PennSound presents a full-length (83 minute) version of Henry Hills's film Emma's Dilemma (1997-2012), which had its premiere at the Microscope Gallery (Brooklyn).
EMMA'S DILEMMA, my major project at the turn
of the millennium, has not yet been completed. I haven't
touched it since I began teaching in Prague several years ago
and it seemed a shame to not at least share some of its
treasures. Shooting began in 1997 shortly before Emma's
12 th birthday and basically completed when she was 17 (although
it could restart at any moment). Our first encounter was with
Jackson MacLow and we continued through Fiona Templeton, Tony
Oursler, Cheryl Donegan, Keith Sanborn, Carolee Schneemann, Sianne
Ngai, Charles Bernstein, Felix Bernstein and Susan Bee (all forthcoming),
as well as those presented here. Gradually as she moved from
sophisticated child to confrontational adolescent, Emma began
to command center stage (also forthcoming). I missed a few hair
color changes while out of town on an editing job in 2001. Editing
proceeded sporadically, but was more or less continuous throughout
2002-2004 , altering speed, direction, orientation, density,
color balance, employing repetition with or without variation.
Complex cuts were made into single objects which could then themselves
be heavily manipulated. Hopefully each section is radically different
in form and method. Finally, though, no matter how wacked-out
my experiments, the internal spirit of the composition takes
control and leads where it will.
"Henry Hills' Emma's Dilemma reinvents the portrait for
the age of digital reproduction. In a set of tour-de-force probes
into the images and essences of such downtown luminaries as Richard
Foreman, Ken Jacobs, Tony Oursler, Carolee Schneemann, and Fiona
Templeton, Hills' cinematic inventions literally turn the
screen upside down and inside out. In this epic journey into
the picaresque, we follow Emma Bee Bernstein, our intrepid protagonist,
from her pre-teen innocence to her late teen-attitude, as she
learns about the downtown art scene firsthand. In the process,
Hills reimagines the art of video in a style that achieves the
density, complexity, and visual richness of his greatest films."
--Charles
Bernstein