh all the sails go up... Hideous black smoke belches forth from the funnels | ||
Staining the gold carnival costumes with the gaiety of its jet-black soot | ||
Smudging |
And, as into a tunnel the voyage starts | ||
Only, as I said, to be continued. The eyes of those left standing on the dockare wet | ||
But ours are dry. Into the secretive, vaprous night with all of us! | ||
Into the unknown, the unknown that loves us, the great unknown! |
So man nightly | ||
Sparingly descends |
The birches and the hay all of him | ||
Pruned, erect for vital contact. As the separate mists of day slip | ||
Uncomplainingly into the atmosphere. Loving you? The question sinks into |
That mazy business | ||
About writing or to have read it in some book | ||
To silently move away. At Gonnosfanadiga the pumps | ||
Working, argent in the thickening sunset, like boys' shoulders |
And you return to the question as to a calendar of November | ||
Again and again consulting the surface of that enormous affair | ||
I think not to have loved you but the music | ||
Petting the enameled slow-imagined stars | ||
hornpipe? | ||
fireworks? | A concert of dissatisfaction whereby gutter and dust seep | |
To engross the slowXXXX mirrored image and its landscape. | ||
City in dirt, favorable mirth. |