The first typescript
[Page 33]
IV |
The Stamp Album |
Though certain of my eyes' | ||
Final meeting with you: how we move through | ||
Certain events without fear or surprise | ||
I believe I shall write you (here a red bird breathes, | ||
A little red bleeds onto the page, | ||
The mildness does go on). The distant, purple |
Stamp album:'s my image of you. | ||
So many dried, torn, utterly uninteresting images you both conceal: | ||
Of work, play and piety; centennial expositions, | ||
Of the 75th anniversary of a state, or the founding of the Hungarian Communist Party | ||
I believe it is time we had a look at them. |
And so it is with a secret feeling of delight I realize I am | ||
All alone once again in the skittish darkness, | ||
Leaning toward the magnifying glass, or the tweezers, or the little glass of water. |
One seizes these moments as they come along, afraid | ||
To believe too much in the happiness that might result | ||
Or confide too much of one's love and fear, even in |
Oneself. Thus it was, once, long ago (an enthusiastic?) | ||
I oXXX In our former period, I turned to the dark and enchanted smile. | ||
These moments of "population" |
Of the night by the body are not wasted: | ||
The next day the body returns, |
A multitude of bodies, dressed in the costumes of many lands | ||
And holding a chain of freedom in their hands. |
The first few links are a theme the stamps never tire CCCCCCCCCLCLCLCLCLCLCLCLCLCLCLCLCLCLCLCLCLCLCLCLCLCLL | ||
Of repeating. Take this Iranian track star, for instance, DKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKDKD | ||
Breaking theXXXXXXXXXXXX whose shattered the poisonous |
I think sometimes the things you take up in your hands | ||
Mean all of you, and the proof of this | ||
Is that you are always a part of me, even in my dreams. | ||
When I pick up some humble object | ||
From my desk, turning it between two fingers, carelessly | ||
It means you. In a moment the pane |