Hilton Als
March 29–30, 2021
- Discussion: Streaming video
Bio
Hilton Als began contributing to The New Yorker in 1989,
writing pieces for ‘The Talk of the Town,’ and later became a staff writer in 1994,
theatre critic in 2002, and lead theater critic in 2012. His reviews are not simply reviews;
they are provocative contributions to the discourse on theatre, race, class, sexuality,
and identity in America. He is currently working on a new book titled I Don’t Remember
(Penguin, early 2021), a book length essay on his experiences in AIDS era New York.
Before coming to The New Yorker, Als was a staff writer for the Village Voice and
an editorat-large at Vibe. Als edited the catalogue for the 1994-95 Whitney Museum
of American Art exhibition “Black Male: Representations of Masculinity in Contemporary American
Art.” His first book, The Women, was published in 1996. His book,
White Girls, a finalist
for the National Book Critics Circle Award in 2014 and winner of the 2014 Lambda
Literary Award for Non-fiction, discusses various narratives of race and gender. He
wrote the introduction to the Penguin Classics edition of The Early Stories of Truman
Capote, and was guest editor for the 2018 Best American Essays.
He wrote Andy Warhol:
The Series, a book containing two previously unpublished television scripts for a series
on the life of Andy Warhol. His in-progress debut play, Lives of the Performers, has been
performed at Carolina Performing Arts and LAXART in Los Angeles.
In 1997, the New York Association of Black Journalists awarded Als first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for creative writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. In 2016, he received the Lambda Literary’s Trustee Award for Excellence in Literature, as well as the Windham Campbell Prize for Nonfiction. In 2017 Als won the Pulitzer Prize for Criticism, and in 2018 the Langston Hughes Medal. In 2016, his debut art show “One Man Show: Holly, Candy, Bobbie and the Rest” opened at the Artist’s Institute. He has curated “Alice Neel, Uptown” and “God Made My Face: A Collective Portrait of James Baldwin” at the David Zwirner Gallery in New York City. He is also curating three successive solo exhibitions at the Yale Centre for British Art, the first exhibit in 2018 featured Celia Paul, the second, in 2019, features Lynette Yiadom-Boakye, the third will feature Paul Doig. In 2019 Als partnered with WNYC’s Greene Space on a limited podcast series titled The Way We Live Now: Hilton Als and America’s Poets. He recently contributed an essay to Moonlight, a limited edition book about the film of the same name. Als is an associate professor of writing at Columbia University’s School of the Arts and has taught at Yale University, Wesleyan, and Smith College. He lives in New York City.