The first typescript
[Page 31]
IV |
The Stamp Album |
Though certain of my eyes | ||
Final meeting with you, the way we live through | ||
These silent periods without fear or surprise | ||
I believe I shall write you (here a red bird breathes, | ||
a little red ink bleeds onto the page; you see | ||
The mildness does go on) to tell you what your brother has done. |
Looking through some of my old poems | ||
To get inspiration for things to talk to you about | ||
I had lost track of the time. It was only | ||
With a secret feeling of delight | ||
I realized tho XXXX all those around me had long since gone to bed | ||
And I all alone in the eye of darkness. |
These moments, one catches | ||
As they come along, afraid to believe too much | ||
In the happiness that might result | ||
Or confide too much of one's love and fear, even in | ||
Oneself. It was thus that I turned to the dark | ||
As to a mirror, an enchanted smile. |
These moments of the "population" | ||
Of the night by the body are not wasted: | ||
The next day the body returns | ||
In costumes "of all nations" holding hands | ||
In a chain of freedom. And, | ||
As one might back a car into a garage | ||
I remained in my chair, steady with sleep, with the desire of sleep. |
I think sometimes the things you take up in your hands | ||
Mean all of you, and the proof of this | ||
Is that you are always part of me | ||
In my nearest dreams. In the forest of unknowledge, | ||
Sege overtopping the canyon of unproved reality | ||
Deeper thanm XX man's soul, and the tremendous sun, rising, |
That is the proof of everything | ||
And, in reality, proves so little. Why is it then, | ||
We are obliged to turn sideways | ||
Facing each other in the tremendous, but embraceable, | ||
Glare that subdues everything around us? | ||
This is space in which only we may stand. |